Musicologica Brunensia最新文献

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The operas arrangements for chamber ensembles in the Moravian and Lower Austrian monasteries 摩拉维亚和下奥地利修道院室内乐乐团的歌剧编曲
IF 0.1
Musicologica Brunensia Pub Date : 2022-01-01 DOI: 10.5817/mb2022-1-9
Lukáš Pavlica
{"title":"The operas arrangements for chamber ensembles in the Moravian and Lower Austrian monasteries","authors":"Lukáš Pavlica","doi":"10.5817/mb2022-1-9","DOIUrl":"https://doi.org/10.5817/mb2022-1-9","url":null,"abstract":"This article aims to explore the various possibilities for the operas arrangements for chamber ensembles preserved in selected monastic localities as a remarkable subgenre, which flourished from the end of the 18th century until the middle of the 19th century. Important music collections of monasteries in Moravia and Lower Austria were selected for the research, specifically: Nová Říše (formerly Neureisch, Premonstratensians), Klosterneuburg (Augustinian Canons), Göttweig (Benedictines) and Zwettl (Cistercians). By comparing the situation in different monasteries, it was possible to look at the issue in a broader geographic context, which reflects the customs and possibilities of neighbouring regions within the Habsburg Monarchy.","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350616","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"Živý recitativ beze slov" : symfonické básně Antonína Dvořáka v reflexi Leoše Janáčka “无言现场朗诵”:Antonín Dvořák在LeošJanáček反思中的交响诗
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Musicologica Brunensia Pub Date : 2022-01-01 DOI: 10.5817/mb2022-2-6
Veronika Vejvodová, Barbora Števanka Kadlíčková
{"title":"\"Živý recitativ beze slov\" : symfonické básně Antonína Dvořáka v reflexi Leoše Janáčka","authors":"Veronika Vejvodová, Barbora Števanka Kadlíčková","doi":"10.5817/mb2022-2-6","DOIUrl":"https://doi.org/10.5817/mb2022-2-6","url":null,"abstract":"This article focuses on selected details of the deep relationship between Antonín Dvořák and Leoš Janáček, which began during Janáček's studies at the Prague Organ School in 1874–1875. The paper discusses Janáček's detailed analyses of Antonín Dvořák's four symphonic poems based on the ballads by Karel Jaromír Erben, which demonstrate the creative parallels between the two composers, as well as Brno performances of the symphonic poems during Dvořák's lifetime and reflection in the contemporary press. The article also shows that Janáček, in analysing the symphonic poems, made use of his work on the theory of speech melody, and that he became the first theorist of Dvořák's work.","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dvořák, Martinů and Gershwin as a source of inspiration for Vladimír Sís's music films Dvořák, martinv和Gershwin作为Vladimír Sís音乐电影的灵感来源
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Musicologica Brunensia Pub Date : 2022-01-01 DOI: 10.5817/mb2022-2-7
Ondřej Musil
{"title":"Dvořák, Martinů and Gershwin as a source of inspiration for Vladimír Sís's music films","authors":"Ondřej Musil","doi":"10.5817/mb2022-2-7","DOIUrl":"https://doi.org/10.5817/mb2022-2-7","url":null,"abstract":"Music film is a genre that largely follows its own rules. These rules are determined mainly by the conception of musical content and also by the degree of interaction between music and image. The presented study summarizes the results of analyzes of music films by Vladimír Sís created on instrumental and vocal-instrumental compositions by Dvořák, Gershwin, and Martinů. The used method of two-phase analysis is based on the musical and film analysis of selected works and their mutual comparison with emphasis on functional changes of the originally autonomous musical pieces and their content-forming potential. It also seeks to capture a common analytical basis for different types of music films, creating a universal method for basic research. The results of the analysis point to both the typical features of the music and its specific use in Sís's films, including the director's intended popularization and didactic intentions.","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350947","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Miloš Štědroň: Můj Janáček : k osmdesátinám muzikologa a skladatele 米洛什·舍特德罗:我的Janáček:音乐学家和作曲家的八十年
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Musicologica Brunensia Pub Date : 2022-01-01 DOI: 10.5817/mb2022-1-1
Karel Steinmetz
