罗马帝国早期的颜色和大理石

IF 0.5 3区 历史学 0 CLASSICS
M. Bradley
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引用次数: 12

摘要

白色和彩色大理石在罗马和各省的扩散已经引起了考古学家的详细关注,艺术史学家对这些大理石的使用和分布背后的象征意义进行了详细的讨论。此外,现在还有几份重要的古罗马大理石目录。他们的石头采用最先进的印刷技术,一页接一页地呈现出令人眼花缭乱的色彩,光彩夺目。如果读者对多色的全部程度失去了兴趣,描述和标签(特别是那些在19世纪意大利创造的)加强了石头和颜色之间的生动联系-“giallo antico”,“rosso antico”,“porfido”,“scisto verde”,“nero antico”,“marmo bianco”,“灰蓝色”,“黑色石灰石”,“耀眼的白色”,“rot”,“gelb”,“violett”。对我们来说,将颜色和石头对齐是一个非常简单的练习。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Colour and marble in early imperial Rome
The proliferation of white and coloured marbles in Rome and the provinces has received detailed attention from archaeologists, and the symbolism underlying the use and distribution of these marbles has been discussed at length by art historians. In addition, there are now several important catalogues of ancient Roman marbles. Their stones are presented attractively in full glory, using state-of-the-art printing technology, page after page of dazzling colour. In case the full extent of the polychromy is lost on the reader, descriptions and labels (particulary those coined in nineteenth-century Italy) reinforce this vivid connection between stone and colour - ‘giallo antico’, ‘rosso antico’, ‘porfido’, ‘scisto verde’, ‘nero antico’, ‘marmo bianco’ , ‘greyish-blues’, ‘black limestone’, ‘dazzling white’, ‘rot’, ‘gelb’, ‘violett’. It is a very simple exercise for us to align colour and stone.
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CiteScore
0.90
自引率
0.00%
发文量
13
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