NINETEENTH-CENTURY LITERATURE最新文献

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Review: Narrating Trauma: Victorian Novels and Modern Stress Disorders, by Gretchen Braun 评论:叙述创伤:维多利亚小说与现代应激障碍》,格雷琴-布劳恩著
IF 0.3 2区 文学
NINETEENTH-CENTURY LITERATURE Pub Date : 2023-12-01 DOI: 10.1525/ncl.2023.78.3.238
Anne Stiles
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引用次数: 0
Review: Not Even Past: The Stories We Keep Telling about the Civil War, by Cody Marrs 回顾:甚至没有过去:我们不断讲述的内战故事》,科迪-马尔斯著
IF 0.3 2区 文学
NINETEENTH-CENTURY LITERATURE Pub Date : 2023-12-01 DOI: 10.1525/ncl.2023.78.3.241
Timothy Sweet
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引用次数: 0
Review: Feminine Singularity: The Politics of Subjectivity in Nineteenth-Century Literature, by Ronjaunee Chatterjee 评论女性的独特性:十九世纪文学中的主体性政治》,Ronjaunee Chatterjee 著
IF 0.3 2区 文学
NINETEENTH-CENTURY LITERATURE Pub Date : 2023-12-01 DOI: 10.1525/ncl.2023.78.3.234
Emily Harrington
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引用次数: 0
Beatrice Cenci’s Ghost 比阿特丽斯-森西的幽灵
IF 0.3 2区 文学
NINETEENTH-CENTURY LITERATURE Pub Date : 2023-12-01 DOI: 10.1525/ncl.2023.78.3.211
Mattias Pirholt
{"title":"Beatrice Cenci’s Ghost","authors":"Mattias Pirholt","doi":"10.1525/ncl.2023.78.3.211","DOIUrl":"https://doi.org/10.1525/ncl.2023.78.3.211","url":null,"abstract":"Mattias Pirholt, “Beatrice Cenci’s Ghost: Ekphrasis, Spectrality, and the Art of Copying in Nathaniel Hawthorne’s The Marble Faun” (pp. 211–233)\u0000 This article investigates the spectrality of ekphrases and art reproductions, the haunting presence of the original work’s aura and the copyist’s self-sacrifice. Focusing on the ekphrastic description of the Baroque painting Beatrice Cenci (1599), earlier attributed to Guido Reni, in Nathaniel Hawthorne’s The Marble Faun (1860), the article argues that the ekphrastic representation of the copy of the painting embodies the dialectic of enargeia and ekplexis, that is, of the vivifying presence-making of the ekphrasis and its sublime and disturbing absence. In The Marble Faun, the aura of Guido’s original painting haunts the copy, made by one of the romance’s female protagonists, Hilda, whose art is both creative and imitative. The copy retains the aura of the original but only in the shape of a haunting presence of absence, a ghost, which perpetuates rather than eliminates tradition. Thus, as a paradoxically original imitation of Guido’s masterpiece, Hilda’s uniquely beautiful copy, whose most salient feature is that is it visibly different from the original, creates an Emersonian unity of beauty and usefulness. Furthermore, the copy is haunted by the copyist’s necessary sacrifice of her own individual talent as an artist. The copyist must submit to the genius of the original artist in order to perpetuate the original work’s aura, which produces tradition by means of copying and which exists only thanks to the copyist’s self-sacrifice.","PeriodicalId":54037,"journal":{"name":"NINETEENTH-CENTURY LITERATURE","volume":" 4","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138615885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Death in his hand” "死在他手中"
IF 0.3 2区 文学
NINETEENTH-CENTURY LITERATURE Pub Date : 2023-12-01 DOI: 10.1525/ncl.2023.78.3.179
Chris Murray
{"title":"“Death in his hand”","authors":"Chris Murray","doi":"10.1525/ncl.2023.78.3.179","DOIUrl":"https://doi.org/10.1525/ncl.2023.78.3.179","url":null,"abstract":"Chris Murray, “‘Death in his hand’: Theories of Apparitions in Coleridge, Ferriar, and Keats” (pp. 179–210)\u0000 On a chance meeting in 1819, Samuel Taylor Coleridge told John Keats about his theory of “double touch.” This hypothesis is key to the famous accounts in which each poet mythologizes the other. In his writings on double touch, Coleridge surmises that we engage with our world simultaneously by sensory perception and an energetic connection derived from Mesmerism. Disruption to either aspect of double touch results in the pathological state of “single touch,” symptoms of which can include hallucination. Coleridge developed his theory in dialogue with physician and author John Ferriar. Each theorized that ghost-sightings occur when the mind articulates disease as strong imagery and each used literature, particularly Shakespeare’s Hamlet (1603), as a source of evidence for psychological speculations. Coleridge’s double-touch theory pervades his notebooks and his lectures on drama, and his verbal account provided Keats with a new means to explore the supernatural in narrative verse. Hence, double touch receives its most significant literary treatment in Keats’s compositions over the weeks following his conversation with Coleridge. In particular, “La Belle Dame sans Merci” (1819) proceeds from an initial impulse to parody Coleridge to a serious exploration of double touch. Conversely, Coleridge’s claim to have foretold Keats’s death is influenced by double-touch theory and “La Belle Dame sans Merci.”","PeriodicalId":54037,"journal":{"name":"NINETEENTH-CENTURY LITERATURE","volume":"40 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138622636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Review: American Mediterraneans: A Study in Geography, History, and Race, by Susan Gillman 回顾:美国地中海人:地理、历史和种族研究》,苏珊-吉尔曼著
IF 0.3 2区 文学
