皮格马利翁朋克：木偶戏和性手枪的共同缝合

IF 0.2 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

POSTMODERN CULTURE Pub Date : 2020-04-15 DOI:10.1353/pmc.2019.0020

Kevin Cooley

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引用次数: 0

摘要

摘要：这篇文章转向了木偶戏与朋克服装和音乐文化之间罕见但丰富的背景重叠。通过阅读两个最清楚地呈现这种重叠的文本，即电影《迷宫》（1986年）和情景喜剧《年轻人》（1982-84年），它表明朋克和木偶都在挑战将特定材料驯化为统一的意义场所。

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Pygmalion Punks: The Shared Stitches of Puppetry and the Sex Pistols

Abstract:The essay turns to a rarely acknowledged but rich contextual overlap between puppetry, on the one hand, and punk sartorial and musical cultures, on the other. Through readings of two texts that present this overlap most clearly, namely, the film Labyrinth (1986) and the sitcom The Young Ones (1982-84), it shows that both the punk and the puppet challenge the domestication of specific materials as unified sites of meaning.

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来源期刊

POSTMODERN CULTURE HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Founded in 1990 as a groundbreaking experiment in scholarly publishing on the Internet, Postmodern Culture has become a leading electronic journal of interdisciplinary thought on contemporary culture. PMC offers a forum for commentary, criticism, and theory on subjects ranging from identity politics to the economics of information.