移动的却不是移动的:迈克尔·斯诺的波长

IF 0.2 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

POSTMODERN CULTURE Pub Date : 2020-08-12 DOI:10.1353/pmc.2020.0007

E. McCallum

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引用次数: 0

摘要

摘要:迈克尔·斯诺的经典实验电影《波长》通常被理解为电影装置理论的模型。本文通过一种不同的设备来阅读《波长》，这种设备用于物理学中著名的双缝实验，以证明光的波动理论。通过这种量子装置来解读电影，将我们引向一种不同于电影装置理论的观看模式——一种迷恋模式。通过着迷来阅读《波长》将人类主体去中心化，质疑了对电影的唯物主义解读中隐含的人文主义，并为电影的动画性及其批判性解读开辟了一个新的优势。

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A Moving Which Is Not a Moving: Michael Snow's Wavelength

Abstract:Michael Snow's canonical experimental film Wavelength is commonly understood to model cinematic apparatus theory. This essay reads Wavelength through a different apparatus, one used in physics' well-known double-slit experiment to demonstrate the wave theory of light. Reading the film via this quantum apparatus orients us to a different mode of spectatorship than cinema's apparatus theory—a mode of fascination. Reading Wavelength through fascination decenters the human subject, questions the tacit humanism of even materialist interpretations of the film, and opens up a new vantage on both the animacy in the film and its critical readings.

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来源期刊

POSTMODERN CULTURE HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Founded in 1990 as a groundbreaking experiment in scholarly publishing on the Internet, Postmodern Culture has become a leading electronic journal of interdisciplinary thought on contemporary culture. PMC offers a forum for commentary, criticism, and theory on subjects ranging from identity politics to the economics of information.