Culture Unbound最新文献

{"title":"Seeing Images","authors":"Sonya Petersson, A. Dahlgren","doi":"10.3384/cu.3562","DOIUrl":"https://doi.org/10.3384/cu.3562","url":null,"abstract":"In the cultural heritage digital archive, descriptive metadata makes images (re)searchable. Text-based searches seek terms that match metadata terms or terms referring to aspects of images that have previously been considered essential to select and describe in metadata terms. Such considerations are bound up with historically changing institutional agendas, ideas about user preferences, and implementation of metadata standards. This study approaches image accessibility from a different perspective. It aims to investigate how the infrastructure of the digital archive, comprising metadata and interface, intervenes with, circumscribes as well as enables, the images’ visibility and knowledge-producing capacity. The starting points are: first, that images in digital archives, exemplified by the online image collections in Alvin and DigitaltMuseum, are mediated, mediating, and “mixed” media objects that simultaneously represent the past and the present; second, that the digital archive in a media history of images functions as both a tool and an object of research. Using the platforms as tools of research, this study is based on test searches that aim to find viable search strategies for mixed media objects. The chosen search terms represent media-historically significant and common traits such as images that are combined with text and images that represent and/or mediate other images. The study discloses that the platforms give both false negatives and false positives. They do not support searches that focus media terms and relations between media elements. These problems are further related both to heterogenous metadata practices and to the simultaneously restricted and broad image concept behind them. As objects of research, both platforms are considered in relation to a future construction of a media history of images, where the digital archive is a particular node. The study demonstrates how the “hypermedial” environment associated with new media is prefigured by media interrelations in analog images – or images that are accessible as mediated through the archive’s interface and as policed by the archive’s metadata structure.","PeriodicalId":52133,"journal":{"name":"Culture Unbound","volume":"73 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-02-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86815509","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Decolonising the museum?","authors":"Vanessa Whittington","doi":"10.3384/cu.3296","DOIUrl":"https://doi.org/10.3384/cu.3296","url":null,"abstract":"As institutions that arose during the European age of imperial expansion to glorify and display the achievements of empire, museums have historically been deeply implicated in the colonial enterprise. However if we understand coloniality not as a residue of the age of imperialism, but rather an ongoing structural feature of global dynamics, the challenge faced by museums in decolonising their practice must be viewed as ongoing. This is the case not just in former centres of empire, but in settler-colonial nations such as Australia, where “the colonisers did not go home” (Moreton-Robinson 2015: 10). As a white, Western institution, a number of arguably intrinsic features of the museum represent a significant challenge to decolonisation, including the traditional museum practices and values evinced by the universal museum. Using a number of case studies, this paper considers the extent to which mainstream museums in Australia, Britain and Europe have been able to change  their practices to become more consultative and inclusive of Black and Indigenous peoples. Not only this, it discusses approaches that extend beyond a politics of inclusion to ask whether museums have been prepared to hand over representational power, by giving control of exhibitions to Black and Indigenous communities. Given the challenges posed by traditional museum values and practices, such as the strong preference of the universal museum to maintain intact collections, this paper asks whether community museums and cultural centres located within Indigenous communities may represent viable alternative models. The role of the Uluru Kata Tjuta Cultural Centre in Australia’s Northern Territory is considered in this light, including whether Traditional Custodians are able to exert control over visitor interpretation offered by this jointly managed centre to ensure that contentious aspects of Australian history are included within the interpretation.\u0000 \u0000 \u0000 \u0000 \u0000 \u0000As institutions that arose during the European age of imperial expansion to glorify and display the achievements of empire, museums have historically been deeply implicated in the colonial enterprise. However if we understand coloniality not as a residue of the age of imperialism, but rather an ongoing structural feature of global dynamics, the challenge faced by museums in decolonising their practice must be viewed as ongoing. This is the case not just in former centres of empire, but in settler-colonial nations such as Australia, where “the colonisers did not go home” (Moreton-Robinson 2015: 10). As a white, Western institution, a number of arguably intrinsic features of the museum represent a significant challenge to decolonisation, including the traditional museum practices and values evinced by the universal museum. Using a number of case studies, this paper considers the extent to which mainstream museums in Australia, Britain and Europe have been able to change  their practices to become more consultative and inclusive ","PeriodicalId":52133,"journal":{"name":"Culture Unbound","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-02-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75995595","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Surviving “Car-diac Arrest”","authors":"G. Gatarin","doi":"10.3384/cu.3304","DOIUrl":"https://doi.org/10.3384/cu.3304","url":null,"abstract":"The car dominates the imaginary of urban modernity. Such modernity links the car to living the good life, especially for the growing middle class. However, an environmentalist in my research laments that the unprecedented increase in car volume causes the “car-diac arrest” in our cities. A regime of congestion ensues as too many cars clog our cities’ major arteries. Such situation is a daily experience in Metro Manila, the capital of the Philippines. Although only a tiny minority of the Philippine population owns a car, the lives of millions of Filipinos are impacted by the collective loss of mobility. Through interviews with transport reform advocates and participant observation around Metro Manila, I found that the car has become the ultimate private solution to the public problem of the undesirability of cities. The car creates a one-dimensional world in urban mobility, characterised by its intolerance to other modes of transport. Furthermore, as more cars are added to Manila’s roads, state infrastructure projects and policies highly favour car-centric mobility. This is why walking becomes almost impossible, air pollution worsens, and road traffic crashes take many lives each year. But transport reform advocates are taking action for Metro Manila to survive its “car-diac arrest.” Through pushing for policy reforms, road-sharing initiatives, and partnerships with supportive allies in the government and other sectors of society (called “champions”), they enable the flourishing of alternatives. While they do not see themselves as “anti-car”, they campaign for mobility to prioritise moving people and not just cars. Their ongoing initiatives push for the realisation of “dignified commuting” through a safe, efficient  and reliable public transport system and for active transport (i.e. walking and cycling) to thrive. Through the co-existence of these diverse modes of transport, they reimagine roads as spaces where many worlds can fit. \u0000  \u0000 ","PeriodicalId":52133,"journal":{"name":"Culture Unbound","volume":"15 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-02-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88726983","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Moving on, Looking Back: Letters from Australia","authors":"D. Rowe, G. Noble","doi":"10.3384/cu.4215","DOIUrl":"https://doi.org/10.3384/cu.4215","url":null,"abstract":"<jats:p>N/A</jats:p>","PeriodicalId":52133,"journal":{"name":"Culture Unbound","volume":"19 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-02-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75529314","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Careers of New Chinese Professional Women","authors":"Yinghua Yu","doi":"10.3384/cu.3301","DOIUrl":"https://doi.org/10.3384/cu.3301","url":null,"abstract":"This paper considers a specific cohort of new Chinese professional women born under the one-child policy in the People's Republic of China (PRC). It explores their perceptions and experiences of career in Australia through qualitative data collected from twenty-one professionals. This paper seeks to unpack the complexities of their career planning, pathways, and change, including their use of the WeChat platform to mediate their careers. I argue that new Chinese professional women's experience of career is ambivalent. They aspired to achieve some degree of 'freedom' through choosing to further their career in Australia; simultaneously, they attempted to build homeland connections and fulfil familial obligations as Dushengnv. As a result of constant negotiation, their career pathways were full of 'nonlinear' changes. WeChat works specifically as one important platform that structures the ambivalence experienced – it allows them to establish connections with family in China and the local ethnic community, but it may also limit their ability to develop networks in the Australian workplace; it offers opportunities for entrepreneurship, yet it complicates their social positions. The paper contributes to broader knowledge of new Chineseprofessional women's careers.","PeriodicalId":52133,"journal":{"name":"Culture Unbound","volume":"10 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-02-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89420219","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Hearts in Australia, Souls in Nepal","authors":"A. Limbu","doi":"10.3384/cu.3289","DOIUrl":"https://doi.org/10.3384/cu.3289","url":null,"abstract":"This article focuses on the intergenerational nature of migrants’ aspirations and the emotions that attach to them. Drawing on Ahmed’s (2014) notion of “affective economies” that emphasises that emotions circulate and accumulate affective value, I show how aspirations attached to migration or the “mobile aspirations” (Robertson, Cheng, & Yeoh 2018) are affectively experienced by their family. While studies have explored aspirations for permanent residency (PR) in the West, as well as the pathways to PR, less is documented of how parents experience their children’s migration aspirations, including for PR abroad. This article addresses this particular gap. Taking the case of Nepali education migrants in Australia and their transnational families, I explore the parents’ emotions when their children aspire for PR overseas. I argue that migration aspirations create a different kind of intergenerational affective economy between parents and children. This article is based on a multi-sited ethnography among Nepali education migrants in Sydney, Australia and their families in Nepal.","PeriodicalId":52133,"journal":{"name":"Culture Unbound","volume":"119 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81678091","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Images of the