Dix-NeufPub Date : 2022-07-03DOI: 10.1080/14787318.2022.2124798
Sihem Gounni
{"title":"La vierge et le vagabond: Relire l’affaire Castellan à travers ses représentations médico-légales, sociales et littéraires","authors":"Sihem Gounni","doi":"10.1080/14787318.2022.2124798","DOIUrl":"https://doi.org/10.1080/14787318.2022.2124798","url":null,"abstract":"ABSTRACT Suscitant une réévaluation des critères de définition du consentement jusqu'alors en vigueur, le procès de Castellan (1865) pour viol sous emprise magnétique de Joséphine Hugues manifeste les prémisses de la reconnaissance médico-légale d'états de conscience modifiée. Cet article propose de s'emparer des questions soulevées par cette affaire, dont le travail de Nicole Edelman a valorisé l'intérêt historiographique, en mettant notamment en avant le poids des représentations sociales de la marginalité et de la féminité sur le verdict. L'affaire Castellan sera également abordée à la lumière de la littérature villiérienne qui, glissant du cas au conte, les discours d'autorité à leur contingence épistémique.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"26 1","pages":"121 - 138"},"PeriodicalIF":0.1,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46024137","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Dix-NeufPub Date : 2022-07-03DOI: 10.1080/14787318.2022.2136846
Maria Beliaeva Solomon
{"title":"« L’horrible vrai » des Contes bruns de Balzac","authors":"Maria Beliaeva Solomon","doi":"10.1080/14787318.2022.2136846","DOIUrl":"https://doi.org/10.1080/14787318.2022.2136846","url":null,"abstract":"ABSTRACT « L'horrible vrai est toujours plus horrible encore ! » s'exclame un personnage d'Une conversation entre onze heures et minuit – conte saturé de violence que Balzac intègre, avec Le Grand d'Espagne, au recueil collectif des Contes bruns, composé à la faveur de la mode frénétique et horrifiante. Ces textes, qui ironisent sur les lois de la littérature marchande tout en y acquiesçant, apportent un éclairage essentiel sur les questionnements que l'écriture balzacienne émet sur elle-même, alors que Balzac s'apprête à abandonner la forme du conte pour le projet, expansif et totalisant, d'une œuvre représentative de la société moderne.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"26 1","pages":"155 - 168"},"PeriodicalIF":0.1,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47104636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Dix-NeufPub Date : 2022-07-03DOI: 10.1080/14787318.2022.2129286
Darci L. Gardner
{"title":"Appropriation and Revision as Subversion in Intermèdes: Krysinska’s Palimpsests","authors":"Darci L. Gardner","doi":"10.1080/14787318.2022.2129286","DOIUrl":"https://doi.org/10.1080/14787318.2022.2129286","url":null,"abstract":"ABSTRACT Marie Kysinska was a pioneer of French free verse, but her detractors characterized her work as derivative. Responding to them, her last collection, Intermèdes: Nouveaux rythmes pittoresques (1903), distances her poetry from its sources of inspiration. Although Intermèdes is replete with borrowed material—from pieces that Krysinska published earlier and from contemporaries' works—Krysinska's appropriations consistently subvert traditions. This article examines poems that indicate how Krysinska's revisions of her own texts and palimpsests of others' works renovate literary conventions. The following readings illustrate the intellectual independence that Krysinska asserted as her career advanced and her efforts to transform inherited paradigms.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"26 1","pages":"139 - 154"},"PeriodicalIF":0.1,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41493676","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Dix-NeufPub Date : 2022-07-03DOI: 10.1080/14787318.2022.2144339
Sebastian Egholm Lund
{"title":"No Earth from Nowhere: Jules Verne’s Critique of Terraforming","authors":"Sebastian Egholm Lund","doi":"10.1080/14787318.2022.2144339","DOIUrl":"https://doi.org/10.1080/14787318.2022.2144339","url":null,"abstract":"ABSTRACT Nineteenth-century France was characterised by theoretical and fictional speculations about planet management, climate change, and anthropogenic power. In this context, Verne's novels strike us as more contemporary than ever. The purpose of his Sans dessus dessous (1889) is a scalar critique that highlights the catastrophic potential of engineering Earth: When terraforming is premised upon extraplanetary sight, it becomes an objectifying instance of ‘anthropoforming’ that mechanically forms Earth in the image of mankind. Reading Sans dessus dessous today evaluates the historical specificity of terraforming while illuminating how ecological crises become the opportune moment for privatising the engineering of Earth.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"26 1","pages":"169 - 185"},"PeriodicalIF":0.1,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45360310","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Dix-NeufPub Date : 2022-06-25DOI: 10.1080/14787318.2022.2090093
Jennifer Yee
{"title":"Émile Zola’s Black Lives: Colonial Experiments and the Limits of Empathy in La Joie de vivre","authors":"Jennifer Yee","doi":"10.1080/14787318.2022.2090093","DOIUrl":"https://doi.org/10.1080/14787318.2022.2090093","url":null,"abstract":"","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46544533","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Dix-NeufPub Date : 2022-04-03DOI: 10.1080/14787318.2022.2095688
Elizabeth Amann
