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The Diasporist Unpacks: The Epigonic Rummagings of R.B. Kitaj 散居者拆封:R.B.基塔伊史诗般的翻找

IF 0.4 3区社会学

STUDIA ROSENTHALIANA Pub Date : 2008-12-31 DOI: 10.2143/SR.40.0.2028848

A. Rosen

{"title":"The Diasporist Unpacks: The Epigonic Rummagings of R.B. Kitaj","authors":"A. Rosen","doi":"10.2143/SR.40.0.2028848","DOIUrl":"https://doi.org/10.2143/SR.40.0.2028848","url":null,"abstract":"HIS rumpled, HAIR TOUSLED a collector MADLY, stoops and excitedly his fusty to garments inspect his bunched books. The and rumpled, a collector stoops excitedly to inspect his books. The eccentric bibliophile in this painted scene is the artist himself, R.B. Kitaj (b.1932), and the painting Unpacking My Library from 1990/1991 captures a common practice for the peripatetic artist. Tm always unpacking my library like that,' muses the painter, ť[a]lways packing part of it up and unpacking sometimes years later, thrilled with forgotten treasures and surprises.1 At times, Kitaj s library has explicitly provided the imagery for his works, as in 1969 when he created In Our Time: Covers for a Small Library After the Life for the Most Part , a series of fifty screen prints taken from photos of his own worn and dog-eared texts. More often, Kitaj s library is the absent presence in his works, supplying the loose weave of literary allusions which connects the artists oeuvre . Since his early career Kitaj has found that 'books are for me what trees are for a landscape painter. They inspire.'2 Not only have books inspired Kitaj to paint, they also seem to have stimulated his desire to write. For the past two decades Kitaj has increasingly penned what he calls explanatory prefaces' to his paintings, intended to accompany his works both on exhibition and in publication. Kitaj keeps the volumes of Adin Steinsaltzs Talmud translation stacked beside the easel in his studio and in recent years he has come to","PeriodicalId":53197,"journal":{"name":"STUDIA ROSENTHALIANA","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2008-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80436232","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Epigone, Innovator, or Apologist? 跟随者，创新者，还是道歉者?

IF 0.4 3区社会学

STUDIA ROSENTHALIANA Pub Date : 2008-12-31 DOI: 10.2143/SR.40.0.2028838

A. Hughes

引用次数: 1

Poetry in the Margin 《边缘诗》

IF 0.4 3区社会学

STUDIA ROSENTHALIANA Pub Date : 2008-12-31 DOI: 10.2143/SR.40.0.2028840

A. V. D. Heide

引用次数: 0

Epigones and the Formation of New Literary Canons 传人与新文学经典的形成

IF 0.4 3区社会学

STUDIA ROSENTHALIANA Pub Date : 2008-12-31 DOI: 10.2143/SR.40.0.2028841

S. Berger, I. Zwiep

引用次数: 2

The Neglected Generation 被忽视的一代

IF 0.4 3区社会学

STUDIA ROSENTHALIANA Pub Date : 2008-12-31 DOI: 10.2143/SR.40.0.2028845

Shmuel Feiner

引用次数: 1

Shem-Tov Falaquera, a Paragon of an Epigone, and the Epigone's Importance for the Study of Jewish Intellectual History 谢姆·托夫·法拉奎拉:一个传人的典范，以及传人对犹太思想史研究的重要性

IF 0.4 3区社会学

STUDIA ROSENTHALIANA Pub Date : 2008-12-31 DOI: 10.2143/SR.40.0.2028836

S. Harvey

引用次数: 2

Medieval opinions on the Spanish school of Hebrew poetry and its epigones 中世纪对西班牙希伯来诗歌学派及其追随者的看法

IF 0.4 3区社会学

STUDIA ROSENTHALIANA Pub Date : 2008-12-31 DOI: 10.2143/SR.40.0.2028839

A. Schippers

引用次数: 1

Moushe's Choices Moushe的选择

IF 0.4 3区社会学

STUDIA ROSENTHALIANA Pub Date : 2008-12-31 DOI: 10.2143/SR.40.0.2028844

H. Pach

引用次数: 0

We Drink only from the Master's Water 我们只喝主的水

IF 0.4 3区社会学

STUDIA ROSENTHALIANA Pub Date : 2008-12-31 DOI: 10.2143/SR.40.0.2028835

J. Robinson

引用次数: 2

Epigonism after Abramovitsh and Bialik

IF 0.4 3区社会学

STUDIA ROSENTHALIANA Pub Date : 2008-12-31 DOI: 10.2143/SR.40.0.2028842

Ken Frieden

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引用次数: 1