{"title":"听黑人妇女的声音劳动","authors":"I. Blake","doi":"10.1080/20551940.2022.2106625","DOIUrl":null,"url":null,"abstract":"Chris Batterman Cháirez is an ethnographer and anthropologist of music. His research broadly considers Indigenous music and environmental precarity, and his dissertation tracks the ways in which structures of coloniality and liberalism are sensed and made material in bodily practices, more-than-human landscapes, and ecologies of sound on/around Lake Pátzcuaro, Mexico. He is currently a Ph.D. candidate and Neubauer Fellow in ethnomusicology at the University of Chicago.","PeriodicalId":53207,"journal":{"name":"Sound Studies","volume":"30 1","pages":"122 - 125"},"PeriodicalIF":0.4000,"publicationDate":"2022-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Listening to Black women’s sonic labor\",\"authors\":\"I. Blake\",\"doi\":\"10.1080/20551940.2022.2106625\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Chris Batterman Cháirez is an ethnographer and anthropologist of music. His research broadly considers Indigenous music and environmental precarity, and his dissertation tracks the ways in which structures of coloniality and liberalism are sensed and made material in bodily practices, more-than-human landscapes, and ecologies of sound on/around Lake Pátzcuaro, Mexico. He is currently a Ph.D. candidate and Neubauer Fellow in ethnomusicology at the University of Chicago.\",\"PeriodicalId\":53207,\"journal\":{\"name\":\"Sound Studies\",\"volume\":\"30 1\",\"pages\":\"122 - 125\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-08-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Sound Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/20551940.2022.2106625\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Sound Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/20551940.2022.2106625","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Chris Batterman Cháirez is an ethnographer and anthropologist of music. His research broadly considers Indigenous music and environmental precarity, and his dissertation tracks the ways in which structures of coloniality and liberalism are sensed and made material in bodily practices, more-than-human landscapes, and ecologies of sound on/around Lake Pátzcuaro, Mexico. He is currently a Ph.D. candidate and Neubauer Fellow in ethnomusicology at the University of Chicago.
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