金融时代的电影男子气概

IF 0.2 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

POSTMODERN CULTURE Pub Date : 2020-04-15 DOI:10.1353/pmc.2019.0017

M. Steven

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引用次数: 0

摘要

摘要:本文在《大都会》(2012)、《黑暗骑士崛起》(2012)、《魔力麦克》(2012)、《华尔街之狼》(2013)、《乐高电影》(2014)和《大卖空》(2015)中展示了流行电影如何利用男星作为生产劳动过时形式的寓言来代表金融化和金融资本主义。以最近的电影史和关于金融化和2008年银行业崩溃的学术研究为基础，它表明，即使信贷危机从大众媒体的视野中退去，大众电影仍然致力于金融的表现，它让人想起大规模的生产性工业，同时助长了劳动和价值的种族化和性别化神话。

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Cinematic Masculinity in the Age of Finance

Abstract:This essay shows how popular cinema represents financialization and finance capitalism by leveraging male stardom as an allegory for superannuated forms of productive labor in Cosmopolis (2012), Dark Knight Rises (2012), Magic Mike (2012), The Wolf of Wall Street (2013), The Lego Movie (2014), and The Big Short (2015). Building on recent film history and scholarship about financialization and the 2008 banking collapse, it illustrates that popular cinema remains committed to the representation of finance even as the credit crisis recedes from view in the mass media, and that it recalls large-scale productive industry while contributing to racialized and gendered myths of labor and value.

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来源期刊

POSTMODERN CULTURE HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Founded in 1990 as a groundbreaking experiment in scholarly publishing on the Internet, Postmodern Culture has become a leading electronic journal of interdisciplinary thought on contemporary culture. PMC offers a forum for commentary, criticism, and theory on subjects ranging from identity politics to the economics of information.