Zbornik Radova Filozofskog Fakulteta u Pristini最新文献_第3页

Teaching literature in comprehensive secondary school curricula in Serbia (from 1990 to the present) 塞尔维亚中学综合课程中的文学教学(1990年至今)

Zbornik Radova Filozofskog Fakulteta u Pristini Pub Date : 2023-01-01 DOI: 10.5937/zrffp53-42795

Jelena Mihajlović

引用次数: 1

The feminine principle in Ivo Andrić's The Ivory Woman 伊沃·安德里奇《象牙女人》中的女性原则

Zbornik Radova Filozofskog Fakulteta u Pristini Pub Date : 2023-01-01 DOI: 10.5937/zrffp53-41509

Jasmina Ahmetagić

{"title":"The feminine principle in Ivo Andrić's The Ivory Woman","authors":"Jasmina Ahmetagić","doi":"10.5937/zrffp53-41509","DOIUrl":"https://doi.org/10.5937/zrffp53-41509","url":null,"abstract":"In The Ivory Woman, Andrić uses dreams to thematize his protagonist's key problem, that is, one important aspect of relationships between men and women, along with signals of generalization (the protagonist's namelessness, the absence of specification of his social standing and duties) that are present in the story. The transformation that the ivory figurine experiences, by becoming a woman of flesh and blood in the protagonist's dream, is given in the framework of all the elements that are, according to C. G. Jung, essential for understanding the dreamer's unconscious experience: his life situation, current state of mind, and his interpretation of his own experience, so we also interpreted this transformation in this context. This is a meaningful, nightmarish dream, in which the protagonist meets an archetypal figure, the anima, his inner woman, who has in fact enshrouded his entire inner space. The protagonist's possessedness by the anima is mirrored in his quickly-changing moods, in the ill will that dominates his life, in the manner that he tells his story, as well as in the fact that his objectivity had been lost in the sea of irrationality. The fantastic narrative, which we interpreted as the protagonist's escape from facing himself, is based on the motif of the demonic woman, which is one of the typical negative forms of the anima. The dream confronts the protagonist with what he doesn't know about himself: he is the one sabotaging his emotional relationships.","PeriodicalId":55773,"journal":{"name":"Zbornik Radova Filozofskog Fakulteta u Pristini","volume":"30 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82019610","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The association between psychological inflexibility and mental health during the third wave of COVID-19 pandemic 第三波COVID-19大流行期间心理不灵活性与心理健康之间的关系

Zbornik Radova Filozofskog Fakulteta u Pristini Pub Date : 2023-01-01 DOI: 10.5937/zrffp53-43010

Vesna Barzut, Jelena Blanuša, Jasmina Knežević, Gordana Marinković

引用次数: 0

Georgije Mitrofanović's fresco composition with representations of medieval rulers in the southern apse of the Hilandar refectory 乔治耶·米特罗法诺维奇在希兰达尔餐厅南部后殿的壁画组成与中世纪统治者的代表

Zbornik Radova Filozofskog Fakulteta u Pristini Pub Date : 2023-01-01 DOI: 10.5937//zrffp53-46720

Nikolaos Dionysopoulos, Vesna Milanović

{"title":"Georgije Mitrofanović's fresco composition with representations of medieval rulers in the southern apse of the Hilandar refectory","authors":"Nikolaos Dionysopoulos, Vesna Milanović","doi":"10.5937//zrffp53-46720","DOIUrl":"https://doi.org/10.5937//zrffp53-46720","url":null,"abstract":"The composition with representations of medieval rulers is a unique structure within the fresco-ensemble of the Hilandar refectory, which was signed by the painter Georgije Mitrofanović in 1621/1622, replacing the previous, three centuries older works. It depicts Serbian King Milutin and the Byzantine Emperor Andronikos II Palaiologos in a paraphrased version of the solution found in medieval portraits within the narthex of the Catholicon of the Monastery. With some modifications, it was incorporated into a new programmatic context, together with figures of Saint Simon the Monk (most likely representing the former King Uroš I) and Saint Stefan Dečanski. The formation of the latter pair is based on iconographic patterns that combine the initial theme of the pious rulers' patronage with motifs of martyrdom and unwavering faith. The new visual ensemble, featuring figures of pious and orthodox rulers from the medieval past, is completed by the insertion of the symbol of the cross between them and by placing all the figures under the protection and blessing of Christ, the Angel of Great Counsel. Why did the creator of this pictorial program connect the bygone rulers, patrons of the monastery, with a distinctive, non-traditional representation of Christ? How does the passage of time since the medieval period affect the reception of this iconographic group? What does the medallion with the cross and Christogram signify in the given arrangement? These and similar questions, mostly overlooked in previous discussions focused on the restoration aspect of Mitrofanović's work, stem from the endeavour to understand what was achieved through the characteristics and circumstances of the era in which the refectory was repainted, particularly in the context of the challenges faced by the Orthodox community within the then Ottoman state.","PeriodicalId":55773,"journal":{"name":"Zbornik Radova Filozofskog Fakulteta u Pristini","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135103456","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Grigorije Camblak's description of the construction of the Dečani church: Its features and models 格里戈里耶·坎布拉克对de<e:1>阿尼教堂建设的描述:特点与模式

