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The legacy of bole : Physiognomy and horses in Chinese painting 孔洞的遗产:中国绘画中的面相与马
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1997-01-01 DOI: 10.2307/3249953
R. Harrist
{"title":"The legacy of bole : Physiognomy and horses in Chinese painting","authors":"R. Harrist","doi":"10.2307/3249953","DOIUrl":"https://doi.org/10.2307/3249953","url":null,"abstract":"La pseudo-science destinee a etudier la physionomie des chevaux (xiangma) est attestee depuis la periode Printemps-Automne en Chine et mele une connaissance veterinaire empirique a des concepts metaphoriques plus mysterieux. Les textes sur la physionomie des chevaux ont genere un riche vocabulaire metaphorique prescrivant les traits des chevaux superieurs, illustre d'aides visuelles dessinees, peintes ou sculptees. Dans l'art chinois et particulierement en peinture, les figurations de chevaux refletent ces concepts autant que les conventions de representation du sujet. Cet article offre une breve introduction a l'histoire et aux bases de la physionomie chevaline et etudie la facon dont cette pratique a influence la production et l'interpetation des peintures de chevaux des Tang aux Qing","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"57 1","pages":"135-156"},"PeriodicalIF":0.3,"publicationDate":"1997-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249953","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68508788","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 22
A Mughal Icon Re-Examined 重新审视莫卧儿偶像
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1997-01-01 DOI: 10.2307/3249948
C. Glynn, Ellen S. Smart
{"title":"A Mughal Icon Re-Examined","authors":"C. Glynn, Ellen S. Smart","doi":"10.2307/3249948","DOIUrl":"https://doi.org/10.2307/3249948","url":null,"abstract":"Les auteurs proposent une nouvelle identification de l'un des personnages, puis de l'ensemble d'une peinture moghole (v. 1630) tiree d'une page de l'Album d'Amber. Selon elles, il ne s'agirait pas d'une production imperiale, mais de celle d'un artiste forme a l'art moghole, au sevice de Jai Singh d'Amber, destinee a commemorer une importante rencontre entre Jai Singh et Gaj Singh de Marwar vers 1630. Les inscriptions hindi identifient clairement les deux hommes representes","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"111 1","pages":"5-15"},"PeriodicalIF":0.3,"publicationDate":"1997-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249948","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68508615","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Why a History of Monuments from Nolambavadi 为什么是诺兰巴瓦迪纪念碑的历史
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1997-01-01 DOI: 10.2307/3249949
Andrew L. Cohen
{"title":"Why a History of Monuments from Nolambavadi","authors":"Andrew L. Cohen","doi":"10.2307/3249949","DOIUrl":"https://doi.org/10.2307/3249949","url":null,"abstract":"L'auteur propose un apercu de l'histoire artistique de l'architecture et des sculptures des temples hindous de Nolambavādi, nom historique de la region controlee par la dynastie Nolamba de la fin du VIIIe au debut du XIe siecle et considere comme peripherique, donc secondaire, dans l'histoire de l'art indien, illustre par une etude des sculptures d'Hemavati","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"57 1","pages":"17-29"},"PeriodicalIF":0.3,"publicationDate":"1997-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249949","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68508700","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
The cemetery of the Western Zhou lords of Jin 西周诸侯的墓园
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1996-01-01 DOI: 10.2307/3250117
Jay Xu
{"title":"The cemetery of the Western Zhou lords of Jin","authors":"Jay Xu","doi":"10.2307/3250117","DOIUrl":"https://doi.org/10.2307/3250117","url":null,"abstract":"Description du cimetiere des souverrains de l'etat de Jin (Shanxi), vassal de la dynastie des Zhou occidentaux, des structures des tombes et du mobilier funeraire (recipients et cloches en bronze, objets et bijoux en jade), puis etude de sa contribution a la connaissance des rites funeraires et de la culture materielle de cette dynastie","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"56 1","pages":"193-231"},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250117","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68513874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 9
The Arts of China to AD 900 公元900年前的中国艺术
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1996-01-01 DOI: 10.2307/3250125
W. Watson
{"title":"The Arts of China to AD 900","authors":"W. Watson","doi":"10.2307/3250125","DOIUrl":"https://doi.org/10.2307/3250125","url":null,"abstract":"This work is the first in a three volume series that surveys China's wealth of art, architecture and artefacts from prehistoric times to the 20th century. It investigates the beginnings of the traditions on which much of the art rests, moving from Neolithic and Bronze Age China to the era of the Tang Dynasty around AD 900. The book discusses in detail a wide range of art forms and techniques: porcelain and pottery, lacquer art, religious and secular painting and sculpture, mural painting, monumental sculpture and architecture. It explains the materials and techniques of bronze casting, jade carving, pottery manufacture, and other arts and describes the most important sites, the artefacts that were produced at each one, and the historical interactions between different areas. There is a discussion of the iconography, the technique and the function of every art form. This book should be a valuable resource for both experts and beginners in the field.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"56 1","pages":"369"},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250125","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68514159","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 10
