{"title":"Samuel Beckett and the Politics of Aftermath by James McNaughton, Beckett’s Political Imagination by Emilie Morin","authors":"Patrick Bixby","doi":"10.1215/0041462X-8912299","DOIUrl":"https://doi.org/10.1215/0041462X-8912299","url":null,"abstract":"","PeriodicalId":54037,"journal":{"name":"NINETEENTH-CENTURY LITERATURE","volume":"67 1","pages":"100-108"},"PeriodicalIF":0.3,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49132614","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bright Sunshine, Dark Shadows","authors":"L. Wilhelm","doi":"10.1525/NCL.2021.75.4.495","DOIUrl":"https://doi.org/10.1525/NCL.2021.75.4.495","url":null,"abstract":"Lindsay Wilhelm, “Bright Sunshine, Dark Shadows: Decadent Beauty and Victorian Views of Hawai‘i” (pp. 495–526)\u0000 Inspired by the recent global turn in aestheticism and decadence studies, this essay considers how late-Victorian discourses surrounding beauty, pleasure, and morality inform contemporary literary representations of Hawai‘i as both supremely inviting and dangerously languorous. The essay begins with a short overview of the broader geopolitical and historical circumstances that helped shape nineteenth-century understandings of Hawai‘i—a place renowned abroad for its beauty and hospitality, but nonetheless still notorious as the site of James Cook’s death in 1779. Next, the essay traces the peculiar ambivalence with which travel memoirs such as Isabella Bird’s The Hawaiian Archipelago (1875) and Constance Gordon-Cumming’s Fire Fountains (1883) describe their authors’ experiences in the islands. In these memoirs, Hawai‘i evidences the same convergence between beauty and decay that undergirds the controversial aesthetics of Algernon Charles Swinburne, Oscar Wilde, and other adherents of the creed of “art for art’s sake.” Focusing particularly on Robert Louis Stevenson’s fairy tale “The Bottle Imp” (1891), the essay then examines the ways in which Victorian writers utilize Hawai‘i’s leprosy epidemic as an occasion for exploring the perils of aesthetic hedonism. The essay concludes by briefly turning to the work of nineteenth-century Hawaiian historian Samuel Kamakau, whose own depictions of the decaying Hawaiian village reveal, by contrast, how these British accounts enlist the language of decadence in the service of empire.","PeriodicalId":54037,"journal":{"name":"NINETEENTH-CENTURY LITERATURE","volume":"75 1","pages":"495-526"},"PeriodicalIF":0.3,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48616834","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“The Meaner & More Usual &c.”","authors":"M. Greaney","doi":"10.1525/NCL.2021.75.4.417","DOIUrl":"https://doi.org/10.1525/NCL.2021.75.4.417","url":null,"abstract":"Michael Greaney, “‘The Meaner & More Usual &c.’: Everybody in Emma” (pp. 417-440)\u0000 This essay aims to read Jane Austen’s Emma (1815) not as a portrait of a pampered individual but as a story of collective or communal selfhood—that is, as the story of everybody. “Everybody”—the term is used approximately one hundred times in this novel—in Emma is both more and less than a village or a neighborhood. Spread and shared across people, discourses, bodies, and institutions, “everybodiness” is variously apprehended as public opinion, or a ubiquitous collective gaze, or a shared repertoire of constantly updated gossip-narratives, without ever being quite reducible to any one of these. With a mixture of disdain and disquiet, Emma equates everybodiness with banal group-think, senseless chatter, lackluster mediocrity, and oppressive sameness—but, even as it thinks these superciliously undemocratic thoughts, Austen’s novel grants “everybody” narrative space in which to contest the terms of its own marginalization.","PeriodicalId":54037,"journal":{"name":"NINETEENTH-CENTURY LITERATURE","volume":"75 1","pages":"417-440"},"PeriodicalIF":0.3,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44296468","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review: Novel Cultivations: Plants in British Literature of the Global Nineteenth Century, by Elizabeth Hope Chang","authors":"L. Voskuil","doi":"10.1525/NCL.2021.75.4.552","DOIUrl":"https://doi.org/10.1525/NCL.2021.75.4.552","url":null,"abstract":"","PeriodicalId":54037,"journal":{"name":"NINETEENTH-CENTURY LITERATURE","volume":"75 1","pages":"552-555"},"PeriodicalIF":0.3,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42075904","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Apple Pips, Fruit Stains, and Clammy Juice","authors":"A. Chapman","doi":"10.1525/NCL.2020.75.3.372","DOIUrl":"https://doi.org/10.1525/NCL.2020.75.3.372","url":null,"abstract":"Alison Georgina Chapman, “Apple Pips, Fruit Stains, and Clammy Juice: Nature’s Ornaments and the Aesthetics of Preservation in Thomas Hardy's The Woodlanders” (pp. 372–398)\u0000 This paper explores Thomas Hardy’s representation of