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Musicologica Brunensia最新文献

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John Tyrrell – výjimečný janáčkovský životopisec a editor John Tyrrell–杰出的Janáček传记作家和编辑
IF 0.1
Musicologica Brunensia Pub Date : 2019-01-01 DOI: 10.5817/mb2019-1-1
J. Zahrádka
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引用次数: 0
Die Dommusik zu St. Stephan im 18. Jahrhundert in sozialgeschichtlicher Perspektive 从18号的圣史提芬到大教堂去历史和社会历史中的下一个世纪
IF 0.1
Musicologica Brunensia Pub Date : 2019-01-01 DOI: 10.5817/mb2019-1-11
Helena Kramářová
{"title":"Die Dommusik zu St. Stephan im 18. Jahrhundert in sozialgeschichtlicher Perspektive","authors":"Helena Kramářová","doi":"10.5817/mb2019-1-11","DOIUrl":"https://doi.org/10.5817/mb2019-1-11","url":null,"abstract":"This study deals with the living conditions and certainties of the singers and musicians who served in the Vienna Cathedral of St. Stephen during the 18th century. The focus is on so-called adjunct positions, the occupation of vacant positions and events after the death of a musician. Furthermore, the supply and teaching of choral boys are explained. To the most important changes during the 18th century belonged the new order of worship. These prescriptions of Joseph II influenced the frequency of the figural music performances as well as the financing, which is illustrated by examples.","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71349668","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Little Bo-Peep has lost her sheep, and doesn't know where to find them : or, in search yet again of Czechness and Czech music 小波比丢了她的羊，不知道去哪里找它们，或者，再一次去寻找捷克和捷克音乐
IF 0.1
Musicologica Brunensia Pub Date : 2019-01-01 DOI: 10.5817/mb2019-1-2
Geoffrey F. Chew
{"title":"Little Bo-Peep has lost her sheep, and doesn't know where to find them : or, in search yet again of Czechness and Czech music","authors":"Geoffrey F. Chew","doi":"10.5817/mb2019-1-2","DOIUrl":"https://doi.org/10.5817/mb2019-1-2","url":null,"abstract":"In an article in 1986, Michael Beckerman debated the meaning of “Czechness” in music; since then, it has usually been construed as a myth that has more to do with the reception of the national repertoire than with objective qualities of the music. This article proposes that the idea of “Czechness” should be reconsidered, using not only ideas developed in historical musicology since the 1980s, but also more recent developments in music analysis, in order to redirect attention to “the music itself” and to reconstrue it in new and fruitful ways.","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350222","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Jazz na Slovensku v období fašizmu 法西斯主义时期斯洛伐克的爵士乐
IF 0.1
Musicologica Brunensia Pub Date : 2019-01-01 DOI: 10.5817/mb2019-2-3
Yvetta Kajanová
{"title":"Jazz na Slovensku v období fašizmu","authors":"Yvetta Kajanová","doi":"10.5817/mb2019-2-3","DOIUrl":"https://doi.org/10.5817/mb2019-2-3","url":null,"abstract":"","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"4 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350085","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Financování multimediální výchovy v hudebním oboru na základních uměleckých školách 资助小学艺术学校音乐领域的多媒体教育
IF 0.1
Musicologica Brunensia Pub Date : 2019-01-01 DOI: 10.5817/mb2019-2-6
P. Martínková
{"title":"Financování multimediální výchovy v hudebním oboru na základních uměleckých školách","authors":"P. Martínková","doi":"10.5817/mb2019-2-6","DOIUrl":"https://doi.org/10.5817/mb2019-2-6","url":null,"abstract":"","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"10 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350143","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"Umělec nesmí nikdy ztratit odvahu, ať se děje, co se děje" : Jan Novák a Bohuslav Martinů ve světle vzájemné korespondence (1947–1959) “无论发生什么，艺术家都不能失去勇气”：Jan Novák和Bohuslav Martin 367在相互通信的背景下（1947–1959）