{"title":"Miloš Štědroň: Můj Janáček : k osmdesátinám muzikologa a skladatele","authors":"Karel Steinmetz","doi":"10.5817/mb2022-1-1","DOIUrl":"https://doi.org/10.5817/mb2022-1-1","url":null,"abstract":"The study explains how research on Janáček was enriched by Miloš Štědroň, an important musicologist and composer and one of the most important music scientists of today, dealing with the work of Leoš Janáček. Other Štědroň's activities in the field of scientific and artistic work which have lasted for almost sixty years, are recalled as well.","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350047","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
MIDI housle v umění – od hudebního zvuku k multimediálnímu ovladači 艺术中的MIDI小提琴——从音乐声音到多媒体控制器
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Musicologica Brunensia Pub Date : 2022-01-01 DOI: 10.5817/mb2022-2-9
Martin Flášar
{"title":"MIDI housle v umění – od hudebního zvuku k multimediálnímu ovladači","authors":"Martin Flášar","doi":"10.5817/mb2022-2-9","DOIUrl":"https://doi.org/10.5817/mb2022-2-9","url":null,"abstract":"The following study critically examines the development of the violin in the 20th and 21st centuries from two perspectives: technological and artistic. It deals with the phenomenon of MIDI violins, which follow the specifics of the traditional chordophone. They represent both an analogue-digital interface and a human-computer interface (HCI). It mentions the limits of this approach and shows selected artistic strategies accompanying the development of MIDI violins since the 1970s.","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350848","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The AMC Trio jazz combo and their inspirations drawn from Slovak folk music AMC三人爵士组合和他们的灵感来自斯洛伐克民间音乐
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Musicologica Brunensia Pub Date : 2022-01-01 DOI: 10.5817/mb2022-1-5
Peter Dobšinský
{"title":"The AMC Trio jazz combo and their inspirations drawn from Slovak folk music","authors":"Peter Dobšinský","doi":"10.5817/mb2022-1-5","DOIUrl":"https://doi.org/10.5817/mb2022-1-5","url":null,"abstract":"In this study, we examine contemporary eclectic approaches to jazz and consider to what extent they allow for originality (notwithstanding the opposition between the terms \"eclectic\" and \"original\"). The music of the Slovak jazz combo AMC Trio is often seen as typically \"Slovak\", and the presence of Slovak folk music in their compositions is discussed in detail. Because AMC Trio is one of the most exported Slovak jazz groups, this study analyses their music to see what makes it exceptional in the Slovak context and for the introduction of European impulses to jazz. We point out the fact that the trio's compositions do not draw directly on Slovak folk music, but, nevertheless, they contain interesting parallels and indirect inspirations. These are what give a Slovak character and melodic originality to their music, which impresses even foreign artists who collaborate with them. It remains a question, therefore, whether eclecticism ultimately leads to new concepts in jazz or whether it in fact moves jazz further away from its Afro-American roots.","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350556","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Systém temperování klávesových nástrojů v Mannheimu podle Franze Xavera Richtera (1767) na základě posledního návodu Andrease Werckmeistera (cca 1700) 根据Franz Xaver Richter(1767)根据Andreas Werkmeister(约1700)的最新手册制定的曼海姆键盘乐器回火系统
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Musicologica Brunensia Pub Date : 2022-01-01 DOI: 10.5817/mb2022-1-2
Marko Čermák
{"title":"Systém temperování klávesových nástrojů v Mannheimu podle Franze Xavera Richtera (1767) na základě posledního návodu Andrease Werckmeistera (cca 1700)","authors":"Marko Čermák","doi":"10.5817/mb2022-1-2","DOIUrl":"https://doi.org/10.5817/mb2022-1-2","url":null,"abstract":"So far unreflected Franz Xaver Richter's system of temperament is presented through analysis and detailed characteristics. It shows first hand connection with musical praxis in Mannheim. In spite of the fact that Richter's original source was last system of tuning by Andreas Werckmeister from the beginning of 18th century, Richter's undertaken system was widely popular and still cited in 1780s. Detailed manual offers conservative model of circular (\"good\") temperament with prominent key characteristics. Among advantages of this system are relatively clear thirds of central keys which are acquired by sophisticated and sensible temperament of fifths in the whole intonation scale. Additionally, this system of tuning allows functional and effective usage of peripheral keys.","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350150","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Uplatnitelnost na trhu práce v oblasti klasické hudby : Koresponduje vzdělávání v ČR v oboru s pracovním trhem? 古典音乐领域劳动力市场的适用性:捷克共和国的教育与劳动力市场相一致吗?