the natural world as ornamental in The Woodlanders (1887). Previous critics have pointed to the ornate and artificial descriptions of the environment to argue that nature is strangely absent in The Woodlanders. However, I argue that Hardy sees ornamental aesthetics as uniquely capable of representing ecology. As a mode that appeals to the senses while resisting interpretation, ornament captures how nature can be simultaneously overbearing in its influence over, and remote as a source of consolation to, its human interlopers. Moreover, ornament’s formal openness—specifically its capacity for endless embellishments—is better suited to nature’s mutability and inherent complexity. This adaptive, combinatory capacity proves to be a central aesthetic value for Hardy. In his architectural writing, the author argues that old buildings must be preserved from renovators who would replace these monuments’ eccentric, bric-a-brac histories with simplified, formally coherent structures. Hardy’s concern here is not only aesthetic but also ecocritical, as the author notes that such renovations often entail massive amounts of waste. Ornamental complexity and its capacity for adaptation, repurposing, and reuse thus yoke together Hardy’s interests in historic preservation, aesthetics, and ecology. By reading The Woodlanders as an ornamental novel, this essay shows how Hardy’s decorous style is part of a broader ecological and ethical project.","PeriodicalId":54037,"journal":{"name":"NINETEENTH-CENTURY LITERATURE","volume":"75 1","pages":"372-398"},"PeriodicalIF":0.3,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44113992","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review: In Plain Sight: Nineteenth-Century American Women’s Poetry and the Problem of Literary History, by Alexandra Socarides","authors":"C. Gelmi","doi":"10.1525/NCL.2020.75.3.403","DOIUrl":"https://doi.org/10.1525/NCL.2020.75.3.403","url":null,"abstract":"","PeriodicalId":54037,"journal":{"name":"NINETEENTH-CENTURY LITERATURE","volume":"75 1","pages":"403-406"},"PeriodicalIF":0.3,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44076189","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Vernon Lee’s Novel Construction","authors":"I. Yamboliev","doi":"10.1525/NCL.2020.75.3.346","DOIUrl":"https://doi.org/10.1525/NCL.2020.75.3.346","url":null,"abstract":"Irena Yamboliev, “Vernon Lee’s Novel Construction” (pp. 346–371)\u0000 This essay proposes that we understand Vernon Lee’s debut novel, Miss Brown (1884), as enacting a theory of literary language’s constructive potency that Lee develops in her critical essays. Those critical essays offer a vibrant nineteenth-century formalism, suggesting how fiction constructs and formalizes our realities, shaping readers’ mental and emotional circuits as it arranges phrases, sentences, and paragraphs. In Miss Brown, Lee crafts a prose style that meticulously tracks the protagonist’s formation—the “little dramas of expectation, fulfilment and disappointment,…of tensions and relaxations”—rendering that formation as a drama of sentence-level structuration. The resulting “representation” of Anne Brown is interrupted with adjective-rich stretches conspicuously geared toward defining, formulating, and theorizing what is being represented, essay-like. By treating the protagonist as an occasion to foreground syntax’s active building and abstracting, Miss Brown’s prose partakes in the kind of literary practice that has recently been described as nonmimetic realism—realism that does more than denote and refer and reflect what is, and instead performs, meditating on form’s process, to project and inform new potentialities.","PeriodicalId":54037,"journal":{"name":"NINETEENTH-CENTURY LITERATURE","volume":"75 1","pages":"346-371"},"PeriodicalIF":0.3,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45353617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review: Victorians on Broadway: Literature, Adaptation, and the Modern American Musical, by Sharon Aronofsky Weltman","authors":"Renata Kobetts Miller","doi":"10.1525/NCL.2020.75.3.406","DOIUrl":"https://doi.org/10.1525/NCL.2020.75.3.406","url":null,"abstract":"","PeriodicalId":54037,"journal":{"name":"NINETEENTH-CENTURY LITERATURE","volume":"75 1","pages":"406-410"},"PeriodicalIF":0.3,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48979631","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review: Reading with the Senses in Victorian Literature and Science, by David Sweeney Coombs","authors":"Debra Gettelman","doi":"10.1525/NCL.2020.75.3.399","DOIUrl":"https://doi.org/10.1525/NCL.2020.75.3.399","url":null,"abstract":"","PeriodicalId":54037,"journal":{"name":"NINETEENTH-CENTURY LITERATURE","volume":"75 1","pages":"399-403"},"PeriodicalIF":0.3,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41651332","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}