根据Franz Xaver Richter(1767)根据Andreas Werkmeister(约1700)的最新手册制定的曼海姆键盘乐器回火系统

IF 0.1 0 MUSIC
Marko Čermák
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引用次数: 0

摘要

通过分析和详细的特征,介绍了迄今为止尚未反映出来的里希特的气质体系。它显示了与曼海姆音乐实践的第一手联系。尽管里希特的原始来源是18世纪初安德烈亚斯·韦克迈斯特(Andreas Werckmeister)的最后一个调音系统,但里希特的承当系统广泛流行,直到18世纪80年代仍被引用。详细的说明书提供了圆形(“好”)气质的保守模型,突出的关键特征。该系统的优点之一是相对清晰的中央键三分音,这是由整个音阶中复杂而明智的五度气质获得的。此外,这个调优系统允许有效地使用外围键。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Systém temperování klávesových nástrojů v Mannheimu podle Franze Xavera Richtera (1767) na základě posledního návodu Andrease Werckmeistera (cca 1700)
So far unreflected Franz Xaver Richter's system of temperament is presented through analysis and detailed characteristics. It shows first hand connection with musical praxis in Mannheim. In spite of the fact that Richter's original source was last system of tuning by Andreas Werckmeister from the beginning of 18th century, Richter's undertaken system was widely popular and still cited in 1780s. Detailed manual offers conservative model of circular ("good") temperament with prominent key characteristics. Among advantages of this system are relatively clear thirds of central keys which are acquired by sophisticated and sensible temperament of fifths in the whole intonation scale. Additionally, this system of tuning allows functional and effective usage of peripheral keys.
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
0
审稿时长
27 weeks
期刊介绍: Musicologica Brunensia is an international peer-reviewed scholarly journal publishing original articles in the field of musicology and related disciplines. The scope of the journal covers a wide range of topics, including not only a historical, but also a systematic area of musicology. The journal is not subject of any geographic restrictions. All submitted papers are double-blind peer review. The journal has been issued twice a year by Masaryk University (Faculty of Arts), Brno, Czech Republic, since 2009.
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