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Underground Fanon: A Review of Gavin Arnall, Subterranean Fanon: An Underground Theory of Radical Change 地下法农：加文·阿纳尔《地下法农——激进变革的地下理论》述评
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2022-01-01 DOI: 10.1353/pmc.2022.0007
Anthony Alessandrini
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引用次数: 1
Neither Optimism nor Pessimism: A review of David Marriott, Whither Fanon? 既不乐观也不悲观：David Marriott，Whither Fanon的评论？
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2022-01-01 DOI: 10.1353/pmc.2022.0010
G. Maher
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引用次数: 0
Notes on Contributors: Volume 32, Number 2, January 2022 投稿人备注:第32卷，第2期，2022年1月
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2022-01-01 DOI: 10.1353/pmc.2022.0000
{"title":"Notes on Contributors: Volume 32, Number 2, January 2022","authors":"","doi":"10.1353/pmc.2022.0000","DOIUrl":"https://doi.org/10.1353/pmc.2022.0000","url":null,"abstract":"Abstract:This article works out a logic for trash in videogames through its consideration of the ludic artifact. Defining videogame trash as that which graphically outlives the execution of its ludic function, the essay distinguishes trash from objects that signify as real-world refuse, like Mario Kart’s banana peels, and the merely decorative. It also addresses the correlation between technical capability and a graphic verisimilitude that generates trashscapes. Examining videogames from Super Mario Bros. to The Elder Scrolls V: Skyrim, this article’s philosophical, technical, and art-historical approach departs from narratology and garbage studies to offer a prolegomenon for further inquiry.","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48328558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Challenging Theater in the Special Period: A review of Bretton White, Staging Discomfort: Performance and Queerness in Contemporary Cuba 特殊时期挑战戏剧:对布雷顿·怀特的评论，《舞台不适:当代古巴的表演和酷儿性》
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2022-01-01 DOI: 10.1353/pmc.2022.0009
Katherine E. Ford
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引用次数: 0
Horrible Beauty: Robin Coste Lewis’s Black Aesthetic Practice 可怕的美：罗宾·科斯特·刘易斯的黑人美学实践
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2022-01-01 DOI: 10.1353/pmc.2022.0004
M. Scully
{"title":"Horrible Beauty: Robin Coste Lewis’s Black Aesthetic Practice","authors":"M. Scully","doi":"10.1353/pmc.2022.0004","DOIUrl":"https://doi.org/10.1353/pmc.2022.0004","url":null,"abstract":"Abstract:In Voyage of the Sable Venus and Other Poems (2015), Robin Coste Lewis deploys “horrible beauty” as a dissensual aesthetic experience that challenges the perceiving subject. To experience horrible beauty, in Lewis’s poetry, is to be called to reflect on and critique the pathologies of whiteness upheld and perpetuated by aesthetic scenes, as well as to reframe what has been rendered either invisible or hypervisible. By arresting the perceiving subject, horrible beauty functions as a political aesthetic in its critique of the ways that regimes of race, gender, and sexuality both shape and foreclose experience.","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49336422","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Against Digital Worldlessness: Arendt, Narrative, and the Onto-Politics of Big Data/AI Technologies 反对数字世界性：阿伦特、叙事与大数据/人工智能技术的政治转向
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2022-01-01 DOI: 10.1353/pmc.2022.0002
E. Ziarek
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引用次数: 1
Climates of the Absurd in Chantal Peñalosa and José-Luis Moctezuma’s “CCTV” Chantal Peñalosa和José-Luis Moctezuma的“CCTV”中的荒诞气候
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2022-01-01 DOI: 10.1353/pmc.2022.0005
Judith Goldman
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引用次数: 0
Dispossession, Property, and the Clash of Interests: Reflections on Early Marx and Late Bensaïd: A review of Daniel Bensaïd, The Dispossessed: Karl Marx’s Debates on Wood Theft and the Right of the Poor 剥夺、财产和利益冲突:马克思早期和晚期的反思Bensaïd:对丹尼尔Bensaïd，《被剥夺者:卡尔·马克思关于盗窃木材和穷人权利的辩论》的评论
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2021-12-24 DOI: 10.1353/pmc.2021.0013
Bret Benjamin
{"title":"Dispossession, Property, and the Clash of Interests: Reflections on Early Marx and Late Bensaïd: A review of Daniel Bensaïd, The Dispossessed: Karl Marx’s Debates on Wood Theft and the Right of the Poor","authors":"Bret Benjamin","doi":"10.1353/pmc.2021.0013","DOIUrl":"https://doi.org/10.1353/pmc.2021.0013","url":null,"abstract":"","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45761883","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Impossibility of Multiracial Democracy 多元种族民主的不可能
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2021-12-24 DOI: 10.1353/pmc.2021.0011
Christopher Chamberlin
{"title":"The Impossibility of Multiracial Democracy","authors":"Christopher Chamberlin","doi":"10.1353/pmc.2021.0011","DOIUrl":"https://doi.org/10.1353/pmc.2021.0011","url":null,"abstract":"Abstract:Democracy becomes modern after it abolishes slavery and assumes its primary feature—race. Paradoxically, political theory cannot formalize a notion of democracy that incorporates the ex-slave or a post-slavery democracy that does not prescribe racial genocide. This essay shows that this paradox is structural, and tracks its transformation from Alexis de Tocqueville’s and Gustave de Beaumont’s nineteenth-century meditations on the specter of abolition to UNESCO’s postwar statements on race, particularly through Claude Lévi-Strauss’s and W.E.B. Du Bois’s subsequent critiques of racial capitalism. It concludes by reflecting on the ethics of war as a materialization of the impossibility of multiracial democracy.","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48238597","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Resistance and Biopower: Shame, Cynicism, and Struggle in the Era of Neoliberalism and the Alt-Right 抵抗与生命力量:新自由主义和另类右翼时代的羞耻、玩世不恭和斗争
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2021-12-24 DOI: 10.1353/pmc.2021.0009
A. K. Kordela
{"title":"Resistance and Biopower: Shame, Cynicism, and Struggle in the Era of Neoliberalism and the Alt-Right","authors":"A. K. Kordela","doi":"10.1353/pmc.2021.0009","DOIUrl":"https://doi.org/10.1353/pmc.2021.0009","url":null,"abstract":"Abstract:This essay examines the relation between neoliberalism and the alt-right, showing that their shared cynical amoralism elevates irresponsibility to the level of absolute morality, such that the Democrats’ exhortation to shame proves counterproductive. The alt-right’s outrage-inducing effect on the Democrats is due to its double relation to biopower: insofar as biopower governs the society of shameless jouissance, the alt-right conforms to the biopolitical rules and flaunts its own modes of jouissance; but insofar as biopower must hide its political nature, the alt-right breaks the rules by revealing biopower’s hidden (sovereign) underside. This raises the question of whether resistance should operate according to the rules of overt or covert sovereignty.","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44376225","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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