发布求助
文献互助 智能选刊 最新文献

STUDIES IN LATIN AMERICAN POPULAR CULTURE最新文献

筛选
英文 中文
Subversive Instruments: Protest and Politics of MPB and the Nueva Canción 颠覆性的工具:MPB和Nueva的抗议和政治Canción
IF 0.1 4区 社会学
STUDIES IN LATIN AMERICAN POPULAR CULTURE Pub Date : 2015-05-02 DOI: 10.7560/SLAPC3309
K. Brune
{"title":"Subversive Instruments: Protest and Politics of MPB and the Nueva Canción","authors":"K. Brune","doi":"10.7560/SLAPC3309","DOIUrl":"https://doi.org/10.7560/SLAPC3309","url":null,"abstract":"In the political turmoil of the 1960s and 1970s, music emerged as an essential form of social and political engagement in Brazil, Chile, Argentina, and Uruguay. However, in spite of the similar historical context, the música popular brasileira (MPB) of this period is rarely considered in connection with the nueva canción latinoamericana. This paper analyzes how these distinct and parallel movements responded to social and political needs in the years prior to and during the military dictatorships in Brazil and the Southern Cone. Exploring the qualities typical of the nueva canción found in the MPB songs of Geraldo Vandré, Chico Buarque, and Milton Nascimento underscores the similarities between the two categories. Through a comparative study, I argue that these musical forms responded to parallel social and political needs in distinct ways in order to reinforce specific discursive constructions of national identity and popular culture, as well as to confirm existing understandings of politically committed music.","PeriodicalId":53864,"journal":{"name":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2015-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7560/SLAPC3309","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339969","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
El santo de la espada: Building Nationhood through Film 剑圣：通过电影建设国家
IF 0.1 4区 社会学
STUDIES IN LATIN AMERICAN POPULAR CULTURE Pub Date : 2015-05-02 DOI: 10.7560/SLAPC3305
C. Rocha
{"title":"El santo de la espada: Building Nationhood through Film","authors":"C. Rocha","doi":"10.7560/SLAPC3305","DOIUrl":"https://doi.org/10.7560/SLAPC3305","url":null,"abstract":"In Argentina, the late 1960s and early 1970s were characterized by political tensions that negatively affected the national community. Despite the passing of two laws between 1966 and 1968 to protect national cinema through loans and exhibition quotas, Argentine filmmaking lacked quality films and was limited by censorship. In 1970, a biopic of the nineteenth-century Argentine liberator, José de San Martín, El santo de la espada, directed by Leopoldo Torre Nilsson, became a major box-office success. Film scholars, however, have seen it as propaganda, given that it received both official approval and funding during the military government of General Onganía. Based on Andrew Higson’s definition of national cinemas, my reading proposes that El santo de la espada competed exceptionally well with Hollywood blockbusters in the Argentine domestic market. Relying on reports published in the general press and trade journals and on insights from stardom studies and theory in relation to historical films, I trace the production and reception of this popular film as well as the reasons why El santo de la espada has not been properly included in Argentine film history.","PeriodicalId":53864,"journal":{"name":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2015-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7560/SLAPC3305","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339747","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Under the Spell of Populism: Popular Culture and Intellectuals in Brazil 民粹主义的魔咒下:巴西的大众文化与知识分子
IF 0.1 4区 社会学
STUDIES IN LATIN AMERICAN POPULAR CULTURE Pub Date : 2015-05-02 DOI: 10.7560/SLAPC3311
Cacilda M. Rêgo
{"title":"Under the Spell of Populism: Popular Culture and Intellectuals in Brazil","authors":"Cacilda M. Rêgo","doi":"10.7560/SLAPC3311","DOIUrl":"https://doi.org/10.7560/SLAPC3311","url":null,"abstract":"In the 1960s, Brazil experienced profound changes, due mainly to the emergence of the urban masses. At that time, political and cultural projects of a populist and nationalist nature appeared, supported by the idea of a national popular culture through which the masses would be led to a tomada de consciência (critical consciousness) of the country’s social problems. It fell to the intellectuals to lead the way, to create a distinctive national popular culture that, contrary to foreign imports, would reflect the true experience of the popular classes, among whom they proudly counted themselves. In this context, popular culture became associated with products made and distributed by the Centros Populares de Cultura (Popular Culture Centers—CPC). This essay aims at analyzing the role of the intellectuals affiliated with the CPC in realizing these objectives.","PeriodicalId":53864,"journal":{"name":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2015-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7560/SLAPC3311","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339994","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Amistades apasionadas: Reflexiones en torno a las representaciones masculinas presentes en la película argentina Soñar, soñar, de Leonardo Favio 充满激情的友谊:对莱昂纳多·法维奥(Leonardo Favio)导演的阿根廷电影sonar, sonar中的男性形象的反思
IF 0.1 4区 社会学
STUDIES IN LATIN AMERICAN POPULAR CULTURE Pub Date : 2015-05-02 DOI: 10.7560/SLAPC3306
S. Navone
