MIDI housle v umění – od hudebního zvuku k multimediálnímu ovladači

IF 0.1 0 MUSIC

Musicologica Brunensia Pub Date : 2022-01-01 DOI:10.5817/mb2022-2-9

Martin Flášar

引用次数: 0

Abstract

The following study critically examines the development of the violin in the 20th and 21st centuries from two perspectives: technological and artistic. It deals with the phenomenon of MIDI violins, which follow the specifics of the traditional chordophone. They represent both an analogue-digital interface and a human-computer interface (HCI). It mentions the limits of this approach and shows selected artistic strategies accompanying the development of MIDI violins since the 1970s.

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艺术中的MIDI小提琴——从音乐声音到多媒体控制器

下面的研究从技术和艺术两个角度批判性地审视了小提琴在20世纪和21世纪的发展。它涉及MIDI小提琴的现象，它遵循传统弦乐器的特点。它们代表了模拟-数字接口和人机接口(HCI)。它提到了这种方法的局限性，并展示了自20世纪70年代以来伴随MIDI小提琴发展而选择的艺术策略。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Musicologica Brunensia MUSIC-

CiteScore

0.10

自引率

0.00%

发文量

审稿时长

27 weeks

期刊介绍： Musicologica Brunensia is an international peer-reviewed scholarly journal publishing original articles in the field of musicology and related disciplines. The scope of the journal covers a wide range of topics, including not only a historical, but also a systematic area of musicology. The journal is not subject of any geographic restrictions. All submitted papers are double-blind peer review. The journal has been issued twice a year by Masaryk University (Faculty of Arts), Brno, Czech Republic, since 2009.