Zbornik Radova Filozofskog Fakulteta u Pristini Pub Date : 2023-01-01 DOI: 10.5937/zrffp53-44977

Anđela Gavrilović

{"title":"Grigorije Camblak's description of the construction of the Dečani church: Its features and models","authors":"Anđela Gavrilović","doi":"10.5937/zrffp53-44977","DOIUrl":"https://doi.org/10.5937/zrffp53-44977","url":null,"abstract":"In describing the life and deeds of Serbian Holy King Stefan of Dečani (1322-1331), the author of the second biography of the Serbian king and abbot of the Dečani Monastery, Grigorije Camblak (c.1364-1419/1420) gives an account of the construction of the Holy King's endowment dedicated to Christ Pantokrator (Figs. 1-2). He describes in detail the way in which the marble blocks of the church were carved with great skill, prepared and perfectly inserted into the overall structure of the building. He states, \"...and the stones are wonderfully and most artfully joined together, so that it seems as if the face of the whole church is one stone wonderfully joined together with skill, so that it seems as if one piece of stone, appearing in an unspeakable beauty…since it is a perfectly carved stone and testifies to the dignity of those who created it\" (Camblak, 1936, p. 23; Trifunović, 1985, p. 183). The paper notes that the quoted description of the church construction emphatically represents learned ancient literary topos used to describe the most representative architectural monuments, especially those made of marble and deals with the origin and tradition of this specific way of describing the building construction.","PeriodicalId":55773,"journal":{"name":"Zbornik Radova Filozofskog Fakulteta u Pristini","volume":"156 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135101444","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

A nation at bay: Ruth Farnham's and Douglas Walshe's accounts from the Macedonian front 陷入困境的国家:露丝·法纳姆和道格拉斯·沃尔什从马其顿前线发回的报道

Zbornik Radova Filozofskog Fakulteta u Pristini Pub Date : 2023-01-01 DOI: 10.5937/zrffp53-41660

Milica Spremić-Končar

{"title":"A nation at bay: Ruth Farnham's and Douglas Walshe's accounts from the Macedonian front","authors":"Milica Spremić-Končar","doi":"10.5937/zrffp53-41660","DOIUrl":"https://doi.org/10.5937/zrffp53-41660","url":null,"abstract":"This paper analyses two war travelogues from World War I whose authors served in the Serbian Army on the Macedonian front, Ruth Farnham's A Nation at Bay: What an American Woman Saw and Did in Suffering Serbia and Douglas Walshe's With the Serbs in Macedonia. Farnham's duty was to take charge of the medical stores brought to Serbia from various English and American sources and Walshe was a driver in a Light Supply and Ammunition Column of Ford vans attached to the Serbian Army. Apart from offering detailed descriptions of their duties, Farnham and Walshe convey through their travelogues a very favourable picture of Serbia and its people, thus distancing themselves from the discourse of Balkanism, predominant in Great Britain and the United States during World War I. With due respect they write about Serbian soldiers, their ethics and humane attitude towards the Austrian and Bulgarian prisoners of war, whereas they do not hesitate to condemn the Allies' treasonous response towards the Serbian Army in times of its greatest need. Having come to the Macedonian front to learn about Serbia and help it, Ruth Farnham and Douglas Walshe can be said to have challenged the negative reputation Serbia had in the British and American public. Their war travelogues clearly show that what they saw and experienced is in many ways incongruous with the then predominant discourse of Balkanism. That is why Farnham reveals to her reader that she feels \"the highest regard for that brave little nation, Serbia, and its gallant and heroic people\" and Walshe ends his book in a simple and memorable sentence: \"It has been a privilege to serve them\".","PeriodicalId":55773,"journal":{"name":"Zbornik Radova Filozofskog Fakulteta u Pristini","volume":"88 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81598689","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Derivational and semantic characteristics of zoonymous onomatopoeia in Serbian 塞尔维亚语人声拟声词的衍生及语义特征

