{"title":"奢侈品的发明:1815年至今日内瓦制表工业的历史","authors":"Peter Oakley","doi":"10.1080/20511817.2018.1439442","DOIUrl":null,"url":null,"abstract":"Peter Oakley is a Senior Research Tutor at the Royal College of Art, London. His research interests include the social identities of prestige materials and luxury goods, the development and impact of ethical and sustainable material sourcing programs, contemporary uses of traditional craft techniques, and the introduction and exploitation of innovative manufacturing processes. peter.oakley@rca.ac.uk BOOK REVIEW","PeriodicalId":55901,"journal":{"name":"Luxury-History Culture Consumption","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2018-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20511817.2018.1439442","citationCount":"3","resultStr":"{\"title\":\"L’Invention du Luxe: histoire de l’industrie horlogère à Genève de 1815 à nos jours\",\"authors\":\"Peter Oakley\",\"doi\":\"10.1080/20511817.2018.1439442\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Peter Oakley is a Senior Research Tutor at the Royal College of Art, London. His research interests include the social identities of prestige materials and luxury goods, the development and impact of ethical and sustainable material sourcing programs, contemporary uses of traditional craft techniques, and the introduction and exploitation of innovative manufacturing processes. peter.oakley@rca.ac.uk BOOK REVIEW\",\"PeriodicalId\":55901,\"journal\":{\"name\":\"Luxury-History Culture Consumption\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2018-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/20511817.2018.1439442\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Luxury-History Culture Consumption\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/20511817.2018.1439442\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Luxury-History Culture Consumption","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/20511817.2018.1439442","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 3
摘要
Peter Oakley是伦敦皇家艺术学院的高级研究导师。他的研究兴趣包括名牌材料和奢侈品的社会身份，道德和可持续材料采购计划的发展和影响，传统工艺技术的当代应用，以及创新制造工艺的引入和开发。peter.oakley@rca.ac.uk书评
L’Invention du Luxe: histoire de l’industrie horlogère à Genève de 1815 à nos jours
Peter Oakley is a Senior Research Tutor at the Royal College of Art, London. His research interests include the social identities of prestige materials and luxury goods, the development and impact of ethical and sustainable material sourcing programs, contemporary uses of traditional craft techniques, and the introduction and exploitation of innovative manufacturing processes. peter.oakley@rca.ac.uk BOOK REVIEW
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