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Reflections on feminist collaborative initiatives in music in Brazil and their implications to the policies of resistance and creativity 对巴西女权主义音乐合作倡议的思考及其对抵抗和创造力政策的影响
Per Musi Pub Date : 2019-06-03 DOI: 10.35699/2317-6377.2019.5268
Tânia Mello Neiva, Isabela Nogueira, Camila Durães Zerbinatti
{"title":"Reflections on feminist collaborative initiatives in music in Brazil and their implications to the policies of resistance and creativity","authors":"Tânia Mello Neiva, Isabela Nogueira, Camila Durães Zerbinatti","doi":"10.35699/2317-6377.2019.5268","DOIUrl":"https://doi.org/10.35699/2317-6377.2019.5268","url":null,"abstract":"In this article we discuss two initiatives involving women, music and collaborative and creative work in Brazil as possibilities of breaking with and / or weakening hegemonic logics of knowledge production and ways of life / coexistence according to the political dimension of decolonial feminism. They are “Mostra XX” (XX Show) and Isabel Nogueira and Leandra Lambert duo. We propose a reflexive and critical look at our local context and possible creative and political outings of the traps that are imposed on us and that we also help to arm.","PeriodicalId":52093,"journal":{"name":"Per Musi","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41573555","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
What does gender have to do with music, anyway? mapping the relation between music and gender 不管怎样，性别和音乐有什么关系？音乐与性别关系的映射
Per Musi Pub Date : 2019-05-01 DOI: 10.35699/2317-6377.2019.5266
A. Werner
{"title":"What does gender have to do with music, anyway? mapping the relation between music and gender","authors":"A. Werner","doi":"10.35699/2317-6377.2019.5266","DOIUrl":"https://doi.org/10.35699/2317-6377.2019.5266","url":null,"abstract":"‘What does gender have to do with music?’, is in this article a question explored in order to 1) give an overview of important themes and areas in feminist interdisciplinary research on music and gender from the past decades, and to 2) theoretically advance what is specific about music’s relation to gender, and discuss how music and gender research can be furthered today. To achieve these two aims, the author describes and discusses different approaches to investigating the relation between music and gender; cultural critique of music itself, consumption/production research, studies of genre and social settings as well as studies of media technology. The author, with her portrayal of the field as a back-drop, wants to revitalize a discussion of the strengths and weaknesses of music and gender research. Arguing that this is an interdisciplinary field with its own theoretical contribution that can be furthered by advancing the discussions of music’s particularity and music research’s relation to intersectional gender theory.","PeriodicalId":52093,"journal":{"name":"Per Musi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48403464","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
Female empowerment 女性赋权
Per Musi Pub Date : 2019-04-19 DOI: 10.35699/2317-6377.2019.5300
Antenor Ferreira Corrêa, Marise Gloria Barbosa
{"title":"Female empowerment","authors":"Antenor Ferreira Corrêa, Marise Gloria Barbosa","doi":"10.35699/2317-6377.2019.5300","DOIUrl":"https://doi.org/10.35699/2317-6377.2019.5300","url":null,"abstract":"Based on a field research conducted in the State of Maranhão (Brazil), we consider aspects of empowerment prompted by a traditional female leadership existent in several cities of that state. This headship was established in the context of the celebrations in honor of Holy Spirit and provides material which raise interesting questions, such as: Has the female leadership empowered women who play during this festivity? How do the women who participate evaluate their own role within the overall context of the ceremony? Did their headship contribute to undermining racial, social, and gender prejudices? Although our object of study belongs to the field of cultural studies, encompassing both performative and representational aspects of this widely spread Brazilian manifestation, in order to exemplify empowerment, these questions will be addressed having as a case study a group of women called Caixeiras do Divino [The Holy Spirit’s Drumers], who are the responsible for the general organization of the ceremony.","PeriodicalId":52093,"journal":{"name":"Per Musi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-04-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48985864","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 7
The (female) situated musical body (女性的)音乐身体
Per Musi Pub Date : 2019-04-11 DOI: 10.35699/2317-6377.2019.5288
Cecilia Ferm Almqvist, Linn Hentschel
{"title":"The (female) situated musical body","authors":"Cecilia Ferm Almqvist, Linn Hentschel","doi":"10.35699/2317-6377.2019.5288","DOIUrl":"https://doi.org/10.35699/2317-6377.2019.5288","url":null,"abstract":"The starting point for the study presented in this article is constituted by experiences of using Simone de Beauvoir’s philosophy and Iris Marion Young theories aiming to describe and understand the becoming of musical women in Swedish schools. Earlier research conducted outside the area of music shows that Beauvoir’s theories can help to explain – and provide means of change for – situations where there is a risk that traditional gender roles will be conserved. A majority of gender studies in the field of music education are based on the performativity theory of Judith Butler. In comparison, de Beauvoir states that repetitions and habits are stratified in the body as experiences, and that human beings are able to make choices in a situation. The aim of the study is to explore how caring is nurtured among girls in Swedish music educational settings. Material generated through two phenomenological studies conducted within specialist music programs in lower respectively higher secondary education in Sweden, constituted the empirical base for conducting re-analysis. This re-analysis followed a hermeneutical phenomenological analytical model. Examples of how caring seemed to be nurtured among girls in music education appeared at different levels and in different situations. It concerns actions made by the girls aiming to make the social and musical setting function in agreed upon ways, namely in the form of taking initiatives, filling “gaps”, and being flexible. Finally we reflect upon causes and changes in relation to actions that seem to establish and maintain female students as immanent, and non-able to run their own projects.","PeriodicalId":52093,"journal":{"name":"Per Musi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47444197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
