以驴骑为象征:李诚与中国早期山水画

IF 0.1 2区艺术学 0 ART

ARTIBUS ASIAE Pub Date : 1995-01-01 DOI:10.2307/3249762

P. Sturman

引用次数: 8

摘要

研究中国绘画中风景画的演变，主要是宋朝

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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The Donkey Rider as Icon: Li Cheng and Early Chinese Landscape Painting

Etude sur l'evolution des paysages dans la peinture chinoise, principalement pendant la dynastie Song

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来源期刊

ARTIBUS ASIAE Multiple-

CiteScore

0.20

自引率

33.30%

发文量

期刊介绍： ARTIBUS ASIAE is a semi-annual publication of scholarly articles and research notes devoted to the history of art and archaeology of Asia. Initiated in 1925, it is now published by the Museum Rietberg Zurich in cooperation with the Arthur M. Sackler Gallery , Smithsonian Institution, Washington, D.C. Artibus Asiae Publishers have also produced over 45 monographs during the last eight decades (Supplementum Series).