《我母亲的骨头:露西达的摄影身体》和《把骨头切成两半》

IF 0.2 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

POSTMODERN CULTURE Pub Date : 2021-11-04 DOI:10.1353/pmc.2021.0004

Chelsea Oei Kern

{"title":"《我母亲的骨头:露西达的摄影身体》和《把骨头切成两半》","authors":"Chelsea Oei Kern","doi":"10.1353/pmc.2021.0004","DOIUrl":null,"url":null,"abstract":"Abstract:This essay brings together Roland Barthes's Camera Lucida and Ruth Ozeki's documentary Halving the Bones in order to situate the conceit of maternal photography within discourses of social and racial reproduction. Although Barthes's theory of photography neglects race, it prepares the ground for a logic of maternal reproduction through photography that is not realized within Camera Lucida. Ozeki extends Barthes's theory of photography-as-mothering to posit film as a medium that meets the needs of a contentious, mixed-race Asian body—both to escape narratives of race as enforced through the photograph, and to ensure the continued visibility of that body.","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2021-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"My Mother's Bones: The Photographic Bodies of Camera Lucida and Halving the Bones\",\"authors\":\"Chelsea Oei Kern\",\"doi\":\"10.1353/pmc.2021.0004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This essay brings together Roland Barthes's Camera Lucida and Ruth Ozeki's documentary Halving the Bones in order to situate the conceit of maternal photography within discourses of social and racial reproduction. Although Barthes's theory of photography neglects race, it prepares the ground for a logic of maternal reproduction through photography that is not realized within Camera Lucida. Ozeki extends Barthes's theory of photography-as-mothering to posit film as a medium that meets the needs of a contentious, mixed-race Asian body—both to escape narratives of race as enforced through the photograph, and to ensure the continued visibility of that body.\",\"PeriodicalId\":55953,\"journal\":{\"name\":\"POSTMODERN CULTURE\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-11-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"POSTMODERN CULTURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/pmc.2021.0004\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"POSTMODERN CULTURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/pmc.2021.0004","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}

引用次数: 0

摘要

摘要:本文将罗兰·巴特的《露西达相机》和露丝·欧泽基的纪录片《骨头减半》结合在一起，试图将母亲摄影的自负置于社会和种族再生产的话语中。尽管巴特的摄影理论忽略了种族，但它为通过摄影实现母性生殖的逻辑奠定了基础，而这一逻辑并没有在《透视相机》中实现。Ozeki扩展了巴特的摄影作为母亲的理论，将电影作为一种媒介，满足了一个有争议的、混合种族的亚洲身体的需求——既逃避了通过照片强制执行的种族叙事，又确保了身体的持续可见性。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

My Mother's Bones: The Photographic Bodies of Camera Lucida and Halving the Bones

Abstract:This essay brings together Roland Barthes's Camera Lucida and Ruth Ozeki's documentary Halving the Bones in order to situate the conceit of maternal photography within discourses of social and racial reproduction. Although Barthes's theory of photography neglects race, it prepares the ground for a logic of maternal reproduction through photography that is not realized within Camera Lucida. Ozeki extends Barthes's theory of photography-as-mothering to posit film as a medium that meets the needs of a contentious, mixed-race Asian body—both to escape narratives of race as enforced through the photograph, and to ensure the continued visibility of that body.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

POSTMODERN CULTURE HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Founded in 1990 as a groundbreaking experiment in scholarly publishing on the Internet, Postmodern Culture has become a leading electronic journal of interdisciplinary thought on contemporary culture. PMC offers a forum for commentary, criticism, and theory on subjects ranging from identity politics to the economics of information.