社会性质的转变:墨西哥大众文化中的查罗文化表征

IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
B. Márquez
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引用次数: 0

摘要

摘要:大卫·里斯曼的《孤独的人群》在对传统夏洛社区的再现方面,可以应用于墨西哥大众文化的转型。尽管西方国家认为墨西哥是一个发展中国家,但墨西哥的社会性质正在发生文化变化。一个曾经以农村和农业为主的社区,快速的城市化和工业化已经影响了农村传统,如夏洛。墨西哥的大众媒体已经证明了这个人是一个有内在导向的人,被一个隐喻的陀螺仪所引导,没有受到批评的伤害。大众传媒所描绘的现代夏洛比以往任何时候都具有更多的他者导向的特征。夏洛社区文化表现形式的这些变化表明,墨西哥社会特征的文化变化正在从农村文化产品转向更加西方化和都市化的文化产品。最终,墨西哥流行文化中的夏洛形象将被小心翼翼地边缘化,取而代之的是一个更现代的墨西哥企业男性形象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Shift in Social Character: Charro Cultural Representations in Mexican Popular Culture
Abstract:David Riesman's The Lonely Crowd can be applied to the transformation of Mexican popular culture in regard to the representation of the traditional charro community. Despite the fact that Western countries consider Mexico a developing country, Mexico's social character is undergoing a cultural change. A once primarily rural and agricultural community, rapid urbanization and industrialization have affected rural traditions such as that of the charro. Mexican mass media have demonstrated the charro as an inner-directed man, oriented by a metaphorical gyroscope and unscathed by criticism. The modern charro as portrayed in mass media is demonstrated to have more other-directed characteristics than ever before. These changes in the cultural representations of the charro community indicate that the cultural changes in Mexico's social character are departing from rural cultural productions to a more Western and urban cultural production. Ultimately, the charro image in Mexico's popular culture will be cautiously marginalized and replaced by a more modern image of the Mexican corporate man.
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来源期刊
STUDIES IN LATIN AMERICAN POPULAR CULTURE
STUDIES IN LATIN AMERICAN POPULAR CULTURE HUMANITIES, MULTIDISCIPLINARY-
CiteScore
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