Ra-Revista de Arquitectura最新文献

{"title":"Reconstruyendo los procesos de reproducción de monumentos: la huella sobre los grandes formatos del siglo XIX","authors":"Montserrat Lasunción-Ascanio","doi":"10.15581/014.24.138-153","DOIUrl":"https://doi.org/10.15581/014.24.138-153","url":null,"abstract":"La realización de réplicas mediante moldes no supuso una novedad en el siglo XIX pero por varios motivos, y en especial, la creación de los museos públicos, el uso de los vaciados como objeto museístico se disparó por todo el mundo, gracias al empleo de nuevos materiales y técnicas perfeccionadas. Este artículo aborda algunas cuestiones referentes a los procesos de moldeo sobre monumentos, partiendo de nueva información localizada en la documentación archivística relativa a los mismos. Una cadena en la que los solicitantes, los propietarios de los originales y la gestión de las operaciones se ponen en relación directa con el estado de conservación de los monumentos y el rol de la réplica en la preservación del patrimonio monumental actual.","PeriodicalId":53960,"journal":{"name":"Ra-Revista de Arquitectura","volume":"22 4 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83657613","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Diachronic Pavilion. Variations of the «Pabellón de la República Española»","authors":"U. Grau","doi":"10.15581/014.24.172-185","DOIUrl":"https://doi.org/10.15581/014.24.172-185","url":null,"abstract":"The reconstruction of the Pabellón de la República Española completed in 1992 by Juan Miguel Hernández León, and Miquel Espinet and Antoni Ubach in Barcelona includes omissions and additions that were not part of the pavilion built in 1937 by Luis Lacasa and Josep Lluís Sert. This article look does not look at these differences as unconscious mistakes or absentminded omissions. Instead, it reads them as material evidence of the historiographical arguments around the origins of Spanish modern architecture that emerged during the country’s transition to democracy. This approach allows abandoning discussions over the faithfulness of the reproduction, to analyse the relationship between the pavilions in terms of trajectory (Latour, 2010) or inframince (Banz, 2019) opening up the discussion of the cultural relevance of architectural copies.","PeriodicalId":53960,"journal":{"name":"Ra-Revista de Arquitectura","volume":"7 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81809812","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Replicas. Architecture as Copy or Invention","authors":"Carolina B. García-Estévez","doi":"10.15581/014.24.7-17","DOIUrl":"https://doi.org/10.15581/014.24.7-17","url":null,"abstract":"  \u0000 ","PeriodicalId":53960,"journal":{"name":"Ra-Revista de Arquitectura","volume":"46 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80466480","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Cinco copias imposibles","authors":"Luis Martínez-Santa-María","doi":"10.15581/014.24.202-215","DOIUrl":"https://doi.org/10.15581/014.24.202-215","url":null,"abstract":"Este artículo desarrolla, mediante cinco casos de estudio, la improbabilidad de la copia en el arte de la pintura. Los cinco casos de estudio considerados tienen que ver con: el acento, la voz, el proceso, la verdad y el error. Considerada desde el acento, es decir desde la desviación que cada autor puede imponer a una obra, la copia literal no existe. Considerada la pintura como poesía no sonora, resultaría difícil encontrar la misma voz en el original que en la copia. Considerada desde el proceso, la obra es un acto inacabado y el concepto finalista de copia carece de sentido. Considerada desde la verdad, la verdad es inagotable e insondable, no tiene ni deudas ni dueño, no hay copias. Considerada, por último, desde el error, la copia y el original forman parte de un mismo experimento, un bello experimento. Estas mismas apreciaciones pueden trasladarse a la arquitectura.","PeriodicalId":53960,"journal":{"name":"Ra-Revista de Arquitectura","volume":"19 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75249148","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Civilia: Utopia in the Age of Photomechanical Reproduction. Architectural (Photo)copy as (Re)invention","authors":"L. Lus-Arana, Stephen Parnell","doi":"10.15581/014.24.154-171","DOIUrl":"https://doi.org/10.15581/014.24.154-171","url":null,"abstract":"In June 1971, The Architectural Review featured the culmination of Townscape, a campaign that the issue’s author, as well as the magazine’s editor and owner, Hubert de Cronin Hastings, promoted for decades. Civilia, The End of Suburban Man was a monograph that described a fictional English New Town, illustrated through an extensive collection of views of its urban scene made from hundreds of photographs of buildings, many of which had appeared in the pages of the different publications of the Architectural Press in the preceding decades. Civilia did not manage to provoke the debate that Hastings desired, remaining a mere curiosity wrapped in a spectacular visual apparatus that has hardly been analyzed. However, the striking vedute of Civilia hide an elaborate