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"Gracias a la vida": Violeta Went to Heaven and Came Back Wearing a K-Pop Miniskirt “谢谢你的生活”:维奥莱塔去了天堂，回来时穿了一条韩流超短裙
IF 0.1 4区 社会学
STUDIES IN LATIN AMERICAN POPULAR CULTURE Pub Date : 2019-06-01 DOI: 10.7560/slapc3702
Moisés Park
{"title":"\"Gracias a la vida\": Violeta Went to Heaven and Came Back Wearing a K-Pop Miniskirt","authors":"Moisés Park","doi":"10.7560/slapc3702","DOIUrl":"https://doi.org/10.7560/slapc3702","url":null,"abstract":"Abstract:\"Gracias a la vida\" (\"Thanks Be to Life\"), composed by Chilean folk singer-songwriter Violeta Parra (1917–1967), is arguably the most recognizable Chilean song in folk and popular music. It has been covered by numerous artists in several languages and countries. This article focuses on the November 2, 2012, cover by Korean female pop duo Davichi (다비치), at a 20,000-capacity crammed Quinta Vergara Amphitheater in Viña del Mar, Chile. Through my analysis of this performance, I offer a postcolonial reading on K-pop rise in Chile, in light of both Chile's and South Korea's neoliberal transformation. By focusing on this particular spectacle as a meta-reference of Parra's life and covers of her song, we can reflect on the ongoing ideological tensions across the Pacific. Employing theoretical frameworks provided by cultural theorist Nelly Richard and sociologist Tomás Moulián, I will address the topics of spectacle, solidarity, and consumerism in the context of Chilean and Korean cases of neoliberal post-dictatorial and post-colonial \"neo-hegemonies.\"","PeriodicalId":53864,"journal":{"name":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41968167","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Chilean Boy Scout Magazines as Literary Campfires: Masculinities and Nationality through Scoutista Short Stories 智利童军杂志作为文学营火：从童军短篇小说看男子气概和民族性
IF 0.1 4区 社会学
STUDIES IN LATIN AMERICAN POPULAR CULTURE Pub Date : 2019-06-01 DOI: 10.7560/slapc3701
Parker T. Shaw
{"title":"Chilean Boy Scout Magazines as Literary Campfires: Masculinities and Nationality through Scoutista Short Stories","authors":"Parker T. Shaw","doi":"10.7560/slapc3701","DOIUrl":"https://doi.org/10.7560/slapc3701","url":null,"abstract":"Abstract:This article illuminates the extent to which Chilean Boy Scouting has functioned not merely as a recreational program, but also as a literary project. I call this project scoutismo. Upon textual terrain, Chilean Boy Scout authors have constructed theories of gender and nationality, while Chilean boy scouts, as readers, have found themselves addressed as subjects whose masculinity and Chileanness appear to be in crisis. Through a close reading of short stories published in Chilean Boy Scout magazines from the 1910s to the early 1940s, I attend to the discursive complexity with which editors, authors, and readers have curated, produced, and consumed literature to train one another in the meanings of gender and nationality. Furthermore, I suggest that the Boy Scout magazine medium serves as the literary counterpart of a specific Scout practice: the campfire gathering, which a prominent scoutista author has described as a beautiful sharing of brief literary pieces. Not only around the flames, but also in the pages of magazines, boy scouts and their adult leaders use the short narrative genre to work out their masculinities and nationality.","PeriodicalId":53864,"journal":{"name":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45278646","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Grabar la alteridad: Transferencias y mediaciones técnicas en la antropología mexicana 记录他者:墨西哥人类学中的转移和技术中介
IF 0.1 4区 社会学
STUDIES IN LATIN AMERICAN POPULAR CULTURE Pub Date : 2019-06-01 DOI: 10.7560/slapc3708
R. Lira
