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A Moving Which Is Not a Moving: Michael Snow's Wavelength 移动的却不是移动的:迈克尔·斯诺的波长
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2020-08-12 DOI: 10.1353/pmc.2020.0007
E. McCallum
{"title":"A Moving Which Is Not a Moving: Michael Snow's Wavelength","authors":"E. McCallum","doi":"10.1353/pmc.2020.0007","DOIUrl":"https://doi.org/10.1353/pmc.2020.0007","url":null,"abstract":"Abstract:Michael Snow's canonical experimental film Wavelength is commonly understood to model cinematic apparatus theory. This essay reads Wavelength through a different apparatus, one used in physics' well-known double-slit experiment to demonstrate the wave theory of light. Reading the film via this quantum apparatus orients us to a different mode of spectatorship than cinema's apparatus theory—a mode of fascination. Reading Wavelength through fascination decenters the human subject, questions the tacit humanism of even materialist interpretations of the film, and opens up a new vantage on both the animacy in the film and its critical readings.","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41854306","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Queer Nations and Trans-lations: A review of Akiko Shimizu, "'Imported' Feminism and 'Indigenous' Queerness: From Backlash to Transphobic Feminism in Transnational Japanese Context." Lecture and Seminar, University of California, Berkeley, 27-28 Jan. 2020 Queer Nations and Translations:Akiko Shimizu综述，“‘进口’女权主义和‘本土’酷儿：从日本跨国背景下的反弹到跨恐惧女权主义”。讲座和研讨会，加州大学伯克利分校，2020年1月27-28日
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2020-08-12 DOI: 10.1353/pmc.2020.0002
D. Maude
{"title":"Queer Nations and Trans-lations: A review of Akiko Shimizu, \"'Imported' Feminism and 'Indigenous' Queerness: From Backlash to Transphobic Feminism in Transnational Japanese Context.\" Lecture and Seminar, University of California, Berkeley, 27-28 Jan. 2020","authors":"D. Maude","doi":"10.1353/pmc.2020.0002","DOIUrl":"https://doi.org/10.1353/pmc.2020.0002","url":null,"abstract":"","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42160068","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Power of Absolute Nothing: Psycho-Sexual Fascination and Sadomasochism in Secretary 绝对虚无的力量:《秘书》中的性心理迷恋和施虐受虐
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2020-08-12 DOI: 10.1353/pmc.2020.0010
K. Tembo
{"title":"The Power of Absolute Nothing: Psycho-Sexual Fascination and Sadomasochism in Secretary","authors":"K. Tembo","doi":"10.1353/pmc.2020.0010","DOIUrl":"https://doi.org/10.1353/pmc.2020.0010","url":null,"abstract":"ABSTRACT:In the psychoanalytic theories of Sigmund Freud and Lacan, the term fascination – which connotes being immobilized, charmed, enchanted, attracted, enraptured, seized, captured, and/or dazzled by the power of the gaze – also evokes dynamics of power. Fascination is associated with the hypnotic bondage of love that paralyzes critical faculties and leads to dependence, docile submission, and jejune credulity; it is also associated with sexual relationships. This paper theorizes the psycho-sexual consequences of the relationship between sadomasochism and fascination through Steven Shainberg's Secretary (2002).","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44530539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction: "The Most Fascinating Medium" 简介:“最迷人的媒介”
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2020-08-12 DOI: 10.1353/pmc.2020.0005
M. Tuhkanen
{"title":"Introduction: \"The Most Fascinating Medium\"","authors":"M. Tuhkanen","doi":"10.1353/pmc.2020.0005","DOIUrl":"https://doi.org/10.1353/pmc.2020.0005","url":null,"abstract":"","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47768767","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Acting Otherwise: Literary Justice and the Politics of Compassion: A review of Elisabeth Weber, Kill Boxes: the Legacy of Torture, Drone Warfare, and Indefinite Detention 否则行动:文学正义与同情政治:伊丽莎白·韦伯的《杀戮盒子:酷刑、无人机战争和无限期拘留的遗产》书评
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2020-04-15 DOI: 10.1353/pmc.2019.0021
W. Johnston
{"title":"Acting Otherwise: Literary Justice and the Politics of Compassion: A review of Elisabeth Weber, Kill Boxes: the Legacy of Torture, Drone Warfare, and Indefinite Detention","authors":"W. Johnston","doi":"10.1353/pmc.2019.0021","DOIUrl":"https://doi.org/10.1353/pmc.2019.0021","url":null,"abstract":"","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45732038","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Garbage Infrastructure, Sanitation, and New Meanings of Citizenship in Lebanon 黎巴嫩的垃圾基础设施、卫生设施和公民身份的新含义