IF 0.1
Musicologica Brunensia Pub Date : 2019-01-01 DOI: 10.5817/mb2019-1-7
Martin Flášar, Pavel Žůrek
{"title":"\"Umělec nesmí nikdy ztratit odvahu, ať se děje, co se děje\" : Jan Novák a Bohuslav Martinů ve světle vzájemné korespondence (1947–1959)","authors":"Martin Flášar, Pavel Žůrek","doi":"10.5817/mb2019-1-7","DOIUrl":"https://doi.org/10.5817/mb2019-1-7","url":null,"abstract":"","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350451","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Le cinque piaghe di Christo von Nicolò Minato und Antonio Draghi (1677) und die Verehrung der fünf Wunden Christi durch den Sternkreuzorden 勒山克piaghe Nicol的招娣送òMinato安东尼德拉吉(1677)和崇敬的五伤基督通过Sternkreuzorden
IF 0.1
Musicologica Brunensia Pub Date : 1900-01-01 DOI: 10.5817/mb2022-1-10
M. Pernerstorfer
{"title":"Le cinque piaghe di Christo von Nicolò Minato und Antonio Draghi (1677) und die Verehrung der fünf Wunden Christi durch den Sternkreuzorden","authors":"M. Pernerstorfer","doi":"10.5817/mb2022-1-10","DOIUrl":"https://doi.org/10.5817/mb2022-1-10","url":null,"abstract":"The musico-dramatic works to be performed in front of the Holy Sepulcher during the Triduum Sacrum (sepolcri) were very popular in the 17th and 18th centuries. They have their origin at the Viennese court and are not least widespread in the countries of the Bohemian crown. It is a paraliturgical form of devotion with direct reference to the context of Holy Week. It therefore seems worthwhile to ask about the connection between the content of these works and the piety of the viewers. This can be well understood by looking at Eleonore II. (1630–1686), the widow of Emperor Ferdinand III. (†1657). From 1660 to 1686 in Eleonora's chapel sepolcri were performed, usually dedicated to individual elements of the Passion of Jesus Christ. An example of this is Le cinque piaghe di Christo by Nicolò Minato and Antonio Draghi (1677). In the forms of piety practiced by or at least recommended for the members of the Star Cross Order, which Eleonore II. founded in 1668, the mystical veneration of the five wounds of Christ also plays an important role. In this way it is possible to show to what extent what maybe seems rather strange today was a religious matter of course in the 17th century, and thereby deepen the understanding of the work of Minato and Draghi.","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Die intermediale Differenz-Form-des-Dazwischen im (spät)romantischen Lied am Beispiel von Traum durch die Dämmerung – Vítězslav Nováks "musikalische Polemik" 这些intermediale Differenz-Form-des-Dazwischen(晚)歌在梦浪漫地黄昏- Vítězslav好áks "音乐Polemik "
IF 0.1
Musicologica Brunensia Pub Date : 1900-01-01 DOI: 10.5817/mb2021-1-6
Petr Pytlík
{"title":"Die intermediale Differenz-Form-des-Dazwischen im (spät)romantischen Lied am Beispiel von Traum durch die Dämmerung – Vítězslav Nováks \"musikalische Polemik\"","authors":"Petr Pytlík","doi":"10.5817/mb2021-1-6","DOIUrl":"https://doi.org/10.5817/mb2021-1-6","url":null,"abstract":"The present article examines the fundamentals of musical polemics such as the Czech post-romantic composer Vítězslav Novák conducted against Richard Strauss. Based on the foundations of modern theories of intermediality (Zemanek 2012, Wirth 2004) and (post) romantic intermedial aesthetics (Schmidt 2005), a comparative formalistic and structural analysis of the musical version of Otto Julius Bierbaum’s poem Traum durch die Dämmerung by Strauss and Novák is carried out. Using this song as an example, it is examined on which structural levels the musical polemics in Nováks composition are realized, to what extent they represent a specific composition technique and whether and how they call into question the omnipresent idea of romantic “absolute music” (Dahlhaus 1978).","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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