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Evidence of royal painting for the Amber court 琥珀宫廷皇室画作的证据
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1996-01-01 DOI: 10.2307/3250105
C. Glynn
{"title":"Evidence of royal painting for the Amber court","authors":"C. Glynn","doi":"10.2307/3250105","DOIUrl":"https://doi.org/10.2307/3250105","url":null,"abstract":"L'auteur etudie une serie de peintures representant, a sa majorite, Rām Singh, fils aine de Rājā Jai Singh, Mīrzā Rājā d'Amber (Jaipur), tres lie a la cour moghole des l'âge de huit ans. Ces oeuvres temoignent de l'existence d'un patronnage artistique de la part des Rājā d'Amber et de l'existence d'un atelier de peinture sur ce territoire au 17e siecle","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"2 1","pages":"67"},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250105","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68513295","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Sheng Mou : The coalescence of professional and literati painting in late Yuan China 盛谋:中国元末专业绘画与文人绘画的融合
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1996-01-01 DOI: 10.2307/3250119
Sandra Jean Wetzel
{"title":"Sheng Mou : The coalescence of professional and literati painting in late Yuan China","authors":"Sandra Jean Wetzel","doi":"10.2307/3250119","DOIUrl":"https://doi.org/10.2307/3250119","url":null,"abstract":"L'auteur etudie la vie et l'evolution artistique du peintre Sheng Mou (actif entre 1340 et 1365) et de sa capacite a s'adapter aux gouts de ses mecenes et a l'evoluion du style et de la theorie picturale dans la region de Jiangnan, a la fin de la dynastie des Yuan. Il s'interesse, dans un premier temps, a sa biographie, a la region ou il a travaille et a l'impact de ces deux facteurs sur le type de commandes qu'il a recu, puis analyse l'evolution de son travail et ses implications sociales, economiques et artistiques","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"56 1","pages":"263-289"},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250119","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68513559","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Man and man-lion : The Philadelphia Narasimha 人与人狮:费城Narasimha
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1996-01-01 DOI: 10.2307/3250120
M. Meister
{"title":"Man and man-lion : The Philadelphia Narasimha","authors":"M. Meister","doi":"10.2307/3250120","DOIUrl":"https://doi.org/10.2307/3250120","url":null,"abstract":"Etude iconographique et stylistique d'une sculpture acquise par le Philadelphia Museum of Art en 1987, representant Narasimha, l'homme-lion et l'un des principaux avatars de Visnou, attribuee a l'ecole de Mathurā (Uttar Pradesh) et date du IVe s. apr. J.-C.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"56 1","pages":"291-301"},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250120","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68513844","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Buddhist Sculptures from the Song Dynasty at Mingshan Temple in Anyue, Sichuan 四川安岳明山寺的宋代佛像
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1995-01-01 DOI: 10.2307/3249752
H. Sørensen
{"title":"Buddhist Sculptures from the Song Dynasty at Mingshan Temple in Anyue, Sichuan","authors":"H. Sørensen","doi":"10.2307/3249752","DOIUrl":"https://doi.org/10.2307/3249752","url":null,"abstract":"Description detaillee d'un groupe de sculptures bouddhiques en pierre provenant du temple de Mingshan (comte de Anyue, Sichuan), crees sous le regne des Song. L'auteur a pris soin d'etudier leurs caracteristiques stylistiques et iconographiques dans le contexte de la tradition artistique locale","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"55 1","pages":"281-302"},"PeriodicalIF":0.3,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249752","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68503152","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Die mamlukische Architektur in Ägypten und Syrien (648/1250 bis 923/1517) mamlu善意的建筑位于埃及和叙利亚(645 / 23,1517)
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1995-01-01 DOI: 10.2307/3249756
M. Meinecke
{"title":"Die mamlukische Architektur in Ägypten und Syrien (648/1250 bis 923/1517)","authors":"M. Meinecke","doi":"10.2307/3249756","DOIUrl":"https://doi.org/10.2307/3249756","url":null,"abstract":"","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"55 1","pages":"380"},"PeriodicalIF":0.3,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249756","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68503364","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 29
The Harsat-Mata Temple at Abaneri: Levels of Meaning 阿巴内里的哈萨特-玛塔神庙:意义的层次
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1995-01-01 DOI: 10.2307/3249750
C. P. Atherton
