{"title":"L’Invention du Luxe: histoire de l’industrie horlogère à Genève de 1815 à nos jours","authors":"Peter Oakley","doi":"10.1080/20511817.2018.1439442","DOIUrl":"https://doi.org/10.1080/20511817.2018.1439442","url":null,"abstract":"Peter Oakley is a Senior Research Tutor at the Royal College of Art, London. His research interests include the social identities of prestige materials and luxury goods, the development and impact of ethical and sustainable material sourcing programs, contemporary uses of traditional craft techniques, and the introduction and exploitation of innovative manufacturing processes. peter.oakley@rca.ac.uk BOOK REVIEW","PeriodicalId":55901,"journal":{"name":"Luxury-History Culture Consumption","volume":"61 1","pages":"101 - 97"},"PeriodicalIF":0.2,"publicationDate":"2018-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20511817.2018.1439442","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"60020726","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Givenchy & Abundance of References","authors":"M. Sanger","doi":"10.1080/20511817.2018.1430885","DOIUrl":"https://doi.org/10.1080/20511817.2018.1430885","url":null,"abstract":"Abstract It is debated whether or not the “luxury” of a luxury object is contained within the object or exists beyond it. This text examines one object – a Neoprene little black dress by Givenchy – in the context of its references backwards and forwards. Using Webb Keane’s semiotic-temporal alignment, the dress’s past is analyzed as iconic and nostalgic through Walter Benjamin, and its future as symbolic and ironic through Donna Haraway. Theories of object agency are considered through W.J.T. Mitchell and as between life and death. Luxury, finally, as abundance or indulgence is taken on as a method of inquiry.","PeriodicalId":55901,"journal":{"name":"Luxury-History Culture Consumption","volume":"5 1","pages":"75 - 88"},"PeriodicalIF":0.2,"publicationDate":"2018-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20511817.2018.1430885","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48374076","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Nouveau Reach: An e-Interview","authors":"D. Laing","doi":"10.1080/20511817.2018.1439201","DOIUrl":"https://doi.org/10.1080/20511817.2018.1439201","url":null,"abstract":"Jessica P. Clark is an assistant professor of history at Brock University. Her research focuses on the history of gender and consumption, empire, beauty, and appearance in the modern British world. Her work has appeared in publications including the Women’s History Review, History Compass, and Gender and Material Culture in Britain after 1600 (Palgrave 2015). She is the editor of the fifth volume of Bloomsbury’s Cultural History of Beauty (forthcoming) and is currently completing a manuscript on Britain’s nineteenth-century beauty and grooming industries. jclark3@brocku.ca","PeriodicalId":55901,"journal":{"name":"Luxury-History Culture Consumption","volume":"5 1","pages":"89 - 96"},"PeriodicalIF":0.2,"publicationDate":"2018-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20511817.2018.1439201","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49008870","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Designing Europe 1600–1815","authors":"R. Clark","doi":"10.1080/20511817.2017.1352220","DOIUrl":"https://doi.org/10.1080/20511817.2017.1352220","url":null,"abstract":"Abstract Europe 1600–1815 was the biggest gallery project of FuturePlan Phase II at the Victoria and Albert Museum (V&A), with a budget of £12.5 million and 1500 square metres of display space. This article describes some of the steps involved in commissioning the design of these galleries, revealing how the objective of harmonizing setting, display, narrative and interpretation has been achieved.","PeriodicalId":55901,"journal":{"name":"Luxury-History Culture Consumption","volume":"4 1","pages":"297 - 312"},"PeriodicalIF":0.2,"publicationDate":"2017-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20511817.2017.1352220","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43238848","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Gilded relief panel of Cosimo II de’Medici","authors":"Charlotte Hubbard","doi":"10.1080/20511817.2017.1352228","DOIUrl":"https://doi.org/10.1080/20511817.2017.1352228","url":null,"abstract":"Charlotte Hubbard is Head of Sculpture Conservation at the Victoria and Albert Museum. She has conserved a wide range of European and Asian sculpture, and has a specific interest in terracotta sculpture. She has been the Lead Conservator for the Medieval and Renaissance Galleries (opened 2009), Europe 1600-1815 Galleries (opened 2015), and for the Cast Courts (re-opening 2018). Chubbard@vam.ac.uk Gilded relief panel of Cosimo II de’Medici","PeriodicalId":55901,"journal":{"name":"Luxury-History Culture Consumption","volume":"4 1","pages":"287 - 289"},"PeriodicalIF":0.2,"publicationDate":"2017-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20511817.2017.1352228","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43683637","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Understanding and Interpreting La Tournerie","authors":"Joanna Norman","doi":"10.1080/20511817.2017.1352230","DOIUrl":"https://doi.org/10.1080/20511817.2017.1352230","url":null,"abstract":"Abstract Historical interiors, often known as period rooms, are included in the Europe 1600–1815 Galleries on the basis of the rooms’ quality as individual objects of art and design, their importance in providing a sense of architecture and scale, their role in enabling a change of pace and atmosphere and their great popularity with visitors. They are hugely problematic museum objects, for both practical and conceptual reasons, and they presented numerous challenges in terms of research, conservation and display. This article reveals the thinking behind the presentation of one particular room – the bedchamber from La Tournerie, a late seventeenth-century country house in north west France.","PeriodicalId":55901,"journal":{"name":"Luxury-History Culture Consumption","volume":"4 1","pages":"209 - 222"},"PeriodicalIF":0.2,"publicationDate":"2017-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20511817.2017.1352230","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47189909","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Making of the Cabinet Part II: Activity Table","authors":"N. Langford","doi":"10.1080/20511817.2017.1351857","DOIUrl":"https://doi.org/10.1080/20511817.2017.1351857","url":null,"abstract":"Abstract In The Cabinet, the gallery devoted to seventeenth-century collecting, a table with a cast bronze top with three small cases stands under the window. It unites activities with museum displays, encouraging visitors to explore the gallery narrative and themes through hands-on investigation. This article discusses the thinking behind and commissioning of this activity table which was conceived with one of the project’s target audiences in mind – family groups.","PeriodicalId":55901,"journal":{"name":"Luxury-History Culture Consumption","volume":"4 1","pages":"201 - 208"},"PeriodicalIF":0.2,"publicationDate":"2017-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20511817.2017.1351857","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49503989","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Bird’s-eye View of Het Loo by Romeyn de Hooghe","authors":"Elizabeth Miller","doi":"10.1080/20511817.2017.1351850","DOIUrl":"https://doi.org/10.1080/20511817.2017.1351850","url":null,"abstract":"Elizabeth Miller was a member of the Europe 1600-1815 Galleries Concept Team, and co-edited, the publication The Arts of Living: Europe 1600–1815, (London, 2016), which accompanies the galleries. She is a senior curator of prints in the Word and Image Department at the V&A working mostly on European prints from before 1700. Between 2004 and 2006 she was Associate Director of the AHRC Centre for the Study of the Domestic Interior, and in 2006 contributed an essay to the V&A exhibition catalogue At Home in Renaissance Italy. In 2016–17 she undertook a Fellowship awarded by the Leverhulme Trust. l.miller@vam.ac.uk A Bird’s-eye View of Het Loo by Romeyn de Hooghe","PeriodicalId":55901,"journal":{"name":"Luxury-History Culture Consumption","volume":"4 1","pages":"149 - 153"},"PeriodicalIF":0.2,"publicationDate":"2017-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20511817.2017.1351850","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46144777","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
