Sound StudiesPub Date : 2023-06-19DOI: 10.1080/20551940.2023.2226350
M. Emett
{"title":"They who know sounds, control it and harmonize","authors":"M. Emett","doi":"10.1080/20551940.2023.2226350","DOIUrl":"https://doi.org/10.1080/20551940.2023.2226350","url":null,"abstract":"","PeriodicalId":53207,"journal":{"name":"Sound Studies","volume":"6 1","pages":"298 - 301"},"PeriodicalIF":0.5,"publicationDate":"2023-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75299948","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Sound StudiesPub Date : 2023-04-10DOI: 10.1080/20551940.2023.2195057
James E K Parker, Sean Dockray
{"title":"‘All possible sounds’: speech, music, and the emergence of machine listening","authors":"James E K Parker, Sean Dockray","doi":"10.1080/20551940.2023.2195057","DOIUrl":"https://doi.org/10.1080/20551940.2023.2195057","url":null,"abstract":"ABSTRACT “Machine listening” is one common term for a fast-growing interdisciplinary field of science and engineering that “uses signal processing and machine learning to extract useful information from sound”. This article contributes to the critical literature on machine listening by presenting some of its history as a field. From the 1940s to the 1990s, work on artificial intelligence and audio developed along two streams. There was work on speech recognition/understanding, and work in computer music. In the early 1990s, another stream began to emerge. At institutions such as MIT Media Lab and Stanford’s CCRMA, researchers started turning towards “more fundamental problems of audition”. Propelled by work being done by and alongside musicians, speech and music would increasingly be understood by computer scientists as particular sounds within a broader “auditory scene”. Researchers began to develop machine listening systems for a more diverse range of sounds and classification tasks: often in the service of speech recognition, but also increasingly for their own sake. The soundscape itself was becoming an object of computational concern. Today, the ambition is “to cover all possible sounds”. That is the aspiration with which we must now contend politically, and which this article sets out to historicise and understand.","PeriodicalId":53207,"journal":{"name":"Sound Studies","volume":"17 1","pages":"253 - 281"},"PeriodicalIF":0.5,"publicationDate":"2023-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72873940","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Sound StudiesPub Date : 2023-03-21DOI: 10.1080/20551940.2023.2191458
L. Knight
{"title":"Soundings through creation, evolution and crisis","authors":"L. Knight","doi":"10.1080/20551940.2023.2191458","DOIUrl":"https://doi.org/10.1080/20551940.2023.2191458","url":null,"abstract":"Altman, Rick, McGraw Jones, and Sonia Tatroe. 2000. “Inventing the Cinema Soundtrack: Hollywood’s Multiplane Sound System.” In Music and Cinema, edited by James Buhler, Caryl Flinn, and David Neumeyer, 339–359. Hanover, NH and London: Wesleyan University Press and University Press of New England. Biancorosso, Giorgio. 2009. “Sound.” In The Routledge Companion to Philosophy and Film, edited by Paisley Livingston and Carl Plantinga, 260–267. London and New York, NY: Routledge. Branigan, Edward. 1997. “Sound, Epistemology, Film.” In Film Theory and Philosophy, edited by Richard Allen and Murray Smith, 95–125. Oxford and New York, NY: Oxford University Press. https://doi.org/10.1093/acprof:oso/ 9780198159216.003.0005 . Cascone, Kim. 2000. “The Aesthetics of Failure: ‘Post-digital’ Tendencies in Contemporary Computer Music.” Computer Music Journal 24 (4): 12–18. https://doi.org/10.1162/014892600559489 . Deleuze, Gilles, and Félix Guattari. 1972. Anti-Oedipus. translated by Robert Hurley, Mark Seem, and Helen R. Lane. London and New York, NY: Continuum. Dyson, Frances. 