跨语言文化研究最新文献

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Contextualising the Bounty in Pacific Maritime Culture 太平洋海洋文化背景下的赏金
跨语言文化研究 Pub Date : 2018-10-31 DOI: 10.22459/bb.10.2018.01
Jean-Claude Teriierooiterai
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引用次数: 0
A Ship is Burning: Jack London’s ‘The Seed of McCoy’ (Tales of the Pacific, 1911), or Sailing Away from Pitcairn 一艘船在燃烧:杰克·伦敦的《麦考伊的种子》(《太平洋故事集》,1911年),或《远离皮特凯恩》
跨语言文化研究 Pub Date : 2018-10-31 DOI: 10.22459/bb.10.2018.05
Jean-Pierre Naugrette
{"title":"A Ship is Burning: Jack London’s ‘The Seed of McCoy’ (Tales of the Pacific, 1911), or Sailing Away from Pitcairn","authors":"Jean-Pierre Naugrette","doi":"10.22459/bb.10.2018.05","DOIUrl":"https://doi.org/10.22459/bb.10.2018.05","url":null,"abstract":"A major writer never sails away alone, without any reference or book at hand. Even at the far end of the world, there is always a literary reminiscence, the trace of a volume, a library of sorts, in his cabin, guiding him on his way, like the wake of a ship. When sailing up the Congo River, André Gide had quite naturally Joseph Conrad’s Heart of Darkness (1899) in mind, and Robert Louis Stevenson’s novel The Master of Ballantrae in his luggage:1 his Voyage au Congo (1926–27) is dedicated to ‘the memory of Joseph Conrad’ and includes, on the same page, a quotation from John Keats: ‘Better be imprudent moveables than prudent fixtures’, which may serve as a motto for adventure. This was also the case with Jack London when he left San Francisco and the devastation caused by earthquake (18 April 1906), sailing away on board his ketch the Snark on 23 April 1907: he was embarking on a cruise ‘in the wake of ’ such famous literary predecessors as Herman Melville, Mark Twain and Robert","PeriodicalId":70308,"journal":{"name":"跨语言文化研究","volume":"6 1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83763715","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Brando on the Bounty 白兰度在赏金号上
跨语言文化研究 Pub Date : 2018-10-01 DOI: 10.22459/BB.10.2018.06
R. Jolly, S. Petch
{"title":"Brando on the Bounty","authors":"R. Jolly, S. Petch","doi":"10.22459/BB.10.2018.06","DOIUrl":"https://doi.org/10.22459/BB.10.2018.06","url":null,"abstract":"Film studio MGM’s 1962 film Mutiny on the Bounty (hereafter 1962) accords with no one’s assumptions about the events that occurred on HMAV Bounty in 1787–89, and Marlon Brando is nobody’s idea of Fletcher Christian. This may be why the film is impossible to see at the cinema, why it never gets shown on television, and why the DVD version is harder to find in libraries than MGM’s earlier film of the same title, which was released in 1935 (hereafter 1935). That film, starring Clark Gable as Christian and Charles Laughton as William Bligh, won the 1936 Academy Award for Best Picture, and remains the canonical cinematic version of the mutiny on the Bounty. The 1962 film (with Trevor Howard as Bligh) was nominated for seven Academy Awards at the 1963 Oscars, but was blown out of the water by David Lean’s Lawrence of Arabia. Like another contentious epic, John Milton’s Paradise Lost, 1962 was delayed by ‘long choosing, and beginning late’.1 Its production spanned two years and went through several writers and directors, including the uncredited Carol Reed. Although it did reasonably well at the box office, the film failed to recover its costs – a failure for which Brando (whose contract","PeriodicalId":70308,"journal":{"name":"跨语言文化研究","volume":"496 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72546392","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pitcairn before the Mutineers: Revisiting the Isolation of a Polynesian Island 叛变前的皮特凯恩:重访波利尼西亚孤岛
跨语言文化研究 Pub Date : 2018-10-01 DOI: 10.22459/BB.10.2018.02
G. Molle, Aymeric Hermann
{"title":"Pitcairn before the Mutineers: Revisiting the Isolation of a Polynesian Island","authors":"G. Molle, Aymeric Hermann","doi":"10.22459/BB.10.2018.02","DOIUrl":"https://doi.org/10.22459/BB.10.2018.02","url":null,"abstract":"The myth of Pitcairn, building on the destiny of the Bounty mutineers, focuses on the recent history of this island as the epitome of marginality and isolation. Human occupation of the island, however, occurred long before the Bounty settlement, and Pitcairn provides a fascinating example of Polynesian sustainability that is little known to the general public. Located at the eastern fringe of Central Eastern Polynesia, the Pitcairn group includes the volcanic island of Pitcairn (4.5 square kilometres), the elevated limestone island of Henderson (37.2 square kilometres) and the two small atolls of Oeno and Ducie (Figure 2.1). Situated approximately 400 kilometres east of the Gambier Islands and 1,700 kilometres west of Rapa Nui/Easter Island, this island group is one of the world’s most geographically isolated.","PeriodicalId":70308,"journal":{"name":"跨语言文化研究","volume":"63 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86464182","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
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