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El periodismo en la biografía literaria en la España de los años 20 Pla, González-Ruano y Gómez de la Serna 20世纪20年代西班牙文学传记中的新闻Pla, gonzalez - ruano y gomez de la Serna
Humanidades Pub Date : 2020-06-01 DOI: 10.25185/7.8
Álvaro Pérez Álvarez, Antonio Martínez Illán
{"title":"El periodismo en la biografía literaria en la España de los años 20 Pla, González-Ruano y Gómez de la Serna","authors":"Álvaro Pérez Álvarez, Antonio Martínez Illán","doi":"10.25185/7.8","DOIUrl":"https://doi.org/10.25185/7.8","url":null,"abstract":"espanolEste articulo estudia la escritura biografica de tres escritores y periodistas espanoles desde finales de los anos 20 y hasta el comienzo de la Guerra Civil (1936), una epoca de cambios politicos en la que las biografias reflejaron la busqueda de seres humanos ejemplares para afrontar el presente. La nueva biografia, un tipo de biografia literaria o novelada popularizada en Europa por Lytton Strachey, Virginia Woolf, Andre Maurois o Stefan Zweig llego tambien a Espana. Se dio en ese momento un giro en la forma de relatar la historia de la vida de una persona que conectaba con el periodismo: el biografo seleccionaba solo escenas importantes en la vida del biografiado, se ahondaba en la psicologia en detrimento del relato de hechos y se caracterizaba a los personajes utilizando tecnicas novelescas. Las biografias de Josep Pla, Cesar Gonzalez-Ruano y Gomez de la Serna son buen ejemplo de esa tendencia. portuguesEste artigo estuda a escrita biografica de tres escritores e jornalistas espanhois desde o final da decada de 1920 ate ao inicio da Guerra Civil (1936), uma epoca de mudancas politicas em que as biografias reflectiam a procura de seres humanos exemplares para enfrentar o presente. A nova biografia, um tipo de biografia literaria ou romance tornado popular na Europa por Lytton Strachey, Virginia Woolf, Andre Maurois ou Stefan Zweig tambem chegou a Espanha. Nessa altura, houve uma mudanca na forma de contar a historia da vida de uma pessoa que se relacionava com o jornalismo: o biografo seleccionou apenas cenas importantes na vida do biografo, mergulhou na psicologia em detrimento da narracao de factos e caracterizou as personagens atraves de tecnicas inovadoras. As biografias de Josep Pla, Cesar Gonzalez-Ruano e Gomez de la Serna sao bons exemplos desta tendencia. EnglishThis article studies the writing of the biography of three writers and journalists in Spain in the years prior to the Second Spanish Republic and until the beginning of the Spanish Civil War in 1936. The new biography, a type of literary biography or novella following the European model of Lytton Strachey, Virginia Woolf, Andre Maurois or Stefan Zweig also arrived in Spain. At that moment, there was a turning in the way of telling the story of a person’s life: the biographer selected only important scenes in the life of the biography, delving into psychology to the detriment of the story of events and characterizing the characters using techniques from the novel. The biographies of Josep Pla, Cesar Gonzalez-Ruano and Gomez de la Serna are good examples of this.","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":"108 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80825451","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
El fin y los medios teoría y praxis antiimperialista en Vivian Trías 反帝国主义理论与实践的目的与手段维维安trias
Humanidades Pub Date : 2020-06-01 DOI: 10.25185/7.5
H. Ghiretti
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引用次数: 1
Index 指数
Humanidades Pub Date : 2020-02-02 DOI: 10.25185/hrum
{"title":"Index","authors":"","doi":"10.25185/hrum","DOIUrl":"https://doi.org/10.25185/hrum","url":null,"abstract":"","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":"8 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83905880","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La ecopoesía de Nicanor Parra como espacio de disentimiento 尼康诺·帕拉的生态诗作为异议空间
Humanidades Pub Date : 2019-12-02 DOI: 10.25185/6.8
Sofía Rosa
{"title":"La ecopoesía de Nicanor Parra como espacio de disentimiento","authors":"Sofía Rosa","doi":"10.25185/6.8","DOIUrl":"https://doi.org/10.25185/6.8","url":null,"abstract":"espanolDesde la decada del cincuenta se desarrolla en Chile una linea de ensayistas y poetas ecologistas que denuncia el modelo depredador de crecimiento economico y hace un llamado a la accion colectiva. La publicacion de Ecopoemas del poeta chileno Nicanor Parra en 1982 constituye un hito fundamental que recupera el pensamiento ecologista de varios autores anteriores, al tiempo que propone nuevos paradigmas etico-esteticos capaces de articular subjetividades disidentes en los tres registros ecologicos (Guattari). Con este trabajo me propongo estudiar los ecopoemas como un espacio agonista del disentimiento. El trabajo se centra en la pregunta por los modos en que la ecopoesia de Nicanor Parra configura