{"title":"EURIPIDES, HIPPOLYTUS 732-75","authors":"C. W. Willink","doi":"10.1163/EJ.9789004182813.I-862.81","DOIUrl":"https://doi.org/10.1163/EJ.9789004182813.I-862.81","url":null,"abstract":"This chapter talks about one of the plays of Euripides: Hippolytus. It deals specifically with the lines 732-75 of the play. The centrally-placed Second Stasimon of Hippolytus, following Phaedra's exit (to die) at 731, is one of the finest features of Euripides' finest play, with complex imagery. The wish to become a bird and to fly away to a mythical Western paradise is in line with a familiar topos as an 'out-of-this-world escape wish'. 'Bird-transformation' and 'flight to the far West' are funereal motifs, notably developed by Sophocles. Then in the second pair of stanzas Phaedra's fate is integrally linked with the 'white-winged Cretan ship' that as a doubly bad ὄρνιϲ brought her 'through beating seawaves' from Crete to Athens, with 'fastening of ropes' for the 'going ashore' at the end of the voyage. Keywords: Hippolytus 732-75; Athens; bird-transformation; Crete; Euripides; mythical Western paradise; Phaedra; Sophocles","PeriodicalId":53950,"journal":{"name":"Cambridge Classical Journal","volume":"53 1","pages":"706-717"},"PeriodicalIF":0.2,"publicationDate":"2007-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"64593706","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Colour and marble in early imperial Rome","authors":"M. Bradley","doi":"10.1017/S1750270500000440","DOIUrl":"https://doi.org/10.1017/S1750270500000440","url":null,"abstract":"The proliferation of white and coloured marbles in Rome and the provinces has received detailed attention from archaeologists, and the symbolism underlying the use and distribution of these marbles has been discussed at length by art historians. In addition, there are now several important catalogues of ancient Roman marbles. Their stones are presented attractively in full glory, using state-of-the-art printing technology, page after page of dazzling colour. In case the full extent of the polychromy is lost on the reader, descriptions and labels (particulary those coined in nineteenth-century Italy) reinforce this vivid connection between stone and colour - ‘giallo antico’, ‘rosso antico’, ‘porfido’, ‘scisto verde’, ‘nero antico’, ‘marmo bianco’ , ‘greyish-blues’, ‘black limestone’, ‘dazzling white’, ‘rot’, ‘gelb’, ‘violett’. It is a very simple exercise for us to align colour and stone.","PeriodicalId":53950,"journal":{"name":"Cambridge Classical Journal","volume":"52 1","pages":"1-22"},"PeriodicalIF":0.2,"publicationDate":"2006-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/S1750270500000440","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"57010221","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Neoptolemus grows up? 'Moral development' and the interpretation of sophocles' Philoctetes","authors":"Laurel Fulkerson","doi":"10.1017/S1750270500000464","DOIUrl":"https://doi.org/10.1017/S1750270500000464","url":null,"abstract":"Sophocles' Philoctetes , first performed in 409 BCE, is a complex play, engaging with a number of issues that have guaranteed it a great deal of attention through the ages. Among other things, from what we know about the Aeschylean and Euripidean versions, Sophocles offers a far more dynamic work than either of the other two playwrights, involving many plot twists, false resolutions, and, all-but uniquely, a character who seems to grow up in the course of the play. Although Philoctetes is generally considered the key figure of the play, as it revolves around his willingness to use his bow in the service of his enemies, Neoptolemus too is of great interest to many (modern) readers, as it is in him that we see the clearest case in extant tragedy of a decision rethought on moral grounds; Neoptolemus' struggle may well render him one of the most compelling characters in Greek tragedy (Reinhardt (1979) 166; cf. Gill (1996) 1–18).","PeriodicalId":53950,"journal":{"name":"Cambridge Classical Journal","volume":"52 1","pages":"49-61"},"PeriodicalIF":0.2,"publicationDate":"2006-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/S1750270500000464","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"57010236","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Long mid vowels in attic-ionic and cretan","authors":"R. Thompson","doi":"10.1017/S1750270500000488","DOIUrl":"https://doi.org/10.1017/S1750270500000488","url":null,"abstract":"§1. Common Greek inherited from proto-Indo-European a simple five vowel system as shown in (1), with one mid vowel on each of the front and back axes. Only the long vowel system is shown here; the short vowel system had the same structure. The inherited system was inherently stable: there was balance between the short and long vowel systems and between the front and back axes, and with only one mid vowel on each axis, there was no problem of overcrowding. The individual phonemes were, so far as we can tell, optimally distributed in the available phonological space. (The diagram shows the back axis as being shorter than the front, since anatomical constraints mean there is less articulatory space at the back of the mouth; see Laver (1994)272–3).","PeriodicalId":53950,"journal":{"name":"Cambridge Classical Journal","volume":"200 1","pages":"81-101"},"PeriodicalIF":0.2,"publicationDate":"2006-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/S1750270500000488","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"57010247","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Achilles' last stand: Institutionalising dissent in Homer's Iliad","authors":"Elton T. E. Barker","doi":"10.1017/S0068673500001061","DOIUrl":"https://doi.org/10.1017/S0068673500001061","url":null,"abstract":"Debate in the Iliad – what form it takes, what significance that might