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Selected Poetry and Prose of Evariste Parny, in English Translation with French Text, éd. Françoise Lionnet; trad. Peter Low et Blake Smith 埃瓦里斯特·帕尼诗文选集，英译法，éd。弗朗索瓦斯·莱昂内；传统。Peter Low et Blake Smith
IF 0.3 2区 文学
NINETEENTH-CENTURY LITERATURE Pub Date : 2021-06-01 DOI: 10.3138/ECF.33.4.602
Guilhem Armand
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引用次数: 0
Democratic practice in early childhood education: A world of possibilities for the young child 幼儿教育中的民主实践:幼儿的无限可能
IF 0.3 2区 文学
NINETEENTH-CENTURY LITERATURE Pub Date : 2021-06-01 DOI: 10.18296/ECF.0090
Olivera Kamenarac
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引用次数: 0
Hardy’s Trees 哈代的树
IF 0.3 2区 文学
NINETEENTH-CENTURY LITERATURE Pub Date : 2021-06-01 DOI: 10.1525/ncl.2021.76.1.92
Maxwell Sater
{"title":"Hardy’s Trees","authors":"Maxwell Sater","doi":"10.1525/ncl.2021.76.1.92","DOIUrl":"https://doi.org/10.1525/ncl.2021.76.1.92","url":null,"abstract":"Maxwell Sater, “Hardy's Trees: Ecology and the Question of Knowledge in The Woodlanders” (pp. 92–115)\u0000 This essay attends to one of the stranger episodes in Thomas Hardy’s fiction: the inexplicably linked deaths of John South and the elm tree outside his house. I argue that this subplot is of central importance to The Woodlanders (1887) and to Hardy’s ecological thinking more generally. Hardy posits an episode that resists narrative accommodation: simply, it does not make sense. Its senselessness, I contend, indexes a broader discomfort with, and rejection of, what Stanley Cavell would call relations of knowing as the foundation of ecology. By reading The Woodlanders alongside Cavell, I suggest that Hardy develops an ecological mode of relation dependent neither on knowledge of nor on continuity with nonhuman worlds but, rather, on a negotiation of the epistemological and ontological limits inhering between, in this instance, humans and trees. For Hardy, humane ecological relations are possible in spite of those limits; in fact, seeking to transcend them, as the elm tree plot parodically demonstrates, can be counterproductive.","PeriodicalId":54037,"journal":{"name":"NINETEENTH-CENTURY LITERATURE","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45157234","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Granville Sharp and the Zong Massacre: Sharp’s Uncovered Letter to the British Admiralty, ed. Michelle Faubert 格兰维尔·夏普与宗大屠杀：夏普致英国海军部的一封未披露的信，米歇尔·福伯特主编
IF 0.3 2区 文学
NINETEENTH-CENTURY LITERATURE Pub Date : 2021-03-01 DOI: 10.3138/ECF.33.3.453
Cassander L. Smith
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引用次数: 0
Écrire en Europe. De Leibniz à Foscolo, éd. Nathalie Ferrand 在欧洲写作。从莱布尼茨到福斯科洛，编辑。Nathalie Ferrand
IF 0.3 2区 文学
NINETEENTH-CENTURY LITERATURE Pub Date : 2021-03-01 DOI: 10.3138/ECF.33.3.472
Michael J. Mulryan
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引用次数: 0
(De)Facing Time (反)面临着时间
IF 0.3 2区 文学
NINETEENTH-CENTURY LITERATURE Pub Date : 2021-03-01 DOI: 10.1215/0041462X-8912260
Shawn Normandin
{"title":"(De)Facing Time","authors":"Shawn Normandin","doi":"10.1215/0041462X-8912260","DOIUrl":"https://doi.org/10.1215/0041462X-8912260","url":null,"abstract":"The title of John Ashbery’s 1965 poem “Clepsydra” alludes to Charles Baudelaire’s “L’Horloge,” from Les Fleurs du mal, and reading Ashbery’s poem as a response to “L’Horloge” helps refine our understanding of his place in literary history, a process this essay pursues by considering “Clepsydra” in relation to influential readings of poetry offered by some of Ashbery’s major contemporaries (Marjorie Perloff, Paul de Man, and Harold Bloom). Exemplifying the allegorical mode of modernism that the young Ashbery resists, Baudelaire’s poem manifests the triumph of linear time; “Clepsydra” imagines time as circular flow, averting allegorical time chiefly by means of prosopopoeia and metalepsis. The most old-fashioned of allegorical devices, prosopopoeia abounds in “Clepsydra,” but Ashbery repeatedly endeavors to counteract it, and metalepsis by its nature resists linearity. Despite the poem’s astonishing inventiveness, however, in the poem the resilience of allegory and of linear time is ultimately reaffirmed.","PeriodicalId":54037,"journal":{"name":"NINETEENTH-CENTURY LITERATURE","volume":"67 1","pages":"31-56"},"PeriodicalIF":0.3,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44695006","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Wasted Gifts 浪费的礼物
IF 0.3 2区 文学
NINETEENTH-CENTURY LITERATURE Pub Date : 2021-03-01 DOI: 10.1525/NCL.2021.75.4.527
V. Smith
