Deep listening the animal other: trash-foraging gulls at Ämmässuo waste treatment centre

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY
Tanja Tiekso, Karoliina Lummaa
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引用次数: 0

Abstract

ABSTRACT For centuries, seeing has dominated other senses in Western thought. To a certain extent, this has also been the case in animal philosophy. In this article, animal otherness is examined through listening. We explore otherness in animals that share urban environments and utilise material surplus discarded by humans: gulls. Our fieldwork takes place at Ämmässuo, a waste treatment centre located in Espoo, Southern Finland. The method of listening is Deep Listening, a composer’s sound practice developed by American composer Pauline Oliveros. In Deep Listening, listeners are connected with their environment and all its inhabitants through listening. What is heard is always changed by listening, and in turn, listening changes the listener. The article utilises the concept of sonosphere also created by Oliveros, as well as the concept of atmosphere as it has been described by Andrew Whitehouse. It proposes a method of listening-with gulls which acknowledges the diverse differences and similarities between species while also taking into account the agencies of infrastructures and machines affecting both human and nonhuman lives.
深入聆听其他动物:在Ämmässuo废物处理中心觅食垃圾的海鸥
几个世纪以来,视觉在西方思想中一直主导着其他感官。在某种程度上,动物哲学也是如此。在这篇文章中,动物的差异性是通过倾听来检验的。我们探索共享城市环境并利用人类丢弃的剩余物质的动物的差异性:海鸥。我们的实地工作在Ämmässuo进行,这是一个位于芬兰南部埃斯波的废物处理中心。听的方法是“深听”,这是由美国作曲家波琳·奥利弗罗斯发展起来的一种作曲家的声音练习。在深度倾听中,听众通过倾听与他们的环境和所有居民联系在一起。听到的总是随着倾听而改变,反过来,倾听也改变了倾听者。文章利用了由Oliveros创造的sonosphere概念,以及Andrew Whitehouse所描述的大气概念。它提出了一种用海鸥来倾听的方法,这种方法承认物种之间的不同差异和相似之处,同时也考虑到影响人类和非人类生活的基础设施和机器的机构。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Sound Studies
Sound Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.30
自引率
0.00%
发文量
24
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