{"title":"Grabar la alteridad: Transferencias y mediaciones técnicas en la antropología mexicana","authors":"R. Lira","doi":"10.7560/slapc3708","DOIUrl":"https://doi.org/10.7560/slapc3708","url":null,"abstract":"Abstract:Based on historical documents, press, museum collections, and academic publications, the early introduction of the phonograph in Mexico and its late incorporation into anthropology is the starting point to reconstruct the Mexican and American network cobuilt by this technology and the symmetrical and asymmetrical relational modes it helped reproduce and extend that built their respective social-science programs. We will address the question of why a technology is successful in one place and a failure in another through the reconstruction of the early attempts of the phonograph's transference to Mexico during the last decades of the nineteenth century and the process of its stabilization in Mexican anthropology until the 1940s. Based on Latour's technical mediation approach, the agentive role of this technological object renders visible the internal conflicts and intellectual traditions that assigned a specific role to Amerindian societies in Mexican anthropology, thus confronting the universal ambitions of the scientific program designed by the agents engaged in the process.","PeriodicalId":53864,"journal":{"name":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46917196","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Viaje al corazón de las tinieblas: Crónicas, ficciones y ambigüedades sobre la Alemania nazi en Manuel Mujica Lainez 《黑暗之心之旅:曼纽尔·穆希卡·莱涅斯关于纳粹德国的编年史、小说和歧义》
IF 0.1 4区 社会学
STUDIES IN LATIN AMERICAN POPULAR CULTURE Pub Date : 2019-06-01 DOI: 10.7560/slapc3704
D. Niemetz
{"title":"Viaje al corazón de las tinieblas: Crónicas, ficciones y ambigüedades sobre la Alemania nazi en Manuel Mujica Lainez","authors":"D. Niemetz","doi":"10.7560/slapc3704","DOIUrl":"https://doi.org/10.7560/slapc3704","url":null,"abstract":"Abstract:Manuel Mujica Lainez was a prolific writer whose work spanned for more than fifty years. Even though he is better known for his novels and short stories, he has also dedicated his efforts to other genres, for example travel chronicles. This research, which is inserted in a line of work already begun in previous studies, proposes to study the travel chronicles written by the author in 1935 and 1945 when visiting Germany. The chronicles put into tension aspects related to the circumstances of production of each series, its context of publication, the writer's ideology, and his aesthetic interests. In addition to this, it is interesting to consider the reasons that could have taken the author to exclude most of these texts from the anthology he published before passing and the way in which some of these anecdotes are introduced in Cecil (1972).","PeriodicalId":53864,"journal":{"name":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45420125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Portraits of Transnational Collaboration: Retracing and Remaking the Image of Augusto C. Sandino in San Francisco 跨国合作的肖像:奥古斯托·c·桑迪诺在旧金山的形象追溯与重塑
IF 0.1 4区 社会学
STUDIES IN LATIN AMERICAN POPULAR CULTURE Pub Date : 2019-06-01 DOI: 10.7560/slapc3705
J. M. Medina
{"title":"Portraits of Transnational Collaboration: Retracing and Remaking the Image of Augusto C. Sandino in San Francisco","authors":"J. M. Medina","doi":"10.7560/slapc3705","DOIUrl":"https://doi.org/10.7560/slapc3705","url":null,"abstract":"Abstract:Crafted as posters to promote solidarity gatherings, a series of illustrations of Augusto C. Sandino circulated in San Francisco between 1978 and 1979. Later modified as postcards, these images became part of the iconography of the Mission Cultural Center. A reading of these graphics reveals a visual imagery of resistance that weaves local and transnational aesthetics and praxis. A consideration of their changing form and circulation unveil some of the histories of Central American-Mexican-Chicanx collaborations in California, while introducing us to a network of artists and activists that forged a new cultural platform and practices of alliances. A formal analysis of these images and their transformations suggests that they anticipate the ideological trajectory of Sandino's legacy and depict the historical processes therein. In their changes and re-creations, these renderings of Sandino document the dynamics of a Latinx collaboration, specifically between Mexican/Americans and Central Americans in Northern California, while reflecting the gentrification of the Mission District and the San Francisco Bay Area.","PeriodicalId":53864,"journal":{"name":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45261898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Entrevista a Alex Schlenker, cineasta alemán que hace cine en Ecuador 采访在厄瓜多尔制作电影的德国电影制作人亚历克斯·施伦克
