POSTMODERN CULTURE最新文献

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Renewing Humanism Against the Anthropocene: Towards a Theory of the Hysterical Sublime 反人类世的人本主义更新:走向一种歇斯底里的崇高理论
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2021-12-24 DOI: 10.1353/pmc.2021.0012
Matthew Flisfeder
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引用次数: 1
Alone We Fall: A review of Jennifer Gaffney, Political Loneliness: Modern Liberal Subjects in Hiding 《孤独我们堕落》:詹妮弗·加夫尼《政治孤独:隐藏的现代自由主义主体》书评
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2021-12-24 DOI: 10.1353/pmc.2021.0015
S. Lederman
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引用次数: 1
Prowling Foucault: A review of Lynne Huffer, Foucault’s Strange Eros 徘徊的福柯:林恩·赫弗《福柯的奇异爱欲》述评
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2021-12-24 DOI: 10.1353/pmc.2021.0014
Britton Edelen
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引用次数: 0
The Impassable Dream 不可逾越的梦想
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2021-12-24 DOI: 10.1353/pmc.2021.0010
John Mowitt
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引用次数: 0
Patterns within Grids: A review of Tom Roach, Screen Love: Queer Intimacies in the Grindr Era. SUNY Press, 2021 网格中的模式:汤姆·罗奇的评论,《银幕之爱:Grindr时代的酷儿亲密关系》。纽约州立大学出版社,2021
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2021-11-04 DOI: 10.1353/pmc.2021.0006
Susanna Paasonen
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引用次数: 0
Pork to the Future: A review of João Florêncio, Bareback Porn, Porous Masculinities, Queer Futures: The Ethics of Becoming-Pig 猪肉的未来:回顾jo<s:1> o Florêncio,无鞍色情,多孔的男子主义,酷儿的未来:成为猪的伦理
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2021-11-04 DOI: 10.1353/pmc.2021.0007
Steven Ruszczycky
{"title":"Pork to the Future: A review of João Florêncio, Bareback Porn, Porous Masculinities, Queer Futures: The Ethics of Becoming-Pig","authors":"Steven Ruszczycky","doi":"10.1353/pmc.2021.0007","DOIUrl":"https://doi.org/10.1353/pmc.2021.0007","url":null,"abstract":"","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66300448","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Disordered Review of Chanda Prescod-Weinstein, The Disordered Cosmos 钱达·普雷scod - weinstein《混乱的宇宙》书评
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2021-11-04 DOI: 10.1353/pmc.2021.0008
S. Yeager
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引用次数: 0
No Country for Old White Men: Living at the Boundary of Blackness: A review of Joshua Bennett, Being Property Once Myself: Blackness and the End of Man and Zakiyyah Iman Jackson, Becoming Human: Matter and Meaning in an Antiblack World 白人老人没有国家:生活在黑人的边界:约书亚·本内特的《成为曾经的财产:黑人与人类的终结》和扎基亚·伊曼·杰克逊的《成为人类:反黑人世界中的物质与意义》综述
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2021-11-04 DOI: 10.1353/pmc.2021.0005
Sharon P. Holland
{"title":"No Country for Old White Men: Living at the Boundary of Blackness: A review of Joshua Bennett, Being Property Once Myself: Blackness and the End of Man and Zakiyyah Iman Jackson, Becoming Human: Matter and Meaning in an Antiblack World","authors":"Sharon P. Holland","doi":"10.1353/pmc.2021.0005","DOIUrl":"https://doi.org/10.1353/pmc.2021.0005","url":null,"abstract":"","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49526914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Alain Badiou's Age of the Poets: The Desacralizing of the Poem 阿兰·巴迪欧的诗人时代:诗歌的去神圣化
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2021-11-04 DOI: 10.1353/pmc.2021.0000
A. Moreiras
{"title":"Alain Badiou's Age of the Poets: The Desacralizing of the Poem","authors":"A. Moreiras","doi":"10.1353/pmc.2021.0000","DOIUrl":"https://doi.org/10.1353/pmc.2021.0000","url":null,"abstract":"Abstract:This essay examines Alain Badiou's claims concerning the historical end of what he calls \"the Age of the Poets\": a configuration of thought that keeps philosophy sutured to poetry, which can never be the only condition of philosophy but merely one of them. The Age of the Poets stretches from Friedrich Nietzsche to Paul Celan, and Martin Heidegger becomes its major upholder and representative. For Badiou, undoing the poetico-philosophical suture is a condition of the freedom of philosophy. This essay proposes that Badiou's liberation of philosophy from poetry is simultaneously a liberation of poetry from philosophy that makes a better encounter possible.","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42263180","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
My Mother's Bones: The Photographic Bodies of Camera Lucida and Halving the Bones 《我母亲的骨头:露西达的摄影身体》和《把骨头切成两半》
IF 0.3 4区 社会学
POSTMODERN CULTURE Pub Date : 2021-11-04 DOI: 10.1353/pmc.2021.0004
Chelsea Oei Kern
{"title":"My Mother's Bones: The Photographic Bodies of Camera Lucida and Halving the Bones","authors":"Chelsea Oei Kern","doi":"10.1353/pmc.2021.0004","DOIUrl":"https://doi.org/10.1353/pmc.2021.0004","url":null,"abstract":"Abstract:This essay brings together Roland Barthes's Camera Lucida and Ruth Ozeki's documentary Halving the Bones in order to situate the conceit of maternal photography within discourses of social and racial reproduction. Although Barthes's theory of photography neglects race, it prepares the ground for a logic of maternal reproduction through photography that is not realized within Camera Lucida. Ozeki extends Barthes's theory of photography-as-mothering to posit film as a medium that meets the needs of a contentious, mixed-race Asian body—both to escape narratives of race as enforced through the photograph, and to ensure the continued visibility of that body.","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43605636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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