发布求助
文献互助 智能选刊 最新文献

FORUM MODERNES THEATER最新文献

筛选
英文 中文
Singspiel – A Proto-European Phenomenon? A contemporary practice of theatre, its genealogy and its potentiality. Singspiel——原始欧洲现象？当代戏剧实践，它的谱系和潜力。
IF 0.1 4区 艺术学
FORUM MODERNES THEATER Pub Date : 2020-10-07 DOI: 10.2357/FMTH-2020-0012
Lorenz Aggermann
{"title":"Singspiel – A Proto-European Phenomenon? A contemporary practice of theatre, its genealogy and its potentiality.","authors":"Lorenz Aggermann","doi":"10.2357/FMTH-2020-0012","DOIUrl":"https://doi.org/10.2357/FMTH-2020-0012","url":null,"abstract":"Abstract:By analysing Heiner Goebbels' latest performance Everything that happened and would happen, the article shows the Singspiel to be a significantly transnational, even proto-European genre. Its structural characteristics reciprocally link today's practice of performing arts with the practice from the second half of the 18th century. In both time periods, the Singspiel answers to the questions and problems of the aesthetic and political regime of the time, standing against rigid regulations more or less predefined by leading media and political paradigms. Through its vernacular, but also transnational practice, the genre opposes national and normalizing trends in theatre and the pernicious idea of instrumentalizing the performing arts as an identity-establishing tool. Today it fosters the advancement of art forms and aesthetic genres in a globalized and digitalized environment.","PeriodicalId":55908,"journal":{"name":"FORUM MODERNES THEATER","volume":"31 1","pages":"130 - 141"},"PeriodicalIF":0.1,"publicationDate":"2020-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43228325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
'Pulse of Europe' – Flash Mob – Symphony: Schiller's Ode to Joy and Beethoven's Ninth Symphony as Soundtrack at Public 'Stagings' of Europe “欧洲脉搏”-快闪-交响乐:席勒的《欢乐颂》和贝多芬的《第九交响曲》作为欧洲公共“舞台”的配乐
IF 0.1 4区 艺术学
FORUM MODERNES THEATER Pub Date : 2020-10-07 DOI: 10.2357/FMTH-2020-0013
Antonia Egel
{"title":"'Pulse of Europe' – Flash Mob – Symphony: Schiller's Ode to Joy and Beethoven's Ninth Symphony as Soundtrack at Public 'Stagings' of Europe","authors":"Antonia Egel","doi":"10.2357/FMTH-2020-0013","DOIUrl":"https://doi.org/10.2357/FMTH-2020-0013","url":null,"abstract":"Abstract:This article describes the use of Beethoven's 9th symphony (mostly along with Schiller's text) as a soundtrack when it comes to stagings of Europe in public space. It investigates a wide spectrum of musical idioms ranging from more or less spontaneously sung melodies to neatly choreographed flash mobs as well as to high-end performances of the symphony, which also provides the official anthem of the European Union. The essay shows that Beethoven's music has – notwithstanding the fact that it has been used politically for worst – an openness in itself that allows it to be taken it as a symbol for a modern and pluralized society. The fact that it is a choral piece, in which the chorus can be understood as a congregation of many different individuals, allows it to be seen perhaps as an adequate \"instrument\" of pluralism.","PeriodicalId":55908,"journal":{"name":"FORUM MODERNES THEATER","volume":"31 1","pages":"142 - 149"},"PeriodicalIF":0.1,"publicationDate":"2020-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68826223","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Europe's Staging – Staging Europe 欧洲的舞台-舞台欧洲
IF 0.1 4区 艺术学
FORUM MODERNES THEATER Pub Date : 2020-10-07 DOI: 10.2357/FMTH-2020-0011
Nicole Haitzinger, Stella Lange