{"title":"July Revolution as Repetition Compulsion: Batz de Trenquelléon’s Georges ou la Révolution de 1830 et l’homme de 1793","authors":"Elizabeth Amann","doi":"10.1080/14787318.2022.2095688","DOIUrl":"https://doi.org/10.1080/14787318.2022.2095688","url":null,"abstract":"ABSTRACT This essay examines Marie-Caroline Batz de Trenquelléon's novel Georges ou la Révolution de 1830 et l'homme de 1793 (1832), an early response to the Revolution of 1830. Although its author was a legitimist who blamed the French Revolution on Enlightenment thought, the novel is largely based on Voltaire's play Le fanatisme, ou Mahomet le Prophète (1741). This study explores how Batz de Trenquelléon's critique of the Terror echoes Voltaire's denunciation of fanaticism and how she manipulates her historical sources to reinforce a vision of French history in which 1789 and 1830 are part of a single, ongoing conspiracy. Cet essai examine une des premières réponses littéraires à la Révolution de 1830 : Georges ou la Révolution de 1830 et l'homme de 1793 (1832), un roman de Marie-Caroline Batz de Trenquelléon. Bien que son auteur soit une légitimiste qui attribue la Révolution française à la pensée des Lumières, le roman est largement basé sur la pièce de Voltaire, Le fanatisme, ou Mahomet le Prophète (1741). Cette étude explore comment la critique de la Terreur par Batz de Trenquelléon fait écho à la dénonciation du fanatisme par Voltaire et comment elle manipule ses sources historiques pour renforcer une vision de l'histoire de France dans laquelle 1789 et 1830 font partie d'une conspiration unique et continue.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"26 1","pages":"91 - 109"},"PeriodicalIF":0.1,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41645685","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Dix-NeufPub Date : 2022-04-03DOI: 10.1080/14787318.2022.2085021
K. Foster
{"title":"Lèche-vitrines: Human Identity and the Mannequin in Au Bonheur des Dames","authors":"K. Foster","doi":"10.1080/14787318.2022.2085021","DOIUrl":"https://doi.org/10.1080/14787318.2022.2085021","url":null,"abstract":"ABSTRACT The department store mannequin is often read as representative of commodity or sexual fetishism and, consequently, of woman objectified. This article posits that in Émile Zola’s Au Bonheur des Dames (1883), the mannequin can highlight such objectification to the woman in the text. Through close readings of the text's mannequins this article seeks to analyse the combination of estrangement and excitement which characterizes the experience of living under modernity. It asks whether the headless Zolian mannequin empowers the shopper to recognize and thus reject objectification of the self, or if it is simply a disquieting reminder of one’s own powerlessness.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"26 1","pages":"74 - 90"},"PeriodicalIF":0.1,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"59869525","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Dix-NeufPub Date : 2022-04-03DOI: 10.1080/14787318.2022.2083924
Greg Kerr
{"title":"Drawing Blanks: Word and Image at the Expositions des Incohérents","authors":"Greg Kerr","doi":"10.1080/14787318.2022.2083924","DOIUrl":"https://doi.org/10.1080/14787318.2022.2083924","url":null,"abstract":"ABSTRACT In the early 1890s, Jules Lévy organised a series of artistic exhibitions under the title of Les Arts Incohérents. Affiliated with Montmartre cabaret culture, the events lampooned the conventions of the Parisian salons and the conventions and institutions of the fine arts. This article explores the importance of the figure of the blank in a selection of art exhibited by the Incohérents. Adopting a word-and-image-based approach, and drawing on theories of comedy and laughter, the article shows how the Incéohérents' incipient avant-gardism interrogates the limits of the different arts and points to a novel inflection of humour in the period.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"26 1","pages":"57 - 73"},"PeriodicalIF":0.1,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48400010","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Dix-NeufPub Date : 2022-04-03DOI: 10.1080/14787318.2022.2092933
Warren Johnson
{"title":"Silencing Scandal: Hector Malot’s Les millions honteux","authors":"Warren Johnson","doi":"10.1080/14787318.2022.2092933","DOIUrl":"https://doi.org/10.1080/14787318.2022.2092933","url":null,"abstract":"ABSTRACT\u0000 Hector Malot’s 1882 novel, Les millions honteux, highlights the interconnections between money and representational practice. Malot’s critique in this neglected text of the construction of personal reputation through journalistic manipulation demonstrates the inextricable linkage between scandal and the press, and suggests the way that scandals themselves might be constructed or inflated like public images by unscrupulous journalists.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"26 1","pages":"110 - 119"},"PeriodicalIF":0.1,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42895316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Dix-NeufPub Date : 2022-01-02DOI: 10.1080/14787318.2021.2022877
Marion Glaumaud-Carbonnier
{"title":"L’empire des grands-pères : crise de succession dans les fictions de la défaite de 1870–71","authors":"Marion Glaumaud-Carbonnier","doi":"10.1080/14787318.2021.2022877","DOIUrl":"https://doi.org/10.1080/14787318.2021.2022877","url":null,"abstract":"ABSTRACT Curieusement, les personnages des récits racontant le conflit franco-prussien semblent tous partager la même ascendance : ils descendent d'un parent identique, d'un vieillard qui se répète d'histoire en histoire, d'un grand-père ayant participé aux guerres du début du xixe siècle, et qui fait peser son empire sur sa descendance. En s'intéressant à la brisure qui rompt le lien généalogique entre les aïeux victorieux du début du siècle et la génération vaincue de 1870, cet article a pour enjeu d'analyser la valeur de ce personnage 1800 et de comprendre la fonction morale que la fiction accorde à ces figures tutélaires.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"26 1","pages":"18 - 34"},"PeriodicalIF":0.1,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44830411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}