{"title":"Wasted Gifts","authors":"V. Smith","doi":"10.1525/NCL.2021.75.4.527","DOIUrl":"https://doi.org/10.1525/NCL.2021.75.4.527","url":null,"abstract":"Vanessa Smith, “Wasted Gifts: Robert Louis Stevenson in Oceania” (pp. 527–551)\u0000 This essay takes some letters from Robert Louis Stevenson’s travels in the South Seas as a starting point to rethink both Stevenson’s South Seas oeuvre and the Victorian cross-cultural encounter. Reengaging with Marcel Mauss’s classic theorization of gift exchange, the essay suggests that Stevenson’s encounters with Oceanic systems of exchange were experienced in terms not of cultural dominance, but of ontological lack. The practices of gifting to which Stevenson found himself subject in the Marquesas, Tuamotus, and Tahiti rendered both British etiquette and largesse ineffectual. The essay relates Stevenson’s growing sense of the complexities of Oceanic gifting to the tendency of his metropolitan readers to understand his South Seas “exile” as a waste of his own gifts. Focusing in particular on The Wrecker (1892) and “The Bottle Imp” (1891), it proposes that Stevenson deployed his expanded understanding of what Oceanic gifting entailed to replenish his fiction in both structural and figurative terms, even as he was forced to acknowledge those failures of reciprocation that continued to inform its production.","PeriodicalId":54037,"journal":{"name":"NINETEENTH-CENTURY LITERATURE","volume":"75 1","pages":"527-551"},"PeriodicalIF":0.3,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48942904","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Review: Nineteenth-Century Literature in Transition: The 1880s, by Penny Fielding and Andrew Taylor 书评:《转型中的19世纪文学:19世纪80年代》，作者:佩妮·菲尔丁和安德鲁·泰勒
IF 0.3 2区 文学
NINETEENTH-CENTURY LITERATURE Pub Date : 2021-03-01 DOI: 10.1525/NCL.2021.75.4.555
M. Stetz
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引用次数: 0
“The Very Music of the Name” 《名字的音乐》
IF 0.3 2区 文学
NINETEENTH-CENTURY LITERATURE Pub Date : 2021-03-01 DOI: 10.1525/NCL.2021.75.4.441
Chris Townsend
{"title":"“The Very Music of the Name”","authors":"Chris Townsend","doi":"10.1525/NCL.2021.75.4.441","DOIUrl":"https://doi.org/10.1525/NCL.2021.75.4.441","url":null,"abstract":"Chris Townsend, “‘The Very Music of the Name’: Uncertainty as Aesthetic Principle in Keats’s Endymion” (pp. 441–472)\u0000 It is well known that John Keats thought that true poets were those who are capable of being in “uncertainties, Mysteries, doubts” without feeling the need to reach after solid facts. And “uncertainty” is a recurrent term in his 1818 poem Endymion and its preface. But what does it mean for the figure of Endymion to follow an “uncertain path,” and what role do experimental poetics play in that experience of not knowing? This essay reflects on three aspects of the rhythms of Endymion—the relation of line to sentence, the transformative quality of the poem’s rhymes, and the rhythmical malleability of the name “Endymion” itself—to argue that what Keats’s early critics were hostile to in his poem was precisely what he strove to produce: a poetics of uncertainty. By turning close attention to the local effects of Keats’s rhythms, and by mounting an argument about the structure of his thinking that concerns the shape of his verses, I also want to reopen a perennial question in both Formalist and New Historicist branches of Keats scholarship: whether it makes sense to think of Keats as a “political” or “ideological” poet, and of what that might mean in relation to his aesthetics.","PeriodicalId":54037,"journal":{"name":"NINETEENTH-CENTURY LITERATURE","volume":"75 1","pages":"441-472"},"PeriodicalIF":0.3,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45396531","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“A Handful of Loose Beads” “一把松散的珠子”
IF 0.3 2区 文学
NINETEENTH-CENTURY LITERATURE Pub Date : 2021-03-01 DOI: 10.1525/NCL.2021.75.4.473
A. Coté
{"title":"“A Handful of Loose Beads”","authors":"A. Coté","doi":"10.1525/NCL.2021.75.4.473","DOIUrl":"https://doi.org/10.1525/NCL.2021.75.4.473","url":null,"abstract":"Amy Coté, “‘A Handful of Loose Beads’: Catholicism and the Fictional Autobiography in Charlotte Brontë’s Villette” (pp. 473–494)\u0000 This essay considers the influence of confession as a Catholic liturgical sacrament and as a literary genre informing the fictional autobiography in Charlotte Brontë’s Villette (1853). In her earlier novel Jane Eyre (1847), Brontë used the tradition of Protestant spiritual autobiography as a literary genre focused on the individual’s spiritual development. Villette, written as it was at the height of a wave of anti-Catholic sentiment in England in the 1840s and 1850s, has understandably been read as a nationalistic rebuke of Catholicism. This essay complicates this narrative, and shows how Brontë looks to Catholic liturgical traditions, most notably the sacrament of confession, to trouble the generic conventions of the Protestant spiritual autobiography and, by extension, of fictional autobiography.","PeriodicalId":54037,"journal":{"name":"NINETEENTH-CENTURY LITERATURE","volume":"75 1","pages":"473-494"},"PeriodicalIF":0.3,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45204589","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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