{"title":"Amistades apasionadas: Reflexiones en torno a las representaciones masculinas presentes en la película argentina Soñar, soñar, de Leonardo Favio","authors":"S. Navone","doi":"10.7560/SLAPC3306","DOIUrl":"https://doi.org/10.7560/SLAPC3306","url":null,"abstract":"The aim of this article is to analyze the ambiguous characteristics of the male representations in Leonardo Favio’s Soñar, soñar (1976). Favio was one of the most popular directors of the period. His films always present figures related to Argentina’s popular classes. In Soñar, soñar, Carlos, a young man from a small town (played by Carlos Monzón) and a popular Argentine boxing champion, meets Mario, an urban artist (played by Gian Franco Pagliaro) and a popular Argentine singer. Carlos decides to travel with Mario to Buenos Aires to become an artist himself. The affective relationship between the characters is ambiguous and exceeds the usual boundaries of Argentine homosocial bonds. Specifically, Carlos’s character is a “country man” in a performance that, intensifying sentimentalism and ridicule, vindicates his subaltern position, thus exceeding the usual limits of the traditional Argentine conceptions of masculinity. These disruptive male figures are displayed in a plot with elements of popular melodrama.","PeriodicalId":53864,"journal":{"name":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2015-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7560/SLAPC3306","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339803","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Autenticidad y alienación: Disonancias ideológico-culturales entre la “nueva canción” chilena y el rock anglosajón 真实性与异化:智利“新歌”与盎格鲁-撒克逊摇滚之间的意识形态文化不和谐
IF 0.1 4区 社会学
STUDIES IN LATIN AMERICAN POPULAR CULTURE Pub Date : 2015-05-02 DOI: 10.7560/SLAPC3308
W. Pino-Ojeda
{"title":"Autenticidad y alienación: Disonancias ideológico-culturales entre la “nueva canción” chilena y el rock anglosajón","authors":"W. Pino-Ojeda","doi":"10.7560/SLAPC3308","DOIUrl":"https://doi.org/10.7560/SLAPC3308","url":null,"abstract":"The ideological polarization that framed the Cold War period (1945–1989) affected not only international relations but also the social commitments and aesthetic options of those artists and cultural activists who instigated the Latin American decolonization processes of the 1960s and 1970s. In this framework, the positivistic signature of the socialist-capitalist divide drove the decolonizing forces of the region to mistrust any form of popular culture produced from the industrial capitalist centers of power. Anglo-American rock was generally perceived as working against facilitating social class awareness. This article investigates the points of convergence and disagreement between these two movements, paying special attention to Violeta Parra and Víctor Jara’s aesthetic and ethical viewpoints, both of whom are foundational and emblematic members of the Chilean “nueva canción” movement.","PeriodicalId":53864,"journal":{"name":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2015-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7560/SLAPC3308","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339826","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
Popular Culture, Politics, and Alternative Gender Imaginaries in 1960s and 1970s Argentina 20世纪60年代和70年代阿根廷的流行文化、政治和另类性别想象
IF 0.1 4区 社会学
STUDIES IN LATIN AMERICAN POPULAR CULTURE Pub Date : 2015-05-02 DOI: 10.7560/SLAPC3304
A. Premat
{"title":"Popular Culture, Politics, and Alternative Gender Imaginaries in 1960s and 1970s Argentina","authors":"A. Premat","doi":"10.7560/SLAPC3304","DOIUrl":"https://doi.org/10.7560/SLAPC3304","url":null,"abstract":"This essay considers the powerful social impact of a seemingly innocuous 1960s mainstream Argentine cartoon strip called Mafalda. Focusing on its main protagonist, a little girl from an average Buenos Aires middle-class family, the essay outlines the significant counterhegemonic gender discourses disseminated by the popular strip, reflecting on how it captured the imagination of female fans. The analysis shows how an apparently inoffensive popular culture icon, which came to life and thrived during one of the least democratic and most repressive periods of Argentine history, managed to publicize ideas considered subversive by those in power. Ultimately, the essay questions to-date unchallenged scholarly interpretations that fail to properly consider the reception of popular-culture icons like Mafalda and presume masculinist ideologies to have been all powerful, and near inescapable, in the Argentina of the period.","PeriodicalId":53864,"journal":{"name":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2015-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7560/SLAPC3304","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339734","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Intoxicated Writing: Onda Writers and the Drug Experience in 1960s Mexico 沉醉的写作:20世纪60年代墨西哥的昂达作家和毒品经历
IF 0.1 4区 社会学
STUDIES IN LATIN AMERICAN POPULAR CULTURE Pub Date : 2015-05-02 DOI: 10.7560/SLAPC3310
Hugo M. Viera