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2020-04-15 DOI: 10.1353/pmc.2019.0018
Joanne Nucho
{"title":"Garbage Infrastructure, Sanitation, and New Meanings of Citizenship in Lebanon","authors":"Joanne Nucho","doi":"10.1353/pmc.2019.0018","DOIUrl":"https://doi.org/10.1353/pmc.2019.0018","url":null,"abstract":"Abstract:In 2015, protestors south of Beirut, Lebanon, blocked the road to the landfill in Naimeh, an improperly prepared and overflowing dumpsite that serves as a collection point for Beirut's garbage. As piles of garbage grew on Beirut's streets, so did a massive protest that was not defined or organized by either of the major political factions or any of the sectarian political parties in Lebanon. Why were the 2015 protests not organized along the dominant sectarian political lines? This article analyzes the protests and their aftermath to understand how a relation to shared infrastructures plays a role in the emergent forms of citizenship brought about in the protest movement.","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43413852","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Earth on the Frontier: the Environment as Consistent Relation: A review of Frédéric Neyrat, The Unconstructable Earth: An Ecology of Separation 边疆上的地球:作为一致关系的环境——评弗雷姆·内拉特《不可建构的地球:分离的生态学》
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2020-04-15 DOI: 10.1353/pmc.2019.0023
Christine E Malcolm
{"title":"Earth on the Frontier: the Environment as Consistent Relation: A review of Frédéric Neyrat, The Unconstructable Earth: An Ecology of Separation","authors":"Christine E Malcolm","doi":"10.1353/pmc.2019.0023","DOIUrl":"https://doi.org/10.1353/pmc.2019.0023","url":null,"abstract":"","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47432856","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Quiet Manifesto: A Review of Jonathan Kramnick, Paper Minds: Literature and the Ecology of Consciousness 一个安静的宣言:乔纳森·克拉姆尼克《纸上的思想:文学与意识的生态》书评
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2020-04-15 DOI: 10.1353/pmc.2019.0022
Nathaniel Likert
{"title":"A Quiet Manifesto: A Review of Jonathan Kramnick, Paper Minds: Literature and the Ecology of Consciousness","authors":"Nathaniel Likert","doi":"10.1353/pmc.2019.0022","DOIUrl":"https://doi.org/10.1353/pmc.2019.0022","url":null,"abstract":"","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47885874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cinematic Masculinity in the Age of Finance 金融时代的电影男子气概
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2020-04-15 DOI: 10.1353/pmc.2019.0017
M. Steven
{"title":"Cinematic Masculinity in the Age of Finance","authors":"M. Steven","doi":"10.1353/pmc.2019.0017","DOIUrl":"https://doi.org/10.1353/pmc.2019.0017","url":null,"abstract":"Abstract:This essay shows how popular cinema represents financialization and finance capitalism by leveraging male stardom as an allegory for superannuated forms of productive labor in Cosmopolis (2012), Dark Knight Rises (2012), Magic Mike (2012), The Wolf of Wall Street (2013), The Lego Movie (2014), and The Big Short (2015). Building on recent film history and scholarship about financialization and the 2008 banking collapse, it illustrates that popular cinema remains committed to the representation of finance even as the credit crisis recedes from view in the mass media, and that it recalls large-scale productive industry while contributing to racialized and gendered myths of labor and value.","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43133943","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pygmalion Punks: The Shared Stitches of Puppetry and the Sex Pistols 皮格马利翁朋克：木偶戏和性手枪的共同缝合
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2020-04-15 DOI: 10.1353/pmc.2019.0020
Kevin Cooley
{"title":"Pygmalion Punks: The Shared Stitches of Puppetry and the Sex Pistols","authors":"Kevin Cooley","doi":"10.1353/pmc.2019.0020","DOIUrl":"https://doi.org/10.1353/pmc.2019.0020","url":null,"abstract":"Abstract:The essay turns to a rarely acknowledged but rich contextual overlap between puppetry, on the one hand, and punk sartorial and musical cultures, on the other. Through readings of two texts that present this overlap most clearly, namely, the film Labyrinth (1986) and the sitcom The Young Ones (1982-84), it shows that both the punk and the puppet challenge the domestication of specific materials as unified sites of meaning.","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41999250","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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