{"title":"The Harsat-Mata Temple at Abaneri: Levels of Meaning","authors":"C. P. Atherton","doi":"10.2307/3249750","DOIUrl":"https://doi.org/10.2307/3249750","url":null,"abstract":"Grâce a la reconstitution architecturale et a un reexamen du programme sculptural du temple de Harsat-mātā (9e s. apr. J.-C.) situe dans le village d'Ābānerī (Rajasthan), l'auteur espere montrer que l'iconographie reflete particulierement les doctrines des Vaisnava Pāncarātras. Elle montre que la complexite et la prodigalite des programmes architectural et sculptural reste unique dans le nord de l'Inde au debut de la periode medievale, ce qui suggere une influence iconographique exterieure a cette region. La construction de ce temple resulterait d'un acte delibere d'accession au pouvoir d'un dirigeant local dans un contexte politique chaotique","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"55 1","pages":"201-236"},"PeriodicalIF":0.3,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249750","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68503081","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
An iconographic study of Xiwangmu during the han dynasty 汉代西王木的肖像学研究
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1995-01-01 DOI: 10.2307/3249761
J. James
{"title":"An iconographic study of Xiwangmu during the han dynasty","authors":"J. James","doi":"10.2307/3249761","DOIUrl":"https://doi.org/10.2307/3249761","url":null,"abstract":"Article portant sur les origines et l'identite d'une deite nommee Xiwangmu qui a deja succite bon nombre d'etudes. La creation et le developpement de l'image de Xiwangmu, ses attributs, ses compagnons et son role dans l'art funeraire, aussi bien dans les tombes que dans les châsses, revelent que les artistes chinois etaient capables de realiser des icones specifiques aux deites","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"55 1","pages":"17-40"},"PeriodicalIF":0.3,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249761","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68503547","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 11
The Donkey Rider as Icon: Li Cheng and Early Chinese Landscape Painting 以驴骑为象征:李诚与中国早期山水画
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1995-01-01 DOI: 10.2307/3249762
P. Sturman
{"title":"The Donkey Rider as Icon: Li Cheng and Early Chinese Landscape Painting","authors":"P. Sturman","doi":"10.2307/3249762","DOIUrl":"https://doi.org/10.2307/3249762","url":null,"abstract":"Etude sur l'evolution des paysages dans la peinture chinoise, principalement pendant la dynastie Song","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"55 1","pages":"43-97"},"PeriodicalIF":0.3,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249762","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68503689","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 8
On Re-Identification of Andhra Buddhist Jataka Relief Sculptures 安得拉邦佛教Jataka浮雕再鉴定研究
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1995-01-01 DOI: 10.2307/3249764
R. Parimoo
{"title":"On Re-Identification of Andhra Buddhist Jataka Relief Sculptures","authors":"R. Parimoo","doi":"10.2307/3249764","DOIUrl":"https://doi.org/10.2307/3249764","url":null,"abstract":"Etude portant sur des reliefs sculptes decrivant des histoires du Jātaka, mis a part l'histoire d'Udayana et de ses deux reines, qui proviennent du texte du Dhammapada. La perception boudhiste des artistes a permis a l'A. de restituer les scenes sculptees dans l'oeuvre litteraire","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"55 1","pages":"125-154"},"PeriodicalIF":0.3,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249764","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68503718","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Confusing traditions : elements of the Korean An Kyon school in early Japanese Nanga landscape painting 令人困惑的传统:早期日本南加山水画中韩国安景派的元素
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1995-01-01 DOI: 10.2307/3249753
Burglind Jungmann
{"title":"Confusing traditions : elements of the Korean An Kyon school in early Japanese Nanga landscape painting","authors":"Burglind Jungmann","doi":"10.2307/3249753","DOIUrl":"https://doi.org/10.2307/3249753","url":null,"abstract":"L'auteur montre que les peintures de paysage japonaises du 18e siecle, de style Nanga (Style de l'Ecole du Sud) etaient influencees par des elements de style coreen. Cette source d'influence n'est pas, comme on aurait pu le croire, le Namjonghwa (Peinture de l'Ecole du Sud) coreen du 18e siecle, mais semble plutot provenir de travaux artistiques coreens d'une tradition plus ancienne, qui a apparement existe au Japon bien avant le style Nanga, a savoir l'Ecole d'An Kyon, peintre de la cour au 15e s.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"55 1","pages":"303-318"},"PeriodicalIF":0.3,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249753","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68503210","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
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