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Musicologica Brunensia Pub Date : 2022-01-01 DOI: 10.5817/mb2022-1-7
Lenka Dohnalová, Lucie Pešl Šilerová, Ingeborg Radok Žádná
{"title":"Uplatnitelnost na trhu práce v oblasti klasické hudby : Koresponduje vzdělávání v ČR v oboru s pracovním trhem?","authors":"Lenka Dohnalová, Lucie Pešl Šilerová, Ingeborg Radok Žádná","doi":"10.5817/mb2022-1-7","DOIUrl":"https://doi.org/10.5817/mb2022-1-7","url":null,"abstract":"The study revisits and interprets the basic available information concerning the relationship between art education and the labour market in classical music in the Czech Republic in the context of the European Union (EU). It adds the results of a survey of conservatory graduates and their most frequent employers of orchestras and elementary art schools within the research plan of the Arts Institute. Graduates were asked about further professional orientation in two rounds in 2019 and 2021. The survey of the most frequent employers in 2019 covered the period of three last years. A questionnaire asked about the number of hired employees in three categories 1) up to 25 years of conservatory graduates, 2) up to 30 years of university graduates, 3) over 30 years, the state of supply and demand, scale and verbalized evaluation of the level of readiness of adepts in the theoretical, practical-artistic, socio-psychological and organizational. The questionnaire also included an evaluation of the types of motivation of adepts to choose an employer (permanent position, interesting work, salary, team work). The survey proved the high importance of the Basic Art School's network for employment (the basis of social security) of artists in the Czech Republic and the relative decline in graduates' interest in places in orchestras. At the end of the study, the trend of the labour market is recapitulated with the expected demands on future artists and employers as well as the relatively low readiness of graduates for independent artistic work.","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350572","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Počátky Jednoty umělců hudebních ku podpoře vdov a sirotků v kontextu vídeňské Tonkünstler-Sozietät 维也纳音乐节背景下音乐艺术家支持孤寡的团结
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Musicologica Brunensia Pub Date : 2022-01-01 DOI: 10.5817/mb2022-1-8
Magdalena Šmídová Turchichová
{"title":"Počátky Jednoty umělců hudebních ku podpoře vdov a sirotků v kontextu vídeňské Tonkünstler-Sozietät","authors":"Magdalena Šmídová Turchichová","doi":"10.5817/mb2022-1-8","DOIUrl":"https://doi.org/10.5817/mb2022-1-8","url":null,"abstract":"Jednota umělců hudebních ku podpoře vdov a sirotků [Prague's Society of Musicians] (1803–1903) played a key role in establishing the concert life of Prague of the nineteenth century. Jednota drew the interest of researchers with its extensive presentations of George Friedrich Händel's oratorio works. It was founded on the model of the Tonkünstler-Sozietät (1771), which regularly performed oratorios and is considered to be one of the earliest public concert institutions in Vienna. Both societies were established with the same goal: the proceeds of the benefit concerts went into a fund, which was used to secure disabled musicians or surviving widows and orphans. The aim of the study is to outline the development of the Prague Society in connection with similar philanthropic organizations, especially the Vienna Tonküstler-Sozietät, and to reveal to what extent they may have influenced each other.","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Latin Office of the Dead in mediaeval manuscripts from the territory of Slovakia 斯洛伐克境内中世纪手稿中的拉丁文“死者办公室”
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Musicologica Brunensia Pub Date : 2022-01-01 DOI: 10.5817/mb2022-2-3
Eva Veselovská
{"title":"The Latin Office of the Dead in mediaeval manuscripts from the territory of Slovakia","authors":"Eva Veselovská","doi":"10.5817/mb2022-2-3","DOIUrl":"https://doi.org/10.5817/mb2022-2-3","url":null,"abstract":"The contents and the surviving part of medieval manuscripts in Europe were influenced by the Christianization process. Monophonic liturgical chant, the cantus planus, or plainchant, which accompanied the liturgical celebrations, was a dominant representative of musical culture. Migrations of cultural, religious, and artistic stimuli, which influenced the religious centres, institutions, towns, and individuals, were a frequent phenomenon in medieval society. The transfer of stimuli, inspirations, and artistic models led to liturgical music and its components (musical content, liturgy, notation) becoming firmly established. As part of the stratification of local elements and transregional connections, in the research process on the components of chant, we identified a specific repertoire of the medieval Office of the Dead in manuscripts from the territory of Slovakia. Based on the analysis of the chants of the responsories of the Matins, we traced the provenance and musical characteristics of selected manuscripts from the territory of Slovakia.","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350700","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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