have, whether or not it even exists – has been a matter of some controversy. One approach has been to examine debate in terms of a formal social context and to extrapolate from this some kind of political or – according to other accounts – pre-political community that the Iliad preserves. Scholars have, however come up with very different ideas about how to describe that society, how to interpret that depiction, or whether such attempts are even fruitful. An alternative approach focuses on the form of the speeches and analyses them as the production of thesis and antithesis: in these terms the cut-and-thrust of debate is understood as a form of proto-rhetorical theory. All this seems far removed from debate as it is represented in the narrative, which is the subject of this paper. I begin with four preliminary propositions. Previous approaches have tended to homogenise different scenes of debate, with little regard to differences in structure or context.","PeriodicalId":53950,"journal":{"name":"Cambridge Classical Journal","volume":"50 1","pages":"92-120"},"PeriodicalIF":0.2,"publicationDate":"2004-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/S0068673500001061","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"57323527","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Greek tragedies in West African adaptations","authors":"F. Budelmann","doi":"10.1017/S0068673500001036","DOIUrl":"https://doi.org/10.1017/S0068673500001036","url":null,"abstract":"This article is concerned with West-African plays (all written in the last 50 years) drawing on Greek sources. It discusses the plays both in their own contexts and from the perspective of classicists and audiences in the West.","PeriodicalId":53950,"journal":{"name":"Cambridge Classical Journal","volume":"50 1","pages":"1-28"},"PeriodicalIF":0.2,"publicationDate":"2004-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/S0068673500001036","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"57323518","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Of dogs and men: Archilochos, archaeology and the greek settlement of Thasos","authors":"Sara Owen","doi":"10.1017/S0068673500000924","DOIUrl":"https://doi.org/10.1017/S0068673500000924","url":null,"abstract":"This article involves a case-study of one of the most generally accepted literary accounts of a Greek settlement abroad – the Greek colonisation of Thasos. Here, according to the generally accepted account, we have an eye-witness, Archilochos, son of the oikist , who actually settled on Thasos not during the first Greek settlement but during a subsequent wave of settlers. He didn't like it much – he calls it ‘thrice-wretched’ (228W), the settlers were the dregs of Greece (102W), the island looked like the back of an ass (21W), it wasn't pretty like Sybaris in Italy (22W), and the Thracians were described as ‘dogs’ (93aW). Fighting between Greeks and Thracians is portrayed (5W). The archaeological evidence for the first period of Greek settlement on Thasos is scarce, but what there is has been marshalled in support of this literary model. Archaeology's main role has been to be used in chronological disputes. The orthodoxy dates the Parian colonisation to 680 BC, arguing that the Delphic oracle concerning the foundation of Thasos has Archilochos' father as oikist. The subject-matter of several of the poems has allowed Archilochos' poetry to be dated to 650 BC, and therefore the colonisation of Thasos to a generation before. Pouilloux (1964), indeed, has used the archaeological evidence from a house in the lowest levels of Thasos town to argue for this early date for the Parian settlement, seeing the ‘Thracian’ (and distinctly un-Cycladic) character of many of the finds as indicative of a certain amount of interaction between Parians and Thracians in the first generation of the colony.","PeriodicalId":53950,"journal":{"name":"Cambridge Classical Journal","volume":"49 1","pages":"1-18"},"PeriodicalIF":0.2,"publicationDate":"2003-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/S0068673500000924","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"57323457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Roman Epic Theatre? Reception, performance, and the poet in Virgil's Aeneid","authors":"A. Laird","doi":"10.1017/S0068673500000936","DOIUrl":"https://doi.org/10.1017/S0068673500000936","url":null,"abstract":"Past responses to ancient literature and the reading practices of previous centuries are of central relevance to the contemporary exegesis of Greek and Roman authors. Professional classicists have at last come to recognise this. However, accounts of reception still tend to engage in a traditional form of Nachleben , as they unselfconsciously describe the extent of classical influences on later literary production. This process of influence is not as straightforward as it may first seem. It is often taken for granted in practice, if not in theory, that the movement is in one direction only – from antiquity to some later point - and also that the ancient text which ‘impacts on’ on the culture of a later period is the same ancient text that we apprehend today. Of course it is never the same text, even leaving aside the problems of transmission. The interaction between a text and its reception in another place, in another time, in another text, is really a dynamic two-way process. That interaction (which has much in common with intertextuality) involves, or is rather constituted by, our own interpretation of it.","PeriodicalId":53950,"journal":{"name":"Cambridge Classical Journal","volume":"49 1","pages":"19-39"},"PeriodicalIF":0.2,"publicationDate":"2003-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/S0068673500000936","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"57323461","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}