IF 0.1 4区 社会学
STUDIES IN LATIN AMERICAN POPULAR CULTURE Pub Date : 2019-06-01 DOI: 10.7560/slapc3711
Alex Schlenker, Traci Roberts-Camps
{"title":"Entrevista a Alex Schlenker, cineasta alemán que hace cine en Ecuador","authors":"Alex Schlenker, Traci Roberts-Camps","doi":"10.7560/slapc3711","DOIUrl":"https://doi.org/10.7560/slapc3711","url":null,"abstract":"","PeriodicalId":53864,"journal":{"name":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48068779","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Repositioning the Popular: The Hybrid Aesthetics of Violeta Parra's Paintings Machitún, Las tres Pascualas, and Casamiento de negros 重新定位大众：维奥莱塔·帕拉绘画的混合美学Machitún、Las tres Pascualas和Casamiento de negros
IF 0.1 4区 社会学
STUDIES IN LATIN AMERICAN POPULAR CULTURE Pub Date : 2018-05-24 DOI: 10.7560/SLAPC3609
Lorna Dillon
{"title":"Repositioning the Popular: The Hybrid Aesthetics of Violeta Parra's Paintings Machitún, Las tres Pascualas, and Casamiento de negros","authors":"Lorna Dillon","doi":"10.7560/SLAPC3609","DOIUrl":"https://doi.org/10.7560/SLAPC3609","url":null,"abstract":"Abstract:In the twentieth century, traditional practices and popular culture in Chile went into decline. The situation was compounded by the fact that in the plastic arts, there was already an established hierarchy in which art based on traditional culture and crafts (artesanía) occupied a subordinate position. The Chilean artist and folklorist Violeta Parra sought to disrupt this paradigm. In this article I explore the way Parra sought to defend popular culture through her visual art by creating paintings that were based on traditional culture but were also extremely modern. There is a paradox inherent in the modernism of Violeta Parra's art and the way it sought to reposition popular culture. On the one hand, Parra's work was indigenous. It counteracted the demise of traditional culture that was brought about by modernism. On the other hand, her work was utterly hybrid. Violeta Parra's art enacted a revival of traditional culture through the fusion of a modernist aesthetics with motifs and narratives from Chilean popular culture. To explore the way Parra sought to redefine popular culture, I deconstruct the subjects and visual syntax of the paintings Machitún, Las tres Pascualas, and Casamiento de negros. I look at the resonance of her work, which arises from the popular subjects she presents and the way her work disrupts hierarchies in the field of cultural production.","PeriodicalId":53864,"journal":{"name":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-05-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44831880","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Paving the Way to Pavones: Property Wars, Narratives of Discovery, and the Fantasy of Surfing Paradise 为帕沃内斯铺平道路：财产战争、探索叙事和冲浪天堂的幻想
IF 0.1 4区 社会学
STUDIES IN LATIN AMERICAN POPULAR CULTURE Pub Date : 2018-05-24 DOI: 10.7560/SLAPC3602
A. Eastman
{"title":"Paving the Way to Pavones: Property Wars, Narratives of Discovery, and the Fantasy of Surfing Paradise","authors":"A. Eastman","doi":"10.7560/SLAPC3602","DOIUrl":"https://doi.org/10.7560/SLAPC3602","url":null,"abstract":"Abstract:Through an analysis of the transformation of Pavones, Costa Rica, from rural village to booming tourist destination, this article examines the interactions between entrepreneurial capitalists and peasant smallholders, and how these relations and roles shifted as a result of sudden economic and social change in the region. It also explores how a nation-state in economic crisis that increasingly relied on the tourist industry responded to conflicts among expats and rural residents. More broadly, this article is about the practice and politics of development in the contemporary rural Global South. It traces the archival trail of Daniel Fowlie, a US surfer, developer, and business executive who played a central role in the transformation of Pavones into a famed international surfing destination and who, in the process, was imprisoned for international drug trafficking. Building on scholarship about travel and exploration