ABEI Journal最新文献

Devouring Hometowns: James Joyce’s Dublin and Dalton Trevisan’s Curitiba 吞噬家乡:詹姆斯·乔伊斯的都柏林和道尔顿·特雷维桑的库里提巴

ABEI Journal Pub Date : 2023-06-15 DOI: 10.11606/issn.2595-8127.v25i1p99-115

Priscila Célia Giacomassi

引用次数: 0

Eating With Bloom on the Sixteenth of June: Food in Ulysses 六月十六日与布鲁姆一起进餐:《尤利西斯》中的食物

ABEI Journal Pub Date : 2023-06-15 DOI: 10.11606/issn.2595-8127.v25i1p117-129

Esra Öztarhan

引用次数: 0

Who’s Afraid of Reading Joyce’s Ulysses: Unravelling the Joycean Labyrinth in “Eumaeus” 谁怕读乔伊斯的《尤利西斯》:《尤迈乌斯》中的乔伊斯迷宫

ABEI Journal Pub Date : 2023-06-15 DOI: 10.11606/issn.2595-8127.v25i1p57-67

Lara Rebeca da Mata Santa Barbara, Noélia Borges de Araújo

{"title":"Who’s Afraid of Reading Joyce’s Ulysses: Unravelling the Joycean Labyrinth in “Eumaeus”","authors":"Lara Rebeca da Mata Santa Barbara, Noélia Borges de Araújo","doi":"10.11606/issn.2595-8127.v25i1p57-67","DOIUrl":"https://doi.org/10.11606/issn.2595-8127.v25i1p57-67","url":null,"abstract":"Reading Ulysses, James Joyce’s novel which was first published in 1922, may not be an easy task. In the text, Joyce does not apply his narrative to traditional, chronological, structures. Instead, the reader is challenged to dive into the stream of consciousness of its main character, Leopold Bloom. This means reading through disconnections, fragmented thoughts, Bloom’s distractions, the synesthetic elements within the narrative, and encountering a language that is full of neologisms, allusions, agglutinations, polyphonies, among other characteristics. However, such a challenge often represents a barrier to many who may feel lost or overwhelmed by that reading. For the centenary of the publication of Ulysses, this essay aims at unravelling the Joycean labyrinth through the sixteenth episode of the novel, “Eumaeus”. Following the technique of the content analysis, defined by Lauren Bardin in L’Analyse de Contenu, it is possible to present an overview of the chapter. The description and interpretation of the key aspects of the chapter will guide the readers’ navigation through the literary virtuosities, allusions, and puzzles of the book.","PeriodicalId":52691,"journal":{"name":"ABEI Journal","volume":"83 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88967146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The First Chapter of Gabriel Conroy, by Bret Harte 《加布里埃尔·康罗伊的第一章》，布莱特·哈特著

ABEI Journal Pub Date : 2023-06-15 DOI: 10.11606/issn.2595-8127.v25i1p165-187

L. Freitas, Vitor Alevato do Amaral

引用次数: 0

A History and Experience of Bloomsday in Lisbon 2012-2022 2012-2022年里斯本布卢姆日的历史与经验

ABEI Journal Pub Date : 2023-06-15 DOI: 10.11606/issn.2595-8127.v25i1p69-98

Bartholomew Ryan

{"title":"A History and Experience of Bloomsday in Lisbon 2012-2022","authors":"Bartholomew Ryan","doi":"10.11606/issn.2595-8127.v25i1p69-98","DOIUrl":"https://doi.org/10.11606/issn.2595-8127.v25i1p69-98","url":null,"abstract":"This text is an account of “Bloomsday”(a celebration of the day in which James Joyce’s Ulysses is set) in Lisbon in the years 2012-2022, from the perspective of the director of the event. I have always tried to interweave Ireland, Portugal and Brazil in the encounter with Joyce with ourselves and our sounds in language and music, with our diverse locations, and with the different translations of Ulysses. The vision has always been to combine entertainment and a subversive joy via music, performative readings and remarks on Ulysses, together with diving deep into the philosophical panorama and profound possibilities of experimenting with language through everyday characters and the experience of life and death within a simple story that encompasses Joyce’s “chaosmos.” Crucially, it is in reading and hearing the text aloud where one enters literature as reality and as a vivid experience. This text also brings up two fascinating reviews of Ulysses which were an inspiration for Bloomsday in 2022: one from 1922 by Shane Leslie (the son of a protestant Anglo-Irish landlord, who converted to Catholicism) where he referred to the book as “literary Bolshevism”; and the other from 1935 by Karl Radek (a Bolshevik leader of the Russian Revolution of 1917) who called it “a heap of dung, crawling with worms.” In their negative critique from opposite ends of the political spectrum, they nevertheless capture the revolutionary spirit and “epic of the human body” of the book in which we are still learning to catch up with and to flourish.","PeriodicalId":52691,"journal":{"name":"ABEI Journal","volume":"53 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79845493","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“that which is common to us all”: Karl Ove Knausgaard as Reader of Joyce “对我们所有人来说都是共同的”:卡尔·欧夫·克瑙斯加德作为乔伊斯的读者

ABEI Journal Pub Date : 2023-06-15 DOI: 10.11606/issn.2595-8127.v25i1p47-56

Tarso do Amaral de Souza Cruz

引用次数: 0

Finnegans Wake 1.1: anew begins 芬尼根守灵节1.1:新的开始

ABEI Journal Pub Date : 2023-06-15 DOI: 10.11606/issn.2595-8127.v25i1p189-211

C. Galindo

引用次数: 0

“Telemachising” the Poor Old Woman: Cathleen ni Houlihan “Restaged” at the Martello Tower “远程遥控”可怜的老妇人:凯瑟琳·尼·霍利汉在马尔泰罗塔“重新上演”

