{"title":"Diachronic Pavilion. Variations of the «Pabellón de la República Española»","authors":"U. Grau","doi":"10.15581/014.24.172-185","DOIUrl":null,"url":null,"abstract":"The reconstruction of the Pabellón de la República Española completed in 1992 by Juan Miguel Hernández León, and Miquel Espinet and Antoni Ubach in Barcelona includes omissions and additions that were not part of the pavilion built in 1937 by Luis Lacasa and Josep Lluís Sert. This article look does not look at these differences as unconscious mistakes or absentminded omissions. Instead, it reads them as material evidence of the historiographical arguments around the origins of Spanish modern architecture that emerged during the country’s transition to democracy. This approach allows abandoning discussions over the faithfulness of the reproduction, to analyse the relationship between the pavilions in terms of trajectory (Latour, 2010) or inframince (Banz, 2019) opening up the discussion of the cultural relevance of architectural copies.","PeriodicalId":53960,"journal":{"name":"Ra-Revista de Arquitectura","volume":"7 1","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2022-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ra-Revista de Arquitectura","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15581/014.24.172-185","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
引用次数: 0
摘要
1992年,Juan Miguel Hernández León、Miquel Espinet和Antoni Ubach在巴塞罗那完成了对Pabellón de la República Española的重建,其中包括了1937年由Luis Lacasa和Josep Lluís Sert建造的展馆中没有的部分。本文并不认为这些差异是无意识的错误或疏忽。相反,它将它们解读为围绕西班牙向民主过渡期间出现的西班牙现代建筑起源的史学争论的物质证据。这种方法允许放弃对复制的忠实性的讨论,从轨迹(Latour, 2010)或基础设施(Banz, 2019)的角度分析展馆之间的关系,从而开启了对建筑复制的文化相关性的讨论。
Diachronic Pavilion. Variations of the «Pabellón de la República Española»
The reconstruction of the Pabellón de la República Española completed in 1992 by Juan Miguel Hernández León, and Miquel Espinet and Antoni Ubach in Barcelona includes omissions and additions that were not part of the pavilion built in 1937 by Luis Lacasa and Josep Lluís Sert. This article look does not look at these differences as unconscious mistakes or absentminded omissions. Instead, it reads them as material evidence of the historiographical arguments around the origins of Spanish modern architecture that emerged during the country’s transition to democracy. This approach allows abandoning discussions over the faithfulness of the reproduction, to analyse the relationship between the pavilions in terms of trajectory (Latour, 2010) or inframince (Banz, 2019) opening up the discussion of the cultural relevance of architectural copies.