Charytín Goyco, la rubia de am rica: 1970年代多米尼加共和国电视明星的个案研究

IF 0.1 4区 社会学 N/A HUMANITIES, MULTIDISCIPLINARY
Danny Méndez
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引用次数: 1

摘要

这篇文章探讨了种族和阶级之间的复杂关系,在形成一个非常具体和持久的多米尼加电视明星概念的过程中,这个概念源于20世纪70年代末。我的分析重点是Charytín Goyco(被亲切地称为“美国的金发美女”),她作为歌手、演员和电视名人的职业生涯始于20世纪70年代初的多米尼加共和国,然后在波多黎各继续,后来在迈阿密。在这篇文章中,我解释了Goyco的成名,在某种程度上,是如何在多米尼加共和国的政治和社会媒体框架下成为可能的,在Joaquín Balaguer总统执政期间,他在1960-1962年,1966-1987年和1986-1996年担任了三届总统。我特别关注Goyco作为一个电视人物的演变,我认为如果我们要理解赋予她的权力、种族和阶级的具体位置,她的电视个性是一个矛盾的解释场所。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Charytín Goyco, la rubia de América: A Case Study of Television Stardom in the Dominican Republic in the 1970s
This essay explores the complex relationship between race and class in the formation of a very specific and enduring notion of Dominican televisual stardom stemming from the late 1970s. My point of analysis centers on Charytín Goyco (known affectionately as “the blonde bombshell of America”), whose career as a singer, actress, and television personality commenced in the Dominican Republic in the early 1970s and then continued in Puerto Rico and, subsequently, in Miami. Throughout this essay I explicate how Goyco’s rise to fame was, to some degree, made possible by the political and social media framework set in the Dominican Republic under the presidential administrations of Joaquín Balaguer, who served three terms during the years of 1960–1962, 1966–1987, and 1986–1996. Paying particular attention to Goyco’s evolution as a televisual persona, I argue that her television personality is a site of contradictory interpretations if we are to understand the specific places of power, race, and class that have been afforded her.
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来源期刊
STUDIES IN LATIN AMERICAN POPULAR CULTURE
STUDIES IN LATIN AMERICAN POPULAR CULTURE HUMANITIES, MULTIDISCIPLINARY-
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