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The Artist as Antiquarian: Li Gonglin and His Study of Early Chinese Art 作为古董的艺术家:李公林及其中国早期艺术研究
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1995-01-01 DOI: 10.2307/3249751
R. Harrist
{"title":"The Artist as Antiquarian: Li Gonglin and His Study of Early Chinese Art","authors":"R. Harrist","doi":"10.2307/3249751","DOIUrl":"https://doi.org/10.2307/3249751","url":null,"abstract":"L'etude des inscriptions et objets anciens constituait une importante part de la vie intellectuelle sous la dynastie des Song du Nord (960-1127). Selon les sources ecrites, Li Gongli (v. 1042-1106) etait un collectioneur, mais egalement l'un des plus important artistes de la dynastie. Cet article tente de reconstituer la collection de bronzes et de jades constituee par Li Gongli, sur lesquels il a fonde beaucoup de ses etudes, et d'evaluer ses opinions de specialiste, dont certaines influencent encore l'etude des arts de la Chine ancienne","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"55 1","pages":"237-280"},"PeriodicalIF":0.3,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249751","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68503112","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 17
Farrukh Beg in the Deccan 法鲁克·贝格在德干河
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1995-01-01 DOI: 10.2307/3249754
J. Seyller
{"title":"Farrukh Beg in the Deccan","authors":"J. Seyller","doi":"10.2307/3249754","DOIUrl":"https://doi.org/10.2307/3249754","url":null,"abstract":"La recente decouverte d'une peinture d'un atelier du Deccan attribuee a l'artiste de la cour moghole, Farroukh Beg, semble confirmer la these selon laquelle le peintre aurait travaille un certain temps au service d'Ibrāhīm `Ādil Shāh II, souverain de l'etat rival de Bijapur a partir de 1579, et ou il etait connu sous le nom de Farroukh Husayn. Ce portrait equestre du souverrain est aujourd'hui conservee a l'Institut des Etudes Orientales de Saint-Petersbourg","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"55 1","pages":"319-341"},"PeriodicalIF":0.3,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249754","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68503225","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 34
Reconsidering the Identity of Ri Shubun 重新思考李叔文的身份
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1995-01-01 DOI: 10.2307/3249763
E. Lillehoj
{"title":"Reconsidering the Identity of Ri Shubun","authors":"E. Lillehoj","doi":"10.2307/3249763","DOIUrl":"https://doi.org/10.2307/3249763","url":null,"abstract":"La peinture a l'encre monochrome a ete consideree comme une forme significative de l'art japonais de la periode Muromachi (1392 - 1569). La question de l'identite des artistes et des attributions a tel ou tel a toujours hante les etudes sur l'art. Cet article se penche sur l'artiste Ri Shūbun et propose une nouvelle theorie concernant la theorie de son identite","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"55 1","pages":"99-124"},"PeriodicalIF":0.3,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249763","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68503712","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Further evidence for early painting in Mandi 曼迪早期绘画的进一步证据
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1995-01-01 DOI: 10.2307/3249766
C. Glynn
{"title":"Further evidence for early painting in Mandi","authors":"C. Glynn","doi":"10.2307/3249766","DOIUrl":"https://doi.org/10.2307/3249766","url":null,"abstract":"Il n'est pas facile de savoir quand la peinture commenca au Penjab. Il est par contre prouve que le style Mughal etait pratique dans l'etat de Mandi depuis le second et le troiseme quart du 17eme s. Cet article expose les caracteristiques d'artistes ou de groupes d'artistes dans cet etat au milieu du 17eme","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"55 1","pages":"183-190"},"PeriodicalIF":0.3,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249766","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68503835","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Niches, Columns, and Figures in Some Petroglyphic Stupa Depictions of the Karakorum Highway 喀喇昆仑公路岩画佛塔中的壁龛、石柱和人物
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1994-01-01 DOI: 10.2307/3250059
J. Ebert
{"title":"Niches, Columns, and Figures in Some Petroglyphic Stupa Depictions of the Karakorum Highway","authors":"J. Ebert","doi":"10.2307/3250059","DOIUrl":"https://doi.org/10.2307/3250059","url":null,"abstract":"Etude des petroglyphes recenses sur la route de Karakorum (Vallee de l'Indus) representant des stūpas. L'auteur definie deux groupes principaux de representations: le premier, datant du 6e au 8e s. apr. J.-C., marque une nette preference pour les ornementations sculpturales sur piedestal, le tambour et le dome de la stūpa (avec niches, colonnes et representations figurees); le second, datant du 11e au 13e s. apr. J.-C., revele une tendance a la reduction de ces caracteristiques vers un mode de representation plus austere et plus homogene.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"54 1","pages":"268-295"},"PeriodicalIF":0.3,"publicationDate":"1994-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250059","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68511977","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Painting in Central Tibet, ca. 950-1400 西藏中部绘画，约950-1400年
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1994-01-01 DOI: 10.2307/3250080
J. Singer