{"title":"Intoxicated Writing: Onda Writers and the Drug Experience in 1960s Mexico","authors":"Hugo M. Viera","doi":"10.7560/SLAPC3310","DOIUrl":"https://doi.org/10.7560/SLAPC3310","url":null,"abstract":"Among the signifiers that codified 1960s counterculture, the psychedelic drug experience opened possibilities for social and literary experimentation. Mexican Onda writers imported the international counterculture into their writing, as a counter-hegemonic strategy—an attempt to question conventional paradigms of self, representation, and language. Through altered states of consciousness, these writers construct a subjectivity rooted outside national boundaries and projected onto an alternate reality. The drug experience in these works constitutes an aesthetic device that questions the 1960s Mexican polity. In this paper, I present four processes connected to the psychedelic drug experience—”initiations,” “intoxications,” “translations,” and “reproductions”—that culturally and aesthetically frame a selected corpus of Onda texts.","PeriodicalId":53864,"journal":{"name":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2015-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7560/SLAPC3310","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339984","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editors’ Preface 编辑前言
IF 0.1 4区 社会学
STUDIES IN LATIN AMERICAN POPULAR CULTURE Pub Date : 2015-05-02 DOI: 10.1017/9781108325745.001
C. Rocha, Cacilda M. Rêgo
{"title":"Editors’ Preface","authors":"C. Rocha, Cacilda M. Rêgo","doi":"10.1017/9781108325745.001","DOIUrl":"https://doi.org/10.1017/9781108325745.001","url":null,"abstract":"A the world, the mid-1960s to the mid-1970s were years of intense political confrontations shaped by the Cold War. The United States faced the antagonism of the Soviet Union and became more involved in Vietnam. Domestically, Lyndon B. Johnson implemented his Great Society plan, which aimed to combat socioeconomic inequalities, and the civil rights movement worked to end discrimination against African Americans. As the editors of Social Text summed it up in The 60s without Apology,","PeriodicalId":53864,"journal":{"name":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2015-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/9781108325745.001","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"56918318","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Charytín Goyco, la rubia de América: A Case Study of Television Stardom in the Dominican Republic in the 1970s Charytín Goyco, la rubia de am<s:1> rica: 1970年代多米尼加共和国电视明星的个案研究
IF 0.1 4区 社会学
STUDIES IN LATIN AMERICAN POPULAR CULTURE Pub Date : 2015-05-02 DOI: 10.7560/SLAPC3303
Danny Méndez
{"title":"Charytín Goyco, la rubia de América: A Case Study of Television Stardom in the Dominican Republic in the 1970s","authors":"Danny Méndez","doi":"10.7560/SLAPC3303","DOIUrl":"https://doi.org/10.7560/SLAPC3303","url":null,"abstract":"This essay explores the complex relationship between race and class in the formation of a very specific and enduring notion of Dominican televisual stardom stemming from the late 1970s. My point of analysis centers on Charytín Goyco (known affectionately as “the blonde bombshell of America”), whose career as a singer, actress, and television personality commenced in the Dominican Republic in the early 1970s and then continued in Puerto Rico and, subsequently, in Miami. Throughout this essay I explicate how Goyco’s rise to fame was, to some degree, made possible by the political and social media framework set in the Dominican Republic under the presidential administrations of Joaquín Balaguer, who served three terms during the years of 1960–1962, 1966–1987, and 1986–1996. Paying particular attention to Goyco’s evolution as a televisual persona, I argue that her television personality is a site of contradictory interpretations if we are to understand the specific places of power, race, and class that have been afforded her.","PeriodicalId":53864,"journal":{"name":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2015-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7560/SLAPC3303","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339666","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Un pájaro progresivo: Pop Music, Propaganda, and the Struggle for Modernity in Argentina unpájaro进步:流行音乐，宣传，并为现代化在阿根廷的斗争
IF 0.1 4区 社会学
STUDIES IN LATIN AMERICAN POPULAR CULTURE Pub Date : 2015-05-02 DOI: 10.7560/SLAPC3307
Timothy H. Wilson
{"title":"Un pájaro progresivo: Pop Music, Propaganda, and the Struggle for Modernity in Argentina","authors":"Timothy H. Wilson","doi":"10.7560/SLAPC3307","DOIUrl":"https://doi.org/10.7560/SLAPC3307","url":null,"abstract":"In the mid-1960s to mid-1970s, North America and Western Europe became cemented as modern liberal democracies, increasingly emphasizing civil liberties, individualism, egalitarianism, and diversity. In the Southern Cone those same modernizing tendencies faced strong opposition from the landed elite and the military, who targeted the counterculture’s young people and staged numerous coups in an attempt to turn back the clock. The propaganda of Argentina’s brutal and humorless Proceso dictatorship attempted to recreate an imaginary past, a caricature of classic ideals such as el ángel del hogar and the Latin Honor Code. But its repressive machinery was countered by another “machine,” a rock band headed by Charly García called La Máquina de Hacer Pájaros, who combined music, film, comics, and pop culture icons in a witty discourse that subtly contradicted that of the military government, at a time when any dissent was extremely dangerous. La Máquina, which cartoonist and García contemporary “Crist” described as “un pájaro progresivo,” deconstructed the regime’s authoritarian discourse, reconstructing in its place a lyrical depiction of liberal democratic ideals.","PeriodicalId":53864,"journal":{"name":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2015-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7560/SLAPC3307","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339810","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
首页 上一页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信