literature, the article examines Fowlie's discursive representation of Pavones and Costa Ricans and connects it to larger, dominant discourses in surf and travel media about narratives of discovery and development that often embody an imperialist nostalgia to inculcate a particular idea about time and industriousness as part of development.","PeriodicalId":53864,"journal":{"name":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-05-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45676727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Taming the Wild Woman in Twenty-First-Century Mexican Telenovelas 《驯服21世纪墨西哥小说中的狂野女人》
IF 0.1 4区 社会学
STUDIES IN LATIN AMERICAN POPULAR CULTURE Pub Date : 2018-05-24 DOI: 10.7560/SLAPC3610
J. Tate
{"title":"Taming the Wild Woman in Twenty-First-Century Mexican Telenovelas","authors":"J. Tate","doi":"10.7560/SLAPC3610","DOIUrl":"https://doi.org/10.7560/SLAPC3610","url":null,"abstract":"Abstract:A genre within the genre of Mexican telenovelas is the rurally set production that establishes a feudal-like context for characters whose attitudes and behaviors are anachronistic and might best be described as a rejection of modernity. One aspect of this rejection is seen in the treatment of women who do not conform to traditional, that is, Marianist, standards of womanhood. The \"wild woman\" of these telenovelas initially pushes the boundaries of gender roles, but before the final chapter, romantic love and motherhood tame her. Because telenovelas have been shown to have a didactic effect on the viewing audience, the investigation at hand not only analyzes the representation of these women and their eventual taming but also considers the potential impact of such portrayals on the viewing audience. The telenovelas that I point to in this study aired on Mexico's national channel, Televisa, and later on Univisión: Apuesta por un amor (Gambling on Love) (2004–2005), Fuego en la sangre (Burning for Revenge) (2008), Soy tu dueña (A Woman of Steel) (2010), and La que no podía amar (The One Who Couldn't Love) (2011–2012).","PeriodicalId":53864,"journal":{"name":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-05-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43709702","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From Papiamentu to Afro-Catholic Brotherhoods: An Interdisciplinary Analysis of Iberian Elements in Curaçaoan Popular Culture 从帕皮亚门图到非裔天主教兄弟会:对西班牙流行文化中伊比利亚元素的跨学科分析
IF 0.1 4区 社会学
STUDIES IN LATIN AMERICAN POPULAR CULTURE Pub Date : 2018-05-24 DOI: 10.7560/SLAPC3605
J. Dewulf
{"title":"From Papiamentu to Afro-Catholic Brotherhoods: An Interdisciplinary Analysis of Iberian Elements in Curaçaoan Popular Culture","authors":"J. Dewulf","doi":"10.7560/SLAPC3605","DOIUrl":"https://doi.org/10.7560/SLAPC3605","url":null,"abstract":"Abstract:This article intends to show that a search for traces of Iberian influence on popular culture can also be productive in parts of the Americas that have a British, Dutch, French, or Danish colonial past. It does so by analyzing the cultural identity formation among the black population of the Antillean island of Curaçao, with a specific focus on Catholicism and Papiamentu. Few languages have generated more discussion among Creolists than Papiamentu, a language of Iberian parenthood spoken on an island with a Dutch colonial history starting in 1634. Strangely enough, religion and popular culture have received little attention, so far, in the discussion on the genesis of Papiamentu. Using research results from the field of linguistics on the influence of the Portuguese-based Creole of the Cape Verde islands on Papiamentu, this article argues that Afro-Iberian elements influenced the development not only of Curaçao's language but also of its cultural identity, and that Afro-Catholic mutual-aid and burial societies may have facilitated the transmission of that generation's key identity markers, including its language, to later generations.","PeriodicalId":53864,"journal":{"name":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-05-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48339684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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