Sound Studies最新文献_第4页

On the deletion of notes and whales 关于删除笔记和鲸鱼

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Sound Studies Pub Date : 2023-01-02 DOI: 10.1080/20551940.2023.2174679

Arlan Vriens

引用次数: 0

Listening to extraction 听摘录

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Sound Studies Pub Date : 2023-01-02 DOI: 10.1080/20551940.2023.2174674

H. Montgomery, M. Gette

引用次数: 1

Listening to a Pinter double bill: Mitchell’s direction of Mountain Language and Ashes to Ashes at the Royal Court Theatre 听品特双bill:米切尔的指导山语言和灰烬灰烬在皇家宫廷剧院

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Sound Studies Pub Date : 2023-01-02 DOI: 10.1080/20551940.2022.2147330

Naoko Yagi

引用次数: 0

Tuning the office sound masking and the architectonics of office work 调整办公室的声音掩蔽和办公室工作的架构

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Sound Studies Pub Date : 2023-01-02 DOI: 10.1080/20551940.2022.2162765

Joeri Bruyninckx

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引用次数: 0

Sonic intermediaries and the politics of “echology” 声音媒介与“技术”政治

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Sound Studies Pub Date : 2022-12-29 DOI: 10.1080/20551940.2022.2159646

Kirsten S. Paige

引用次数: 0

Psychoanalytic listening in Buenos Aires 布宜诺斯艾利斯的精神分析聆听

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Sound Studies Pub Date : 2022-12-28 DOI: 10.1080/20551940.2022.2162229

Chris Batterman Cháirez

引用次数: 0

The sound of worlds colliding: aural and cultural exchanges in the fur trade 世界碰撞之声:皮毛贸易中的听觉与文化交流

IF 0.5

Sound Studies Pub Date : 2022-12-28 DOI: 10.1080/20551940.2022.2156749

Michael Kimaid

{"title":"The sound of worlds colliding: aural and cultural exchanges in the fur trade","authors":"Michael Kimaid","doi":"10.1080/20551940.2022.2156749","DOIUrl":"https://doi.org/10.1080/20551940.2022.2156749","url":null,"abstract":"Andrisani, V. 2015. “The Sweet Sounds of Havana: Space, Listening, and the Making of Sonic Citizenship.” Sounding Out! Blog website. http://soundstudiesblog.com/2015/09/17/the-sweet-sounds-of-havana-spacelistening-and-the-making-of-sonic-citizenship/ Birdsall, C. 2012. Nazi Soundscapes: Sound, Technology, and Urban Space in Germany, 1933-1945. Amsterdam: Amsterdam University Press. Cavarero, A. 2005. (Kottman, Transl.) For More than One Voice: Toward a Philosophy of Vocal Expression. Stanford, CA: Stanford University Press. Chakrabarty, D. 2007. Provincializing Europe: Postcolonial Thought and Historical Difference. 2nd ed. Princeton, NJ: Princeton University Press. Eidsheim, N.S. 2015. Sensing Sound: Singing and Listening as Vibrational Practice. Durham, NC: Duke University Press. LaBelle, B. 2018. Sonic Agency: Sound and Emergent Forms of Resistance. London: Goldsmiths Press. Lacey, K. 2013. Listening Publics: The Politics and Experience of Listening in the Media Age. Cambridge: Polity Press. Loviglio, J. 2005. Radio’s Intimate Public: Network Broadcasting and Mass-Mediated Democracy. Minneapolis, MN: University of Minnesota Press. Ochoa Gautier, A.M. 2014. Aurality: Listening and Knowledge in Nineteenth Century Colombia. Durham, NC: Duke University Press. Shaefer, R.M. 1993. The Soundscape: Our Sonic Environment and the Tuning of the World. Rochester, NY: Destiny Books. Steingo, G., and J Sykes, eds. 2019. Remapping Sound Studies. Durham, NC: Duke University Press. Stoever, J.L. 2016. The Sonic Color Line: Race and the Cultural Politics of Listening. New York: NYU Press. Thompson, E. 2002. The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America. Cambridge, MA: MIT Press.","PeriodicalId":53207,"journal":{"name":"Sound Studies","volume":"5 1","pages":"129 - 132"},"PeriodicalIF":0.5,"publicationDate":"2022-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75031296","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Evocations of the eerie: the acousmatic voice in Canadian radio drama 诡异的回响:加拿大广播剧中的声学声音

IF 0.5

Sound Studies Pub Date : 2022-12-22 DOI: 10.1080/20551940.2022.2158677

Michael Follert

{"title":"Evocations of the eerie: the acousmatic voice in Canadian radio drama","authors":"Michael Follert","doi":"10.1080/20551940.2022.2158677","DOIUrl":"https://doi.org/10.1080/20551940.2022.2158677","url":null,"abstract":"ABSTRACT Radio is a medium that traffics first and foremost in disembodied voices. English Canadian radio drama has historically drawn upon the eeriness of the disembodied voice as an aesthetic object, and it has done so in an outsized fashion when compared with other national contexts. This trope of the disembodied or acousmatic voice draws upon a relationship to place defined by an experience of alienation and the conceits of settler colonialism. In radio, it expresses Canada’s unique relationship to technological mediation, given the central role of technology in major nation-building projects and the anxieties that stem from technologically-mediated economic and cultural imperialism from south of the border. The themes of excess, dislocation, and alienation associated with technological mediation and conveyed in the disembodied voice recur throughout nearly a century of CBC radio dramas. This paper attempts to make sense of this trope through Mark Fisher’s conception of “the eerie” as a distinct aesthetic form. It is a form that is shaped by the larger socio-cultural context within which it operates, but which also inheres with the potential to both reproduce and challenge those socio-cultural underpinnings.","PeriodicalId":53207,"journal":{"name":"Sound Studies","volume":"12 1","pages":"22 - 41"},"PeriodicalIF":0.5,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80727680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

La Memoria es un Pájaro, or multimedia poetry in the drift La Memoria是unPájaro，或多媒体的诗在漂流

IF 0.5

Sound Studies Pub Date : 2022-11-28 DOI: 10.1080/20551940.2022.2135804

A. Cimini

引用次数: 0

Big mouth: amplified feminism in Guinea 大嘴巴:几内亚女权主义的放大

IF 0.5

Sound Studies Pub Date : 2022-11-24 DOI: 10.1080/20551940.2022.2133951

Nomi Dave

引用次数: 3