Horrible Beauty: Robin Coste Lewis’s Black Aesthetic Practice

IF 0.2 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

POSTMODERN CULTURE Pub Date : 2022-01-01 DOI:10.1353/pmc.2022.0004

M. Scully

引用次数: 0

Abstract

Abstract:In Voyage of the Sable Venus and Other Poems (2015), Robin Coste Lewis deploys “horrible beauty” as a dissensual aesthetic experience that challenges the perceiving subject. To experience horrible beauty, in Lewis’s poetry, is to be called to reflect on and critique the pathologies of whiteness upheld and perpetuated by aesthetic scenes, as well as to reframe what has been rendered either invisible or hypervisible. By arresting the perceiving subject, horrible beauty functions as a political aesthetic in its critique of the ways that regimes of race, gender, and sexuality both shape and foreclose experience.

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可怕的美：罗宾·科斯特·刘易斯的黑人美学实践

摘要：罗宾·科斯特·刘易斯（Robin Coste Lewis）在《金星之旅》（Voyage of the Sable Venus）和《其他诗歌》（2015）中，将“可怕的美”作为一种挑战感知主体的异议美学体验。在刘易斯的诗歌中，体验可怕的美是为了反思和批判审美场景所维护和延续的白人病态，以及重塑被渲染为无形或超可视的东西。通过捕捉感知主体，可怕的美在其对种族、性别和性制度塑造和剥夺经验的方式的批判中起到了政治美学的作用。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

POSTMODERN CULTURE HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Founded in 1990 as a groundbreaking experiment in scholarly publishing on the Internet, Postmodern Culture has become a leading electronic journal of interdisciplinary thought on contemporary culture. PMC offers a forum for commentary, criticism, and theory on subjects ranging from identity politics to the economics of information.