{"title":"Painting in Central Tibet, ca. 950-1400","authors":"J. Singer","doi":"10.2307/3250080","DOIUrl":"https://doi.org/10.2307/3250080","url":null,"abstract":"Les decouvertes recentes de nouvelles oeuvres picturales tibetaines est l'occasion pour l'auteur d'etudier l'evolution de la peinture tibetaine de 950 a 1400 apr. J.-C.. A partir de l'etude de quelques une de ces pieces (peinture sur toile, sur bois, sur manuscrit, murale, ou couverture d'ouvrage), dont certaines pourraient etre d'origine indienne, elle tente d'en degager les principales caracteristiques.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"54 1","pages":"87-136"},"PeriodicalIF":0.3,"publicationDate":"1994-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250080","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68512546","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
Vaisravana, Dieu des richesses, Dieu des armees A propos d'un thang-ka du Musee Guimet Vaisravana，财富之神，武器之神，关于吉美博物馆的唐卡
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1994-01-01 DOI: 10.2307/3250081
G. Béguin, G. Colinart
{"title":"Vaisravana, Dieu des richesses, Dieu des armees A propos d'un thang-ka du Musee Guimet","authors":"G. Béguin, G. Colinart","doi":"10.2307/3250081","DOIUrl":"https://doi.org/10.2307/3250081","url":null,"abstract":"Cet article propose l'etude en deux parties d'un Thang-ka tibetain representant le dieu gardien Vaiśravana. L'analyse physique montre par reflectographie infrarouge les couches inferieures (dessin preparatoire, inscriptions en sanskrit et tibetain), et donne les resultats des composants picturaux observes par microfluorescence X, diffraction X, et microscopie electronique a balayage. La suite de l'etude porte sur la divinite representee, et sur l'iconographie et la composition de l'oeuvre.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"54 1","pages":"137-155"},"PeriodicalIF":0.3,"publicationDate":"1994-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250081","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68512613","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Monumental wall paintings of the assembly of the Buddha from Shanxi Province: historiography, iconography, three styles, and a new chronology 山西大佛会集壁画:史学、肖像学、三种风格和新年表
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1994-01-01 DOI: 10.2307/3250058
M. Baldwin
{"title":"Monumental wall paintings of the assembly of the Buddha from Shanxi Province: historiography, iconography, three styles, and a new chronology","authors":"M. Baldwin","doi":"10.2307/3250058","DOIUrl":"https://doi.org/10.2307/3250058","url":null,"abstract":"Etude historiographique, iconographique, stylistique et chronologique de plusieurs peintures murales representant Bouddha (transcendental et non historique) tronant au milieu d'une assemblee de Boddhisattvas et d'autres etres provenant de temples de la province du Shanxi et aujourd'hui conservees dans des musees nord-americains: Assemblee de Maitreya (1298 ou 1358), Assemblee de Bouddha (12e s.?), Assemblee de Tejaprabha (avant 12e s.?), Assemblee de Bhaisajyaguru (apres 1475), et Assemblee de Tejaprabha (apres 1475).","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"54 1","pages":"241-267"},"PeriodicalIF":0.3,"publicationDate":"1994-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250058","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68512392","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
Buddha as a Musician: An Illustration of a Jataka Story 作为音乐家的佛陀:一个Jataka故事的例证
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1994-01-01 DOI: 10.2307/3250057
B. Lawergren
{"title":"Buddha as a Musician: An Illustration of a Jataka Story","authors":"B. Lawergren","doi":"10.2307/3250057","DOIUrl":"https://doi.org/10.2307/3250057","url":null,"abstract":"Commentaire iconographique d'un recipient de bronze provenant du sud-est de l'Inde et datant visiblement du 3eme siecle apr. J.-C. (quelques dates plus tardives sont parfois proposees). La scene en question est tiree des Contes de Jātaka (cycle consacre aux vies anterieures de Bouddha): elle montre le harpiste Guttila (personnification de Bouddha, harpiste a la cour de Benares dans une vie anterieure) lors d'une competition musicale contre son eleve Mūsila, dans le palais du roi. Cette etude est aussi l'occasion pour l'auteur d'etudier les rapports qu'entretenaient les bouddhistes avec la musique.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"54 1","pages":"226-240"},"PeriodicalIF":0.3,"publicationDate":"1994-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250057","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68512282","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Notes on Zou Zhilin 邹志林札记
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1994-01-01 DOI: 10.2307/3250061
S. Little
{"title":"Notes on Zou Zhilin","authors":"S. Little","doi":"10.2307/3250061","DOIUrl":"https://doi.org/10.2307/3250061","url":null,"abstract":"A partir du recensement des rares sources litteraires existantes sur le sujet, l'auteur tente de reconstituer les episodes marquants de la vie et de la carriere de Zou Zhilin, peintre et calligraphe durant les dernieres decades de la dynastie Ming et le debut du regne des Qing.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"54 1","pages":"327-346"},"PeriodicalIF":0.3,"publicationDate":"1994-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250061","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68512635","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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