{"title":"Europe's Staging – Staging Europe","authors":"Nicole Haitzinger, Stella Lange","doi":"10.2357/FMTH-2020-0011","DOIUrl":"https://doi.org/10.2357/FMTH-2020-0011","url":null,"abstract":"","PeriodicalId":55908,"journal":{"name":"FORUM MODERNES THEATER","volume":"31 1","pages":"125 - 129"},"PeriodicalIF":0.1,"publicationDate":"2020-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46413461","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Lange weilen können: Maßlose Dauer und begrenzte Zeiterfahrung in einer Ästhetik des Durativen 长期:在审美中节约的时间和有限的时间体验
IF 0.1 4区 艺术学
FORUM MODERNES THEATER Pub Date : 2020-10-07 DOI: 10.2357/FMTH-2020-0003
Johanna Zorn
{"title":"Lange weilen können: Maßlose Dauer und begrenzte Zeiterfahrung in einer Ästhetik des Durativen","authors":"Johanna Zorn","doi":"10.2357/FMTH-2020-0003","DOIUrl":"https://doi.org/10.2357/FMTH-2020-0003","url":null,"abstract":"Abstract:Das zeitgenössische künstlerische Spektrum kennt eine Vielzahl an Inszenierungsformen, die das Phänomen der Dauer selbst thematisch und erfahrbar werden lassen. Durative Performances widersetzen sich durch ihre ostentative Maßlosigkeit dabei nicht lediglich einem ökonomisierten Zeit-Regime, sondern geben Angebote einer regelrecht exzessiven Zeiterfahrung aus, die mit der Aufforderung eines Sich-Einlassens in ihren Verlauf selbst spielen und so das Prinzip gerichteter Aufmerksamkeit empfindlich stören. Nicht das überschaubare ‚Werk' als das Phantasma eines in sich abgeschlossenen künstlerischen Produktes, sondern das Eintreten in die ‚Situation' des zeitlichen Verlaufs ist das bestimmende Dispositiv solch installativer Formen. Dies ist zugleich auch die Situation des Lebens schlechthin, zu der sich Kunst dabei mimetisch verhält. Der Artikel entwickelt ausgehend vom historischen Phänomen der Hungerkünstler*innen und mit Blick sowohl auf die anachoretische Praxis der Neo-Avantgarde als auch auf zeitgenössische installative Settings ein Panorama unterschiedlicher Formen der Dauer-Kunst, die mit der paradoxen Erfahrungsqualität einer ‚begrenzten Unermesslichkeit' spielen.","PeriodicalId":55908,"journal":{"name":"FORUM MODERNES THEATER","volume":"12 1","pages":"26 - 38"},"PeriodicalIF":0.1,"publicationDate":"2020-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41300605","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Applied Theatre. Rahmen und Positionen by Matthias Warstat, et al. (review) 应用剧场。Matthias Warstat等人的《框架与位置》（综述）
IF 0.1 4区 艺术学
FORUM MODERNES THEATER Pub Date : 2020-10-07 DOI: 10.1353/fmt.2020.0018
S. Gröger
{"title":"Applied Theatre. Rahmen und Positionen by Matthias Warstat, et al. (review)","authors":"S. Gröger","doi":"10.1353/fmt.2020.0018","DOIUrl":"https://doi.org/10.1353/fmt.2020.0018","url":null,"abstract":"","PeriodicalId":55908,"journal":{"name":"FORUM MODERNES THEATER","volume":"31 1","pages":"211 - 212"},"PeriodicalIF":0.1,"publicationDate":"2020-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/fmt.2020.0018","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42686028","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Europa: Resonances of the Mythological Figure in Contemporary Theatre 欧罗巴:当代戏剧中神话人物的共鸣
IF 0.1 4区 艺术学
FORUM MODERNES THEATER Pub Date : 2020-10-07 DOI: 10.2357/FMTH-2020-0014
Nicole Haitzinger
{"title":"Europa: Resonances of the Mythological Figure in Contemporary Theatre","authors":"Nicole Haitzinger","doi":"10.2357/FMTH-2020-0014","DOIUrl":"https://doi.org/10.2357/FMTH-2020-0014","url":null,"abstract":"Abstract:This article analyzes appearances of Europa in ancient myth, tragedy and historiography, as well as resonances of this figure in contemporary theatre. The study combines two lines of thought, both rooted in theatre studies. First, the figure of Europa is specifically defined as female in the multifarious ensemble of our cultural memory – Zeus disguised as a bull abducts the royal Phoenician daughter Europa and carries her off to Crete. Second, the far-reaching and numerous resonances of Europe as myth from Ovid's Metamorphoses. In contrast to the ancient model of female suffering both thoughts remain relevant for understanding stagings of Europa in the present. The topic embodies the contemporary need to empower the feminine through body and voice and will be exemplified using various examples such as Magnificat (2011), Rimini Protokoll's Hausbesuch Europa (2015), Philippe Quesne's Big Bang (2010).","PeriodicalId":55908,"journal":{"name":"FORUM MODERNES THEATER","volume":"31 1","pages":"150 - 159"},"PeriodicalIF":0.1,"publicationDate":"2020-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48554230","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Artaud, Barthes und der Mythos der Kritik: Überlegungen zu den Bedingungen der Möglichkeit einer Verbindung von Theater und Kritik 阿塔德、巴斯和批评神话:思考剧场与批评之间可能存在的联系
IF 0.1 4区 艺术学
FORUM MODERNES THEATER Pub Date : 2020-10-07 DOI: 10.1353/fmt.2020.0005
M. Reichert
{"title":"Artaud, Barthes und der Mythos der Kritik: Überlegungen zu den Bedingungen der Möglichkeit einer Verbindung von Theater und Kritik","authors":"M. Reichert","doi":"10.1353/fmt.2020.0005","DOIUrl":"https://doi.org/10.1353/fmt.2020.0005","url":null,"abstract":"Abstract:Die folgende Auseinandersetzung nimmt ihren Ausgang bei einer Problematisierung der Verknüpfung von Theater und Kritik und der Beschreibung ihres aporetischen Charakters, wie sie sich bereits in den 1950er-Jahren bei Roland Barthes findet. Damit werden Überlegungen zu den Bedingungen der Möglichkeit dieser Verknüpfung verbunden, und zwar in zweifacher Hinsicht: Welche kulturellen Bedürfnisse und Konstellationen drücken sich erstens in ihr aus, worauf reagiert sie? Zweitens soll, im Anschluss an die Theatertheorie Antonin Artauds, die zweifellos Einfluss auf Barthes hatte, nach den philosophischen Bedingungen, die tatsächlich ein Theater als Kritik ermöglichen würden, gefragt werden. Daran wird eine Auseinandersetzung mit der Frage geknüpft, ob diese Bedingungen nicht im systematischen Gegensatz zur derzeitigen Konjunktur der Verbindung von Kunst und Kritik zu sehen sind. Abschließend wird untersucht, welche Konsequenzen sich daraus für die Begriffe von Kunst und Kritik, aber auch von Politik sowie ihr Verhältnis zueinander ergeben.","PeriodicalId":55908,"journal":{"name":"FORUM MODERNES THEATER","volume":"31 1","pages":"65 - 75"},"PeriodicalIF":0.1,"publicationDate":"2020-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/fmt.2020.0005","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41823384","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Leaving Lethe for the Bardo: Staging the Disembodied Voices and Silent Bodies of Lampedusa Migrants in the Underworld of Europe 为中阴离开:在欧洲的黑社会上演兰佩杜萨移民的无实体的声音和沉默的身体
IF 0.1 4区 艺术学
FORUM MODERNES THEATER Pub Date : 2020-10-07 DOI: 10.1353/FMT.2020.0017
Michelle S. Cheyne
{"title":"Leaving Lethe for the Bardo: Staging the Disembodied Voices and Silent Bodies of Lampedusa Migrants in the Underworld of Europe","authors":"Michelle S. Cheyne","doi":"10.1353/FMT.2020.0017","DOIUrl":"https://doi.org/10.1353/FMT.2020.0017","url":null,"abstract":"Abstract:This article looks at tropes used to represent European-bound migration, notably the experience of \"Lampedusa\" migrants who drown or are rescued in the Mediterranean. It considers how the same evocative tropes can be instrumentalized for varying reasons and with very different consequences. Attention is focused on evocative tropes that remain easy to manipulate, notably the image of the orange life-jacketed