Early Cola Kings and "Early Cola Temples": Art and the Evolution of Kingship 早期的可乐王与“早期的可乐神庙”:艺术与王权的演变
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1996-01-01 DOI: 10.2307/3250104
P. Kaimal
{"title":"Early Cola Kings and \"Early Cola Temples\": Art and the Evolution of Kingship","authors":"P. Kaimal","doi":"10.2307/3250104","DOIUrl":"https://doi.org/10.2307/3250104","url":null,"abstract":"Etude du role des premiers rois de la dynastie Cōla (apres 850-1014) dans le financement et la construction de temples hindous dans le Tamil Nadu, grâce a l'etude de l'architecture, de la sculpture, de l'iconographie et des inscriptions des temples patrones par ces rois et des projets realises par leurs epouses","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"56 1","pages":"33-66"},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250104","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68513089","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 14
The Purandi hoard : Metal work from eleventh-century Nepal 普兰迪窖藏:来自11世纪尼泊尔的金属制品
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1996-01-01 DOI: 10.2307/3250106
M. Slusser
{"title":"The Purandi hoard : Metal work from eleventh-century Nepal","authors":"M. Slusser","doi":"10.2307/3250106","DOIUrl":"https://doi.org/10.2307/3250106","url":null,"abstract":"Description, etude stylistique et analyse du contexte historique du tresor de Purandi (Nepal) constitue de trois fragments architecturaux en cuivre dore, deux cloches de bronze et onze plaques de cuivre dore en repousse, datant du 11e siecle","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"56 1","pages":"95-143"},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250106","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68513390","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Laques du XIXe Siecle au Musee Chiossone entre Austerite, Magnificence, Classicisme et Soshoku: Quelques Chefs-d'Oeuvre Inedits et Leurs Sources Chiossone博物馆的19世纪漆器介于严峻、宏伟、古典主义和Soshoku之间:一些原始杰作及其来源
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1996-01-01 DOI: 10.2307/3250107
Donatella Failla
{"title":"Laques du XIXe Siecle au Musee Chiossone entre Austerite, Magnificence, Classicisme et Soshoku: Quelques Chefs-d'Oeuvre Inedits et Leurs Sources","authors":"Donatella Failla","doi":"10.2307/3250107","DOIUrl":"https://doi.org/10.2307/3250107","url":null,"abstract":"Contexte historique et caracteristiques de l'art des laques dans le Japon du 19e siecle a l'epoque de sa premiere modernisation (Meiji), a partir de l'etude des laques du Museo Chiossone de Genes","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"56 1","pages":"145-173"},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250107","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68513684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The treatment of narrative in Jagat Singh's Ramayana : A preliminary study 贾加特·辛格《罗摩衍那》对叙事的处理:初步研究
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1996-01-01 DOI: 10.2307/3250121
Vidya Dehejia
{"title":"The treatment of narrative in Jagat Singh's Ramayana : A preliminary study","authors":"Vidya Dehejia","doi":"10.2307/3250121","DOIUrl":"https://doi.org/10.2307/3250121","url":null,"abstract":"Etude du traitement pictural de l'art narratif dans les miniatures du Rāmāyana commande par le prince hindou de Mewar (Udaipur), Rānā Jagat Singh (XVIIe), vingt ans apres le debut de son regne, aux artistes de l'atelier royal d'Udaipur et en particulier, a Sāhīb Dīn, responsable de l'elaboration des deuxieme (Ayodhyākānda) et sixieme (Yuddhakānda) livres, a Manohar, charge des premiers (Bālakānda) et troisieme (Aranyakānda) livres et a d'autres artistes de l'ecole du Dekkan","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"56 1","pages":"303-324"},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250121","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68513464","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
Notes concerning the mgon-khan of Zwa-lu 关于Zwa-lu的mgon-khan的注释
IF 0.3 2区 艺术学
ARTIBUS ASIAE Pub Date : 1996-01-01 DOI: 10.2307/3250123
F. Ricca, L. Fournier
{"title":"Notes concerning the mgon-khan of Zwa-lu","authors":"F. Ricca, L. Fournier","doi":"10.2307/3250123","DOIUrl":"https://doi.org/10.2307/3250123","url":null,"abstract":"Dans le cadre d'une etude iconographique et archeologique complete du monastere tibetain de Źwa-lu, les auteurs proposent dans cet article quelques observations sur la terminologie et la definition du gSer-khan (Temple d'Or) et du mgon-khan (Chapelle des Protecteurs) du monastere, a partir des references archeologiques et litteraires connues","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"56 1","pages":"343-363"},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250123","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68514138","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
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