Zbornik Radova Filozofskog Fakulteta u Pristini Pub Date : 2023-01-01 DOI: 10.5937/zrffp53-41098

Gordana Štasni, Gordana Štrbac

{"title":"Derivational and semantic characteristics of zoonymous onomatopoeia in Serbian","authors":"Gordana Štasni, Gordana Štrbac","doi":"10.5937/zrffp53-41098","DOIUrl":"https://doi.org/10.5937/zrffp53-41098","url":null,"abstract":"The paper discusses the derivational and semantic characteristics of zoonymous onomatopoeia, based on the imitation of animal sounds. According to their morphological and communicative features, these units are primarily interjections. Nevertheless, from other onomatopoeic words, zoonymous onomatopoeias stand out for their productivity and semantic and derivational characteristics. The methodology applied in the work includes the usual procedures for semantic-derivative research - analysis of the formation structure of derivatives and the application of elements of componential analysis in the interpretation of the semantic extension of the observed units. Derivative analysis shows that most of these units have the inductive ability to create derivatives. In some cases, the derivation is blocked, which can be conditioned by different causes. Motive onomatopoeic interjections form nests of similar content. The most productive is the formation of verbs, which take on an inductive function and form a whole series of new derivatives. On the semantic level, zoonymous onomatopoeias are mostly one-meaning words, but their derivatives, verbs and nouns, are characterized by polysemy, the basis of which is most often a metaphorical transposition from the animal to the human as a designate, which is often accompanied by negative expressiveness, which goes in the derogatory direction, although there are other examples by positive expressiveness.","PeriodicalId":55773,"journal":{"name":"Zbornik Radova Filozofskog Fakulteta u Pristini","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86967875","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Participation of the delegation of the Serbian Church in the election of the Russian patriarch in 1945 and the arrival of the Russian Church in Yugoslavia

Zbornik Radova Filozofskog Fakulteta u Pristini Pub Date : 2023-01-01 DOI: 10.5937/zrffp53-40679

Boris Fajfrić

引用次数: 0

Bibliografija - pomoć svakom dijalektologu - Marković Brankica: Ka indeksiranju dijalekatskih tekstova publikovanih u Republici Srbiji, Srpski dijalektološki zbornik, Srpska akademija nauka i umetnosti i Institut za srpski jezik SANU, Beograd, 2022

Zbornik Radova Filozofskog Fakulteta u Pristini Pub Date : 2023-01-01 DOI: 10.5937/zrffp53-44671

Gordana Dragin

引用次数: 0

Reconstructing a late Archaic-period Dionysian ship cart 重建古代晚期酒神的船车

Zbornik Radova Filozofskog Fakulteta u Pristini Pub Date : 2023-01-01 DOI: 10.5937/zrffp53-45389

Shelley Wachsmann, Donald Sanders

{"title":"Reconstructing a late Archaic-period Dionysian ship cart","authors":"Shelley Wachsmann, Donald Sanders","doi":"10.5937/zrffp53-45389","DOIUrl":"https://doi.org/10.5937/zrffp53-45389","url":null,"abstract":"The Greek deity Dionysos had a particular affinity for war galleys, a relationship perhaps explained by the Homeric Hymn to Dionysos in which Tyrsenian pirates kidnap him on their galley. Soon grape vines entangle the rigging and some of the pirates attempt to escape their fate by jumping into the sea: Dionysos transforms them into dolphins. This hymn served as an occasional motif in pagan art and may explain the miniaturized replicas of seagoing oared ships that played an integral role in the ancient Dionysian cult. These flimsy Dionysian ship carts moved overland in parades, either on wheels or upon the shoulders of celebrants. While the earliest examples may date to the Late Bronze Age, they are best known from a series of three late Archaic-period representations on black-figure skyphoi, now in museums in Athens, Bologna and London. No two Archaic-period Dionysian ship-cart representations are identical in all details. While perhaps due to painters' whims, this diversity in appearance may reflect changes to the ship carts at each annual appearance, analogous to modern-day parade floats. Due to the two-dimensional nature of these ship-cart images, it is impossible today to determine whether the Dionysian ship carts reflected in them consisted of actual vessels-purpose-built and placed on wagons during the procession, employed solely for the Dionysian celebrations-or floats in the form of miniaturized galleys. This paper supplies context and explains the process of creating a three-dimensional digital reconstruction of a generic Late Archaic-period Dionysian ship cart employing contemporaneous imagery and artifacts.","PeriodicalId":55773,"journal":{"name":"Zbornik Radova Filozofskog Fakulteta u Pristini","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135101807","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0