African refugee as the \"zombie refugee\" or the \"living dead\". We examine how the trope of the Mediterranean as a cemetery is constructed and mobilized in the performing arts (theatre, contemporary ballet) and the larger consequences of adopting such an image. Specifically, we interrogate how symbolizing this maritime space as a cemetery transforms the figure of the migrant in the public imagination and ask whether alternatives, either real, or potential exist that might possible reshape the public's vision of the figure of the migrant.","PeriodicalId":55908,"journal":{"name":"FORUM MODERNES THEATER","volume":"31 1","pages":"198 - 210"},"PeriodicalIF":0.1,"publicationDate":"2020-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/FMT.2020.0017","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47600430","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Das kritische Potential des Zeigens: Brett Baileys Exhibit Series im / als Netzwerk visueller Wieder-Holungen 时间设定在布莱特·贝利无用系列作为一个可感知的网络
IF 0.1 4区 艺术学
FORUM MODERNES THEATER Pub Date : 2020-10-07 DOI: 10.2357/FMTH-2020-0007
L. Ortmann
{"title":"Das kritische Potential des Zeigens: Brett Baileys Exhibit Series im / als Netzwerk visueller Wieder-Holungen","authors":"L. Ortmann","doi":"10.2357/FMTH-2020-0007","DOIUrl":"https://doi.org/10.2357/FMTH-2020-0007","url":null,"abstract":"Abstract:Die umstrittene Exhibit Series von Brett Bailey macht historische und vorgefundene visuelle Inszenierungen von Körpern produktiv, indem bestimmte Sujets und Zeigepraxen wiederholt werden. In den Debatten, die sich an dem Projekt entzünden, kommt es zu einer Unterscheidung zwischen Aufführung und Aufführungsfotografie, indem der visuellen Dokumentation abgesprochen wird, die spezifische Wirkmacht der Aufführung wiederzugeben. Ausgehend von dieser ins Feld geführten Differenzierung prüfe ich im Folgenden die Mediatisierung der Exhibit Series genauer. Was tut das von der Aufführung und ihrem Diskurs produzierte und distribuierte Bildmaterial? Mein Beitrag steckt dabei das komplexe und heikle Ineinandergreifen von Aufführung, Aufführungsdokumentation und -präsentation ab. Anhand der Wechselverhältnisse von Vor-Bildern, (Re)Produktionen in Aufführungen und der sie dokumentierenden Visualisierung wird das kritische Potential einer zeigenden Praxis herausgearbeitet. Kritisches Potential beziehe ich nicht nur auf die von Künstler*innen wie Bailey formulierten Absichten der Dekonstruktion und Destabilisierung, sondern fokussiere mit Verweis auf das Bedeutungsfeld von Begriffen wie ‚heikel', ‚prekär' oder ‚riskant' die vielfältigen, widersprüchlichen Wirkungen von Zeigepraxen.","PeriodicalId":55908,"journal":{"name":"FORUM MODERNES THEATER","volume":"31 1","pages":"76 - 89"},"PeriodicalIF":0.1,"publicationDate":"2020-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45623213","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Kunstwerk als Handlung. Transformationen von Ausstellung und Teilnahme by Marita Tatari (review) 作为情节的艺术品。Marita Tatari展览和参与的转变（综述）
IF 0.1 4区 艺术学
FORUM MODERNES THEATER Pub Date : 2020-10-07 DOI: 10.1353/fmt.2020.0020
Marten Weise
{"title":"Kunstwerk als Handlung. Transformationen von Ausstellung und Teilnahme by Marita Tatari (review)","authors":"Marten Weise","doi":"10.1353/fmt.2020.0020","DOIUrl":"https://doi.org/10.1353/fmt.2020.0020","url":null,"abstract":"","PeriodicalId":55908,"journal":{"name":"FORUM MODERNES THEATER","volume":"31 1","pages":"214 - 217"},"PeriodicalIF":0.1,"publicationDate":"2020-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/fmt.2020.0020","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46686327","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信