Sound Studies最新文献_第5页

Listening for belonging and bridging to citizenship in South Asia 倾听南亚的归属感和通往公民身份的桥梁

IF 0.5

Sound Studies Pub Date : 2022-09-05 DOI: 10.1080/20551940.2022.2120258

Charlotte Eubanks

引用次数: 0

Grid of nows: sound recording and the problem of time 网格的现在:录音和时间的问题

IF 0.5

Sound Studies Pub Date : 2022-09-04 DOI: 10.1080/20551940.2022.2112387

Mickey Vallee

引用次数: 0

Listening to Black women’s sonic labor 听黑人妇女的声音劳动

IF 0.5

Sound Studies Pub Date : 2022-08-04 DOI: 10.1080/20551940.2022.2106625

I. Blake

引用次数: 1

The Lomax archive: from signal to noise 洛马克斯档案:从信号到噪音

IF 0.5

Sound Studies Pub Date : 2022-07-28 DOI: 10.1080/20551940.2022.2104998

Jared Asser

引用次数: 0

Listening to interruptions: sonic dominance and sonic norms 听干扰:声音支配和声音规范

IF 0.5

Sound Studies Pub Date : 2022-07-03 DOI: 10.1080/20551940.2022.2107347

M. Horrigan

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引用次数: 0

Virgin Forest and the “Intrusion” of Gaïa: ecomusicological questions, relational listening, and the music of Lionel Loueke of Benin 原始森林和Gaïa的“入侵”:生态音乐学问题，关系聆听，以及贝宁的Lionel Loueke的音乐

IF 0.5

Sound Studies Pub Date : 2022-07-03 DOI: 10.1080/20551940.2022.2095763

Sarah Politz

{"title":"Virgin Forest and the “Intrusion” of Gaïa: ecomusicological questions, relational listening, and the music of Lionel Loueke of Benin","authors":"Sarah Politz","doi":"10.1080/20551940.2022.2095763","DOIUrl":"https://doi.org/10.1080/20551940.2022.2095763","url":null,"abstract":"ABSTRACT The recent emergence of the subfield of ecomusicology has raised provocative questions about theory and method in music studies, as well as relationships between sound, humans, and the environment. This paper responds to these questions through an examination of two albums by the Beninese guitarist Lionel Loueke, informed by ethnographic interviews with Loueke and fieldwork in Benin and the U.S. Each of the two albums deals with a distinct set of musical materials and strategies to convey their respective ecological orientations. The album Virgin Forest does this through creating ambient atmospheres that blur the lines between human and animal sound, while the second album, Gaïa, deploys guitar distortion and “out-of-joint” grooves to channel an angry earth goddess. This analysis explores connections between the albums and concepts of sacred sound and interdependence in the Nichiren Buddhist practice that Loueke has adopted, and in vodun ancestral practices in Benin. I propose a concept of relational listening, building on Edouard Glissant’s la Relation and Steven Feld’s acoustemology, which embraces humans’ interdependence with the environment while respecting the radical alterity of other beings, including human, non-human, and more-than-human. Loueke’s music suggests that this relational listening necessarily leads to relational sounding: interactive improvisation.","PeriodicalId":53207,"journal":{"name":"Sound Studies","volume":"1 1","pages":"196 - 218"},"PeriodicalIF":0.5,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87946789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Reading sound: textual value devices in gallery sound 阅读声音:文本值装置在画廊声音

IF 0.5

Sound Studies Pub Date : 2022-07-03 DOI: 10.1080/20551940.2022.2105023

Whitney Johnson

{"title":"Reading sound: textual value devices in gallery sound","authors":"Whitney Johnson","doi":"10.1080/20551940.2022.2105023","DOIUrl":"https://doi.org/10.1080/20551940.2022.2105023","url":null,"abstract":"ABSTRACT As sound practices continue to evolve in the gallery arts, conceptual texts create value for audiences who have been trained to see but who are still learning to listen. Based on 105 semi-structured interviews and four years of ethnographic observation, this paper finds that, contrary to the reliance on hearing in music or vision in the other gallery arts, gallery sound has had to rely, paradoxically, on reading audiences. After a look at models of cultural-economic valuation, this study finds that sound artists tend to rely on written language to value their works, and these textual value devices appear on a variety of interfaces. Artist statements are communicated through online platforms, handouts, didactic panels, and grant applications as instances of economic agencement – rendering the aesthetic economic – for works that otherwise might be mistaken for music or visual art. Respondents explained this reliance on text in terms of art world isomorphism, as a response to technical maladaptation, and as a tool for sensory learning. The resulting hierarchies of aesthetic value have implications for the relationship between sensory perception and conceptual understanding throughout the gallery arts and beyond.","PeriodicalId":53207,"journal":{"name":"Sound Studies","volume":"118 1","pages":"163 - 180"},"PeriodicalIF":0.5,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81304915","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Seeing a film in blindfolds: cinema experience with EarFilms 蒙眼观影:EarFilms的观影体验

IF 0.5

Sound Studies Pub Date : 2022-06-13 DOI: 10.1080/20551940.2022.2084846

Arzu Karaduman

{"title":"Seeing a film in blindfolds: cinema experience with EarFilms","authors":"Arzu Karaduman","doi":"10.1080/20551940.2022.2084846","DOIUrl":"https://doi.org/10.1080/20551940.2022.2084846","url":null,"abstract":"ABSTRACT To Sleep to Dream is an EarFilm, that is an audio-only film that combines live narration and an advanced 3D sound system and relies on a half-dome-shaped arrangement of over twenty speakers that surround the blindfolded audience members who sit in the middle of a darkened room. In this paper, I analyse how the mental visual imagery that audiences form during their experience of an EarFilm involves a complete sensory immersion and erases the spatial boundaries of the cinematic apparatus that has been theorised since the 1970s. As one of the contemporary apparatuses, an EarFilm demands that we revise our terminology to address the spatial dispositif in relation to new technologies of ambisonics. In the specific example of an EarFilm, darkness-turned-all-immersive spectacle is an avisual depth of personally-created visual and yet invisible spaces. Utilising Akira Lippit’s concept of “avisuality”, I explain how EarFilms epitomise cinematic visuality by generating personal spatial abysses in total darkness filled with sounds. Earfilms problematise the Western tradition of a hierarchy of the senses and offer a more inclusive art form that both people with and without visual impairments can enjoy.","PeriodicalId":53207,"journal":{"name":"Sound Studies","volume":"66 1","pages":"149 - 162"},"PeriodicalIF":0.5,"publicationDate":"2022-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84620829","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Deep listening the animal other: trash-foraging gulls at Ämmässuo waste treatment centre 深入聆听其他动物:在Ämmässuo废物处理中心觅食垃圾的海鸥

IF 0.5

Sound Studies Pub Date : 2022-05-31 DOI: 10.1080/20551940.2022.2062564

Tanja Tiekso, Karoliina Lummaa

引用次数: 0

Postcolonial Repercussions 后殖民的影响

IF 0.5

Sound Studies Pub Date : 2022-05-02 DOI: 10.1515/9783839462522

引用次数: 0