Future","authors":"J. Schick","doi":"10.3384/cu.1689","DOIUrl":"https://doi.org/10.3384/cu.1689","url":null,"abstract":"This article analyzes the conceptions of anticipation and invention in the philosophies of Henri Bergson and Gilbert Simondon. In doing so, I analyze the questions how futures are anticipated and what role technologies play in the anticipation and invention of the future. Technologies are increasingly used to predict, prescribe and control behavior. These technologies are based upon the ontological belief that reality is computable and predictable. With Bergson and Simondon, I aim to show that this ontology does not take the temporal structure and the anticipatory faculty of living beings into account. Anticipation is an essential activity of a living being in its milieu. In order to survive, living beings structure their milieu to make their future actions reliable. Images are central to this process. They are constantly evoked by and with practices. They are transformed and used to anticipate and imagine the future. Yet, these images are affectively charged and can be an expression of what Bergson calls “myth-making function” (fonction fabulatrice). While Bergson describes this function as a positive force, one can ask whether this force turns against itself in face of our contemporary climate crisis, digital technologies and the crisis of open democracies. An alternative is to understand and to construct technical objects as essentially open in analogy to the living being. This implies a conception of the human not as a fixed conception, but as an “open adventure” (Simondon 2016: 121)that constantly re-invents itself in relation with nature and technology.","PeriodicalId":52133,"journal":{"name":"Culture Unbound","volume":"12 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88822353","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Critical Future Studies and Age: attending to future imaginings of age and ageing","authors":"J. Raisborough, Watkins Susan","doi":"10.3384/cu.3156","DOIUrl":"https://doi.org/10.3384/cu.3156","url":null,"abstract":"This paper draws on cultural gerontology and literary scholarship to call for greater academic consideration of age and ageing in our imaginations of the future.  Our work adds to the development of Critical Future Studies (CFS) previously published in this journal, by arguing that prevailing ageism is fuelled by specific constructions of older populations as a future demographic threat and of ageing as a future undesirable state requiring management and control.  This paper has two parts: the first considers the importance of the future to contemporary ageist stereotypes. The second seeks potential counter representations in speculative fiction.  We argue that an age-aware CFS can allow us not only to imagine newfutures but also to reflect critically on the shape and consequences of contemporary modes of relations of power.","PeriodicalId":52133,"journal":{"name":"Culture Unbound","volume":"2 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75309185","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Performative Memory","authors":"J. Maze","doi":"10.3384/cu.1381","DOIUrl":"https://doi.org/10.3384/cu.1381","url":null,"abstract":"Though scholars in memory studies often deal with different aspects of cultural memory, it is rare to find any systematic framework to which memory adheres to and which would explain the emergence and maintenance of memories in general. In this article, I use the concepts of Judith Butler’s theory of performativity, namely interpellation, subject constitution, repetition, sedimentation, citationality and subversion, to show how she could provide a procedural account of memory formation. To illustrate how this might work, I look at how Turkey has chosen to commemorate the failed coup of July 2016 by interpreting some examples of such memory through Butler’s theories. In doing so, I show that Butler, rather than introducing new concepts to the field, offers a systematic framework that can relate scholars to one another by transposing their concepts onto Butler’s theory.","PeriodicalId":52133,"journal":{"name":"Culture Unbound","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76730435","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Revising Postsocialism","authors":"Francisco Martínez","doi":"10.3384/cu.1839","DOIUrl":"https://doi.org/10.3384/cu.1839","url":null,"abstract":"This article reflects on the current explanatory value of concepts such as\u0000postsocialism and Eastern Europe by exploring how they are represented in\u0000contemporary art projects in Estonia. Through an overview of recent exhibitions\u0000in which I collaborated with local artists and curators, the research considers\u0000generational differences in relation to cultural discourses of the postsocialist\u0000experience. Methodologically, artists and curators were not simply my informants\u0000in the field, but makers of analytical knowledge themselves in their practice.\u0000Exhibitions were also approached as contact zones, whereby new cultural forms\u0000are simultaneously reflected and constructed. Critically, this inquiry gathers new\u0000ways of representing and conceptualising cultural changes in Estonia and novel\u0000perspectives of interpreting the relations to the Soviet past. The focus is put on\u0000art practice because of its capacity of bringing together global and local frames of\u0000reference simultaneously. The research also draws attention to the inbetweenness\u0000of the first post-Soviet generation (those born near the time of the breakup of\u0000the USSR); they are revising established cultural forms as well as historical\u0000representations through mixing practices, and therefore updating traditional\u0000ideas of identity and attachment to places.","PeriodicalId":52133,"journal":{"name":"Culture Unbound","volume":"241 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79712637","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}