exercise in the generation of architectural form. Its collages include an extensive catalog of architectural strategies and forms in which buildings are appropriated through their photographic images, to engender a series of distorted copies, new architectural personae which simultaneously alter our perception of the originals by either enveloping them in new narratives or revealing their hidden qualities.","PeriodicalId":53960,"journal":{"name":"Ra-Revista de Arquitectura","volume":"38 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77589162","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Alphabet of Architecture. Originality and Literacy in the Theory of Profiles","authors":"M. Delbeke","doi":"10.15581/014.24.34-45","DOIUrl":"https://doi.org/10.15581/014.24.34-45","url":null,"abstract":"In 1691 Augustin-Charles D’Aviler published his Cours d’architecture qui comprend les ordres de Vignole. Ostensibly one of the many extended editions of Vignola’s Regola delli cinque ordini d’architettura (1562) that would appear over the course of the 16th and 17th century, D’Aviler’s Cours is in fact an expansive and not always systematic compendium on design and construction, covering subjects ranging from the design of locks to the layout of the princely residence. Still, the Cours opens with a short biography of Vignola and is dedicated for its first part to the five orders discussed by the Italian architect. But before D’Aviler dives into the proportions of the Tuscan order, the first and lowest of the five, he treats an altogether different subject: mouldings. Over three sections D’Aviler develops a small design theory of the subject: “des moulures, et de la manière de les bien profiler”, “des ornemens des moulures” and “du choix des profiles”. \u0000A closer look at these sections will show how D’Aviler deals with concerns and anxieties related to the two foundational creative acts of classicism: imitation and invention. The moulding is an architectural element that allows D’Aviler to explore the tension between these two creative acts, thanks to its intricate composition and its capacity to articulate the surface of a building. He does so in the pages of a printed treatise. This medium frames the matters of imitation and invention in terms of literacy and replication. D’Aviler constructs in words and image a vocabulary that allows for the reproduction of the principles he proposes. Thanks to the medium of the treatise, these principles can be taught and reproduced, an effect most apparent in the considerable afterlife of his theory of mouldings.   ","PeriodicalId":53960,"journal":{"name":"Ra-Revista de Arquitectura","volume":"56 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80763671","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Transient Permanence","authors":"Mari Lending","doi":"10.15581/014.24.18-33","DOIUrl":"https://doi.org/10.15581/014.24.18-33","url":null,"abstract":"There are few places where the tenacious dichotomy of copy and original deconstructs itself more forcefully than in the trajectory we refer to as classical sculpture. This process is intrinsic to the assumed origins of the classical and the idea of the antique original, and despite the existence of celebrity pieces such as the Venus de Milo, the Laocoön, or the Farnese Hercules, objects that crowds have lined up for centuries to see in Paris, Rome, and Naples, respectively. Few statues can be authorized as first, original versions: the history of classical sculpture is as much a history of the serialized original as of the serial copy, as Salvatore Settis and his team exquisitely displayed in the concurrent exhibitions Portable Classic and Serial Classic at the Prada Foundation in Venice and Milan in 2015. While the Milan edition revolved around seriality, materiality and surface, the Venice exhibition displayed antique repetitions through scale, miniaturization and portability. Hackneyed conceptions of origins and originality collapsed in the line–up of a Farnese Hercules series in Palazzo Corner della Regina on the Grand Canal, and in the numerous antique variants and derivatives of iconic statues such as the Discobolus and the Crouching Venus in Milan. Entering these two spaces was a profound bodily experience of the repeatability, versatility, and adjustability of the classical tradition.","PeriodicalId":53960,"journal":{"name":"Ra-Revista de Arquitectura","volume":"48 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80249101","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Mitjans como referencia de Mitjans","authors":"Félix Solaguren-Beascoa-de-Corral","doi":"10.15581/014.24.68-83","DOIUrl":"https://doi.org/10.15581/014.24.68-83","url":null,"abstract":"En su prolífica trayectoria profesional, Mitjans utilizó el estudio y la referencia como dos de sus armas fundamentales de proyecto. Cuando proyectó el campo de fútbol del Barcelona, el Camp Nou, viajó por toda Europa visitando otros estadios recogiendo documentación e imágenes postales de ellos. En la participación en 1968 del concurso de la nueva sede de Telefónica en Fuentelarreina (Madrid), El Escorial, Mies o