ABEI Journal Pub Date : 2023-06-15 DOI: 10.11606/issn.2595-8127.v25i1p13-27

Mick Greer

{"title":"“Telemachising” the Poor Old Woman: Cathleen ni Houlihan “Restaged” at the Martello Tower","authors":"Mick Greer","doi":"10.11606/issn.2595-8127.v25i1p13-27","DOIUrl":"https://doi.org/10.11606/issn.2595-8127.v25i1p13-27","url":null,"abstract":"In 1904, Joyce launched his satirical broadside, “The Holy Office”, attacking the members of the Abbey Theatre. For the young Joyce, it appeared “that mumming company”, run by Yeats and Lady Gregory, had “surrendered to the popular will”. He craved to show how he had broken away from what he considered the folksy, pseudo Irishness of “gold-embroidered Celtic fringes” and those who in their “foolishness . . . sigh back for the good old times” (Occasional, Critical, and Political Writings 28) – times encapsulated, for him, in Cathleen ni Houlihan. Despite telling us that “Cathleen was received with rapturous applause”, Stanislaus Joyce stresses the fact that his brother “was scornful and indignant that Yeats should write such political and dramatic claptrap” (My Brother’s Keeper 187). In “Telemachus”, the more mature Joyce took the opportunity to put his art at the service of his taste for personal and literary revenge through incorporating a brief, parodic take on Yeats and Gregory’ play through the scene with the milk woman. By setting “Cathleen” before his “cracked lookingglass” (Ulysses 6), he was able not only to explore an ironic echo of various tensions between the colonised Irish and the colonising Englishman, but also to ridicule the romanticised view of Ireland presented by much Celtic Revival writing – including drama – at the time Ulysses was set, and that would extend well beyond the time in which it was written and published.","PeriodicalId":52691,"journal":{"name":"ABEI Journal","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90852171","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Translation of an Excerpt from Anna Livia Plurabelle’s Final Monologue 摘自安娜·利维娅·普勒贝尔《最后的独白》

ABEI Journal Pub Date : 2023-06-15 DOI: 10.11606/issn.2595-8127.v25i1p157-163

L. Ferreira

{"title":"Translation of an Excerpt from Anna Livia Plurabelle’s Final Monologue","authors":"L. Ferreira","doi":"10.11606/issn.2595-8127.v25i1p157-163","DOIUrl":"https://doi.org/10.11606/issn.2595-8127.v25i1p157-163","url":null,"abstract":"This is a translation of an excerpt from the last three pages of Finnegans Wake (FW 626.30 – 628.16), in which the river-character Anna Livia Plurabelle (ALP) presents a bitter farewell monologue, motivated by the abandonment of her family and the supposed betrayal of her mountain-husband Humphrey Chimpden Earwicker (HCE) with her cloud-daughter, young Issy. While remembering the past, ALP feels old, alone and without the strength to continue, disintegrating herself from a world in which she no longer fits. She, who monologues at the same time that her family sleeps, goes to meet the father-sea in a flow that closes the last page of the work with the excerpt “A way a lone a last a loved a long the” (no period). However, this absence of punctuation provokes a circular movement that takes the reader back to the initial page, which begins with the word riverrun, in lowercase, which connects itself with the incomplete sentence “A way a lone a last a loved a long the” from page 628. In this way, what seemed to be the end of the character and also of the book soon becomes the restart of both. It is as if the river-woman who disappears into the sea evaporates herself and reappears on the front page after raining from her cloud-daughter, being vigorously reborn through her rival.","PeriodicalId":52691,"journal":{"name":"ABEI Journal","volume":"336 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80641633","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Multifarious Simplicity of Jun-Pierre Shiozawa’s Illustrations for Ulysses 小泽君-皮埃尔《尤利西斯》插图的繁简

ABEI Journal Pub Date : 2023-06-15 DOI: 10.11606/issn.2595-8127.v25i1p131-153

Nilce M. Pereira

{"title":"The Multifarious Simplicity of Jun-Pierre Shiozawa’s Illustrations for Ulysses","authors":"Nilce M. Pereira","doi":"10.11606/issn.2595-8127.v25i1p131-153","DOIUrl":"https://doi.org/10.11606/issn.2595-8127.v25i1p131-153","url":null,"abstract":"With a highlight on the challenges and exciting possibilities of James Joyce’s texts, this article explores the illustrations of Jun-Pierre Shiozawa for Ulysses, a series of eighteen watercolours produced for each episode of the work in 2014 and composing one of the digital galleries on the artist’s website. The focus of the investigation is to show that the (apparent) simplicity posited by watercolour as a pleasing medium (with its fragile shapes smoothly contrasting light and dark hues in fine delicate textures) reveals a complex network of connotations and cohesive layers of meaning, constructed especially by means of the scenes selected for illustration, the point of view from which each one is presented and their association with Joyce’s text, captioned in short extracts below each image. The article is structured in one section and, in the analysis proper, I examine the main compositional resources employed in each illustration, the effects evoked by them and the relationships of image and text implied in the captions. Based on art and image studies, I also discuss in which sense the term “simplicity” is being used in the article, which adds a dimension to Shiozawa’s art.","PeriodicalId":52691,"journal":{"name":"ABEI Journal","volume":"27 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74642419","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0