NINETEENTH-CENTURY LITERATURE Pub Date : 2023-12-01 DOI: 10.1525/ncl.2023.78.3.246
Melissa Gniadek
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引用次数: 0
Review: Conversing in Verse: Conversation in Nineteenth-Century English Poetry, by Elizabeth K. Helsinger 回顾:诗歌对话:十九世纪英国诗歌中的对话》,伊丽莎白-K-赫尔辛格著
IF 0.3 2区 文学
NINETEENTH-CENTURY LITERATURE Pub Date : 2023-12-01 DOI: 10.1525/ncl.2023.78.3.250
Erik Gray
{"title":"Review: Conversing in Verse: Conversation in Nineteenth-Century English Poetry, by Elizabeth K. Helsinger","authors":"Erik Gray","doi":"10.1525/ncl.2023.78.3.250","DOIUrl":"https://doi.org/10.1525/ncl.2023.78.3.250","url":null,"abstract":"","PeriodicalId":54037,"journal":{"name":"NINETEENTH-CENTURY LITERATURE","volume":" 18","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138613914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Review: Twisted Words: Torture and Liberalism in Imperial Britain, by Katherine Judith Anderson 书评:《扭曲的话语:大英帝国的酷刑与自由主义》,凯瑟琳·朱迪思·安德森著
2区 文学
NINETEENTH-CENTURY LITERATURE Pub Date : 2023-09-01 DOI: 10.1525/ncl.2023.78.2.168
Rachel Ablow
{"title":"Review: <i>Twisted Words: Torture and Liberalism in Imperial Britain</i>, by Katherine Judith Anderson","authors":"Rachel Ablow","doi":"10.1525/ncl.2023.78.2.168","DOIUrl":"https://doi.org/10.1525/ncl.2023.78.2.168","url":null,"abstract":"","PeriodicalId":54037,"journal":{"name":"NINETEENTH-CENTURY LITERATURE","volume":"86 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135255665","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“The less said the soonest mended” “说得越少,补得越快”
2区 文学
NINETEENTH-CENTURY LITERATURE Pub Date : 2023-09-01 DOI: 10.1525/ncl.2023.78.2.142
Jody Griffith
{"title":"“The less said the soonest mended”","authors":"Jody Griffith","doi":"10.1525/ncl.2023.78.2.142","DOIUrl":"https://doi.org/10.1525/ncl.2023.78.2.142","url":null,"abstract":"Jody Griffith, “‘The less said the soonest mended’: Time and Etiquette in The Way We Live Now” (pp. 142–163) Anthony Trollope’s novels were usually popular, but his 1875 novel The Way We Live Now was an exception. Contemporary readers and critics alike considered the novel unpleasant, or even rude. This article argues that reception was not only a response to the novel’s unlikable characters, but also to its uncomfortable temporal disruptions. The novel’s frequently repeated maxim “the less said the soonest mended” connects saying too much with incivility; to say less means to move quickly back to the status quo. The novel says “too much” by slowing down the present moment into its fragmented parts. The “now” in the title The Way We Live Now emphasizes the temporality of its narrative form, especially the tension of stabilizing a discrete present moment within the forward momentum of a novel. The instability of the “now” is a thematic focus of the novel, with characters unsettled by changing etiquette expectations. Similarly, as timelines slow down and speed up, skip ahead and reverse, the novel leaves us as temporally disoriented as the characters.","PeriodicalId":54037,"journal":{"name":"NINETEENTH-CENTURY LITERATURE","volume":"114 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135255671","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Setting Fires with Hawthorne 与霍桑一起纵火
2区 文学
NINETEENTH-CENTURY LITERATURE Pub Date : 2023-09-01 DOI: 10.1525/ncl.2023.78.2.87
Daniel Diez Couch
{"title":"Setting Fires with Hawthorne","authors":"Daniel Diez Couch","doi":"10.1525/ncl.2023.78.2.87","DOIUrl":"https://doi.org/10.1525/ncl.2023.78.2.87","url":null,"abstract":"Daniel Diez Couch, “Setting Fires with Hawthorne: ‘Earth’s Holocaust’ and Book Burning in Nineteenth-Century America” (pp. 87–113) Nathaniel Hawthorne burned pages and pages of his own writing over the course of his life and investigated the topic in two tales, “The Devil in Manuscript” (1835) and “Earth’s Holocaust” (1844). While the former borrows from his own life experiences, the latter presents a cataclysmic vision of the destruction of all literature. Yet Hawthorne does not offer a typical lament—based in liberal ideologies of the progress of knowledge and the sanctity of the written word—for the all-consuming holocaust. Rather, he argues that the pyre yields a transformative and unexpected effect on the aesthetic and temporal qualities of the texts. Drawing on contemporary accounts of book burnings, Hawthorne generates a productive vision of the act by which the fire transforms texts into a visible spectacle of beauty. “Earth’s Holocaust” thus offers an aesthetic avenue for understanding literary bonfires. Moreover, Hawthorne rejects the premise that such events end the temporal lifecycle of texts. Throughout the tale, he contends that even though book burnings will occur time and again regardless of human reformation, books can surpass the effects of the flames even if such a process only occurs imaginatively. In the dematerialization of books—in turning them from a complete, bounded whole into embers and particles of dust—Hawthorne finds a redemptive energy.","PeriodicalId":54037,"journal":{"name":"NINETEENTH-CENTURY LITERATURE","volume":"307 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135255666","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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