una performatividad y afectividad del disentir politico. Asi, primero analizo como la ecologia se construye como un discurso de resistencia instalado politica y esteticamente como oposicional; segundo, describo como este discurso configura un nosotros ecocentrico en el que nuevos actores seran capaces de producir los afectos y los gestos del disentir politico que promete una accion colectiva. Por ultimo, reflexiono en torno a la vigencia de la propuesta de Parra en el contexto de la Ecologia Politica latinoamericana. EnglishIn Chile, since the fifties, we start to note a developing trend of ecologist poets and writers denouncing the predatory model of economic growth, calling for collective action. The publication Ecopoemas by the Chilean poet Nicanor Parra in 1982 became a milestone that recovers the environmental thinking of several previous authors while proposing new ethical-aesthetic paradigms capable of articulating dissenting subjectivities in the three ecological registers (Guattari). With this work, I intend to study ecopoems as an agonist space of dissent. The work focuses on exploring how Nicanor Parra’s ecopoetry configures performativity and affectivity of political dissent. First, I analyze ecology as a discourse of resistance installed politically and aesthetically as oppositional in Parra’s poems; second, I describe how this discourse configures an ecocentric us in which new actors will be able to produce affections and gestures of political dissent with the promise of collective action. Finally, I consider the validity of Parra’s ecopoetry in the context of Latin American Political Ecology. portuguesDesde os anos cinquenta, uma linha de ensaistas e poetas ecologistas se desenvolveu no Chile para denunciar o modelo predatorio do crescimento economico e chama por uma acao coletiva. A publicacao de Ecopoemas pelo poeta chileno Nicanor Parra, em 1982, constitui um marco fundamental que recupera o pensamento ecologico de varios autores anteriores, propondo novos paradigmas etico-esteticos capazes de articular subjetividades dissidentes nos tres registros ecologicos (Guattari). Com este trabalho, pretendo estudar os ecopoemas como um espaco agonista de dissidencia. O trabalho enfoca a questao de como a eco-poesia de Nicanor Parra confi","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":"4 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81518745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Tras la pista de Darwin. El problema de la fauna americana en las crónicas de José de Acosta y Gonzalo Fernández de Oviedo 在达尔文的线索。jose de Acosta和Gonzalo fernandez de Oviedo编年史中的美洲动物群问题
Humanidades Pub Date : 2019-12-02 DOI: 10.25185/6.9
Bernat Garí Barceló
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引用次数: 0
«Quiero despertarlos» el gabinete del doctor Artaud "我想叫醒你"阿托博士的内阁
Humanidades Pub Date : 2019-12-01 DOI: 10.25185/6.4
F. Fernández
{"title":"«Quiero despertarlos» el gabinete del doctor Artaud","authors":"F. Fernández","doi":"10.25185/6.4","DOIUrl":"https://doi.org/10.25185/6.4","url":null,"abstract":"Artaud’s life was a constant journey through mental health institutions that left a profound impact on his artistic sensibility. Since he got in touch with the medical establishment and with his own psychiatrists, he appropriated their language and techniques, to the point of conferring the poet with the role of therapist for an ill and decadent society that could only be cured and healed by a functionally cruel art. Surgical procedures, plague and electroshock are some of the metaphors he utilized to illustrate the way to wake the audience up from the mesmerizing slumber caused by diabolical doctor Calgary or his avatar, Adolf Hitler. The fürher figure, who Artaud always said to have met in person, was for him a sinister double of sorts that seemed to have distorted his own ideas about the Theatre of Cruelty. In the face hypnotic spectacles that persuaded audiences to accept a hygienist, racial and eugenic politics of a cruelty not known before, Artaud looked into Medicine to provide the tools to heal a collectivity that had lost its sense of life and whose individuals sleepwalked around the world.","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":"58 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85971805","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Claudia Montero. Y también hicieron periódicos. Cien años de prensa de mujeres en Chile, 1850-1950. Santiago: Hueders, 2018, 296 pp. 克劳迪娅Montero。他们还制作报纸。智利妇女出版社百年,1850-1950。圣地亚哥:Hueders, 2018年,296 pp。
Humanidades Pub Date : 2019-06-03 DOI: 10.25185/5.9
Nicolás Arenas Deleón
{"title":"Claudia Montero. Y también hicieron periódicos. Cien años de prensa de mujeres en Chile, 1850-1950. Santiago: Hueders, 2018, 296 pp.","authors":"Nicolás Arenas Deleón","doi":"10.25185/5.9","DOIUrl":"https://doi.org/10.25185/5.9","url":null,"abstract":"","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":"36 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73988352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La subjetividad de la persona humana y las neurociencias 人的主体性与神经科学