Harrison, estuvieron sobre su tablero de dibujo. También en la versión definitiva del edificio Atlántico en la confluencia de la calle Balmes y Avenida Diagonal de Barcelona, su mirada se detuvo en Gio Ponti. Pero en sus primeras obras de viviendas, también en Barcelona, su referente sería Raimon Duran i Reynals, quien siguió la estética del arquitecto norteamericano Charles Platt para la composición de sus fachadas. De ese modo, en 1944 y junto al Turó Park de Barcelona, Mitjans realizó una obra en ladrillo, piedra artificial, fachada plana y dos viviendas por rellano. Algún tiempo después proyecta otro en el solar contiguo con una tipología de vivienda diferente. Pero la fachada es similar ofreciendo un lienzo conjunto y único que ayudará a dar un sentido unitario al espacio verde del parque urbano, el Turó Park.","PeriodicalId":53960,"journal":{"name":"Ra-Revista de Arquitectura","volume":"3 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90077271","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Revisión del buen uso de las palabras clave en las revistas de arquitectura iberoamericanas, en cuanto a frecuencia y tendencia","authors":"Anna Maria Cereghino-Fedrigo","doi":"10.14718/revarq.2022.24.4606","DOIUrl":"https://doi.org/10.14718/revarq.2022.24.4606","url":null,"abstract":"La importancia del buen uso de las palabras clave como metadato de un artículo científico es cada día más relevante como elemento de identificación en los sistemas de indexación. Hoy en día las revistas científicas están migrando del papel a los medios electrónicos, y así mismo, las consultas por parte de los usuarios; por consiguiente, esto obliga a que la calidad de las palabras clave sea más asertiva en su escogencia. La Revista de Arquitectura (Bogotá) busca identificar los problemas de la investigación de la comunidad disciplinar en cuanto a la estructuración de los artículos de investigación; así, ha identificado que las palabras clave no llegan a tener el impacto esperado como elemento fundamental del manuscrito, si se entiende que estas pueden llegar a ser un elemento de valor para la asertiva visibilidad de la publicación.\u0000Con base en lo anterior, se hizo el levantamiento de las palabras clave más utilizadas en las publicaciones periódicas seriadas de arquitectura en el contexto hispanoparlante, entre 2017 y 2021. Se las clasificó en cinco grupos temáticos, y se verificó la frecuencia de uso por cada grupo. Las de mayor frecuencia se consultaron en Scopus, y así se obtuvo por cada grupo temático una nueva serie de palabras clave. Las palabras de mayor frecuencia de ambos estudios se compararon respetando los grupos temáticos, para luego ser revisadas en motor de tendencia, y así se establecieron su frecuencia de búsqueda y, por ende, su impacto y su tendencia en 2021. Se concluye que el buen uso de las palabras clave es un elemento fundamental en la comunicación de un artículo, pues la atención prestada a la frecuencia y la tendencia de uso puede llegar a determinar la visibilidad de dicho artículo, y así aumentar su impacto en cuanto a citación; así mismo, comprender el rol del editor como garante de la divulgación de la investigación, y en cuanto a la apropiación que puede llegar a tener el lector del artículo, entendido este último como el que consulta y cita los artículos de investigación propuestos desde la arquitectura.","PeriodicalId":53960,"journal":{"name":"Ra-Revista de Arquitectura","volume":"30 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83740609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Patrimonio cultural y desarrollo sostenible: pautas para su valoración en los países de América Central","authors":"Brissa Suárez Bonilla","doi":"10.5377/arquitectura.v7i13.14456","DOIUrl":"https://doi.org/10.5377/arquitectura.v7i13.14456","url":null,"abstract":"Este artículo tiene por objetivo realiza una valoración sobre el patrimonio cultural, como componente fundamental para el logro del desarrollo sostenible, basándose en planteamientos que surgen de la teoría social-cultural, y que permiten contrastar y relacionar las intenciones funcionales entre estos dos aspectos. Para realizar el análisis, en un primer momento, se caracteriza el modelo de desarrollo sostenible, estableciendo un vínculo de equivalencia entre las dimensiones que integran el sistema social, cultural, económico político y espacial de los territorios. En el ámbito de América Central, caracteriza enfoques, modelos, instrumentos, oportunidades, como parte del marco para su aprovechamiento y para promover un desarrollo centrado en las personas.El modelo que promueve este estudio, suscita el análisis y cambios en cómo se concibe, planifica y vive el territorio y el patrimonio. El cambio de paradigma en la relación patrimonio cultural, territorio, desarrollo y sostenibilidad, igualmente cuestiona la idea tradicional de ver al territorio como elemento opuesto que se enfrenta con su entorno y sus recursos.","PeriodicalId":53960,"journal":{"name":"Ra-Revista de Arquitectura","volume":"48 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81706537","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}