2009. Sounding New Media: Immersion and Embodiment in the Arts and Culture. Berkeley,CA and Los Angeles, CA: University of California Press. Gorbman, Claudia. 1987. Unheard Melodies: Narrative Film Music. Bloomington, IN and London: Indiana University Press and BFI Publishing. Kania, Andrew. 2009. “Realism.” In The Routledge Companion to Philosophy and Film, edited by Paisley Livingston and Carl Plantinga, 237–247. London and New York, NY: Routledge. Kassabian, Anahid. 2013. “The End of Diegesis as We Know It?” In The Oxford Handbook of New Audiovisual Aesthetics, edited by John Richardson, Claudia Gorbman, and Carol Vernallis, 89–106. Oxford and New York, NY: Oxford University Press. Kerins, Mark. 2011. Beyond Dolby (Stereo): Cinema in the Digital Sound Age. Bloomington, IN and Indianapolis, IN: Indiana University Press. Morton, Timothy. 2009. Ecology without Nature: Rethinking Environmental Aesthetics. Cambridge, MA and London: Harvard University Press. Schafer, R. Murray. 1994. The Soundscape: Our Sonic Environment and the Tuning of the World. Rochester, NY: Destiny Books.","PeriodicalId":53207,"journal":{"name":"Sound Studies","volume":"43 1","pages":"288 - 291"},"PeriodicalIF":0.5,"publicationDate":"2023-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78389691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Sound StudiesPub Date : 2023-03-02DOI: 10.1080/20551940.2023.2180858
Julianne Graper
{"title":"Bat/Man: echolocation, experimentation, and the question of the human","authors":"Julianne Graper","doi":"10.1080/20551940.2023.2180858","DOIUrl":"https://doi.org/10.1080/20551940.2023.2180858","url":null,"abstract":"","PeriodicalId":53207,"journal":{"name":"Sound Studies","volume":"84 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83132970","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Sound StudiesPub Date : 2023-01-02DOI: 10.1080/20551940.2022.2163800
Juan Javier Rivera Andía
{"title":"Ethnography and sound: recent methodological efforts in a strongly patrimonialised space","authors":"Juan Javier Rivera Andía","doi":"10.1080/20551940.2022.2163800","DOIUrl":"https://doi.org/10.1080/20551940.2022.2163800","url":null,"abstract":"","PeriodicalId":53207,"journal":{"name":"Sound Studies","volume":"52 1","pages":"114 - 116"},"PeriodicalIF":0.5,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73890463","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Sound StudiesPub Date : 2023-01-02DOI: 10.1080/20551940.2023.2166191
H. Schulze
{"title":"Titles available for review","authors":"H. Schulze","doi":"10.1080/20551940.2023.2166191","DOIUrl":"https://doi.org/10.1080/20551940.2023.2166191","url":null,"abstract":"Engaging with Everyday Sounds, by Marcel Cobussen. Cambridge, United Kingdom: Open Book, 2022. Re-Making Sound: An Experiential Approach to Sound Studies, by Thomas Porcello and Justin Patch. New York, New York: Bloomsbury Academic, 2022. Sensory Futures: Deafness and Cochlear Implant Infrastructures in India, by Michele Ilana Friedner. Minneapolis, Minnesota: University of Minnesota Press, 2022. Sound and Reason: Synesthesia as Metacognition, by Sven Hroar Klempe. Singapore, Singapore: Palgrave Macmillan, 2022","PeriodicalId":53207,"journal":{"name":"Sound Studies","volume":"12 1","pages":"153 - 154"},"PeriodicalIF":0.5,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88907326","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Sound StudiesPub Date : 2023-01-02DOI: 10.1080/20551940.2023.2175461
Jeanice Brooks
{"title":"Composing the past: kitchen sound installation at Ham House","authors":"Jeanice Brooks","doi":"10.1080/20551940.2023.2175461","DOIUrl":"https://doi.org/10.1080/20551940.2023.2175461","url":null,"abstract":"","PeriodicalId":53207,"journal":{"name":"Sound Studies","volume":"4 1","pages":"144 - 148"},"PeriodicalIF":0.5,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73490736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}