Humanidades Pub Date : 2019-06-03 DOI: 10.25185/5.1
J. F. Franck
{"title":"La subjetividad de la persona humana y las neurociencias","authors":"J. F. Franck","doi":"10.25185/5.1","DOIUrl":"https://doi.org/10.25185/5.1","url":null,"abstract":"","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":"22 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73637597","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Renata Gambino y Grazia Pulvirenti, Storie Menti Mondi. Approccio neuroermeneutico alla letteratura. Milán: Mimesis, 2018, 142 pp. 雷纳塔·甘比诺和格拉齐亚蒂,世界的故事。文学的神经学方法。imlán: Mimesis, 2018年,142页。
Humanidades Pub Date : 2019-06-03 DOI: 10.25185/5.8
Benito Elías García-Valero
{"title":"Renata Gambino y Grazia Pulvirenti, Storie Menti Mondi. Approccio neuroermeneutico alla letteratura. Milán: Mimesis, 2018, 142 pp.","authors":"Benito Elías García-Valero","doi":"10.25185/5.8","DOIUrl":"https://doi.org/10.25185/5.8","url":null,"abstract":"","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":"51 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86636129","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Memoria y mismidad. Análisis desde la fenomenología-hermenéutica de Paul Ricoeur 记忆和一致性。保罗·利科现象学诠释学的分析
Humanidades Pub Date : 2019-06-03 DOI: 10.25185/5.4
J. D. Osorio
{"title":"Memoria y mismidad. Análisis desde la fenomenología-hermenéutica de Paul Ricoeur","authors":"J. D. Osorio","doi":"10.25185/5.4","DOIUrl":"https://doi.org/10.25185/5.4","url":null,"abstract":"espanolPara Paul Ricoeur, Derek Parfit es un excelente representante de la tradicion basada en la identificacion que Locke realiza entre memoria e identidad. Esta identificacion, que eclipsa ademas la pregunta por el quien de la accion, permite llevar la identidad humana hacia un callejon sin salida en el que solo es viable el abandono de una preocupacion que apareceria como una aporia. Como el mismo Parfit declara en su obra, la identidad no es algo que interese. Ademas, la tecnologia moderna y los suenos del post-humano, que se inspiran en la ficcion literaria del siglo XX, trabajan apoyados en esta identificacion proveniente del empirismo, y parecen reforzar la idea de dicha coincidencia y, en nuestro concepto, a ayudar a empobrecer cada vez mas la nocion de memoria. El articulo se centra en primer lugar, en el analisis que Ricoeur realiza de la memoria intentando enriquecer su reflexion desde una perspectiva hermeneutica. En segundo lugar, en el contraste con la reduccion empirica de la memoria y en el intento de sugerir algunos argumentos que permitan llevarla un poco mas alla del dato biologico y psiquico. portuguesPara Paul Ricoeur, Derek Parfit e um excelente representante da tradicao baseada na identificacao que Locke faz entre memoria e identidade. Essa identificacao, que tambem eclipsa a questao de quem da acao, permite que a identidade humana seja levada a um impasse no qual so e viavel o abandono de uma preocupacao que aparecesse como uma aporia. Como o proprio Parfit afirma em seu trabalho, a identidade nao e algo que interessa. Alem disso, a tecnologia moderna e os sonhos pos-humanos, inspirados na ficcao literaria do seculo XX, funcionam apoiados por essa identificacao do empirismo, e parecem reforcar a ideia de tal coincidencia e, em nosso conceito, ajudar a empobrecer mais e mais a nocao de memoria. O artigo enfoca em primeiro lugar a analise que Ricoeur faz da memoria tentando enriquecer sua reflexao a partir de uma perspectiva hermeneutica. Em segundo lugar, em contraste com a reducao empirica da memoria e na tentativa de sugerir alguns argumentos que nos permitem ir um pouco alem dos dados biologicos e psiquicos. EnglishFor Paul Ricoeur, Derek Parfit is an excellent archetypal of the tradition based on Locke’s identification between memory and identity. This identification, which also eclipses the question of who is subject of the action, allows human identity to be taken into a blind alley, in which only the abandonment is the way of a concern that would appear as an aporia. As Parfit himself states in his work, identity is not what matters! In addition, modern technology and post-human dreams, inspired in 20th century literary fiction, work supported by this identification from empiricism, and seem to reinforce the idea of such coincidence and, in our concept, to impoverish more the notion of memory. In first place, the article focuses on the analysis that Ricoeur makes of the memory trying to enrich its reflection with his","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":"34 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83532853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
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