José Maurício e Marcos Portugal 何塞·毛里西奥和马科斯葡萄牙
Per Musi Pub Date : 2019-01-01 DOI: 10.35699/2317-6377.2019.14685
D. Cranmer
{"title":"José Maurício e Marcos Portugal","authors":"D. Cranmer","doi":"10.35699/2317-6377.2019.14685","DOIUrl":"https://doi.org/10.35699/2317-6377.2019.14685","url":null,"abstract":"Apesar de se tratar de um “dado adquirido”, a suposta rivalidade entre o Pe. José Maurício Nunes Garcia e Marcos Portugal, da forma como costuma ser retratada, é extremamente reducionista e simplista. Quando a corte portuguesa chegou ao Rio de Janeiro, em 1808, José Maurício era o único músico em condições de assumir os principais papéis musicais e fornecer o leque de composições que a corte precisava. Contudo, aos poucos, as chegadas sucessivas de músicos de Portugal aliviaram-no de certas tarefas: não só Marcos Portugal, mas, antes deste, Bernardo José de Souza Queiroz e Fortunato Mazziotti. Assim, a questão das relações profissionais entre os vários protagonistas nos primeiros anos da estada da Família Real é bem mais complexa do que a tradicional polarização entre José Maurício (o bom) e Marcos Portugal (o mau). Um entendimento, por um lado, dos cargos e tarefas a cumprir e, por outro, da sua distribuição entre os principais músicos disponíveis, revela uma grande diversidade de atividade musical e múltiplas figuras de destaque.","PeriodicalId":52093,"journal":{"name":"Per Musi","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69914578","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Musicum versus Cantor 音乐与康托尔
Per Musi Pub Date : 2018-08-11 DOI: 10.35699/2317-6377.2018.5262
Edoardo Sbaffi, Mônia Feller Albrecht
{"title":"Musicum versus Cantor","authors":"Edoardo Sbaffi, Mônia Feller Albrecht","doi":"10.35699/2317-6377.2018.5262","DOIUrl":"https://doi.org/10.35699/2317-6377.2018.5262","url":null,"abstract":"Este artigo propõe uma reflexão acerca do antagonismo entre o músico prático e o músico teórico. Através de contextualizações históricas, demonstra-se que o conceito de teoria musical é abrangente e possibilita diferentes compreensões. Dialoga-se, assim, com o passado, na busca de melhor compreender-se o que se percebe atualmente sobre esta dicotomia. Busca-se, a partir disso, discorrer sobre a figura do professor-instrumentista e sobre como sua formação é norteada pela maneira pela qual se compreende esta questão.","PeriodicalId":52093,"journal":{"name":"Per Musi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-08-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48132620","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Guerra-Peixe’s Symphony No. 2 Brasília (Part 2) 佩克塞第二交响曲巴西利亚（下）
Per Musi Pub Date : 2018-08-03 DOI: 10.35699/2317-6377.2018.5243
M. R. Souza
{"title":"Guerra-Peixe’s Symphony No. 2 Brasília (Part 2)","authors":"M. R. Souza","doi":"10.35699/2317-6377.2018.5243","DOIUrl":"https://doi.org/10.35699/2317-6377.2018.5243","url":null,"abstract":"The present article presents a broad musical analysis of the Symphony No. 2 Brasília by Brazilian composer César Guerra-Peixe, covering formal, melodic, motivic and harmonic aspects. The terminology of the analytical terms was the same used by Peter Brown in his five volume series of all representative symphonies of the symphonic literature. These terms came from Guidelines to Style Analysis by Jan LaRue. The Symphony Brasília was subject of my doctoral project in three principal fronts: production of a performance edition of the full score and parts; performance of the work in the US and Brazil, aiming to correct eventual mistakes and spread the music; and a production of historical and analytical texts. The present article will cover the musical analysis. A previous article covered historical aspects of the work.","PeriodicalId":52093,"journal":{"name":"Per Musi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-08-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46363691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
La Technique Supérieure de l’Archet de Lucien Capet Lucien Capet的高级弓技术
Per Musi Pub Date : 2018-08-02 DOI: 10.35699/2317-6377.2018.5293
Adonhiran Reis
{"title":"La Technique Supérieure de l’Archet de Lucien Capet","authors":"Adonhiran Reis","doi":"10.35699/2317-6377.2018.5293","DOIUrl":"https://doi.org/10.35699/2317-6377.2018.5293","url":null,"abstract":"Esta análise de La Technique Supérieure de l’Archet (1916) de Lucien Capet (1873–1928) procura demonstrar a sua atualização e relevância para a abordagem fundamental da técnica da mão direita na formação do violinista. Destaca as principais ideias, como a construção da técnica e sua relação com a didática atual do violino. A análise é precedida de uma contextualização da importância de Lucien Capet dentro do violinismo do século XX, descrevendo sucintamente sua trajetória.","PeriodicalId":52093,"journal":{"name":"Per Musi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44863529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Moacir Santos’ Mediations Moacir Santos的调解
Per Musi Pub Date : 2018-08-01 DOI: 10.35699/2317-6377.2018.5275
Sergio Gaia Bahia
{"title":"Moacir Santos’ Mediations","authors":"Sergio Gaia Bahia","doi":"10.35699/2317-6377.2018.5275","DOIUrl":"https://doi.org/10.35699/2317-6377.2018.5275","url":null,"abstract":"This article seeks to provide a panoramic portrait of the work of the musician Moacir Santos according to his characteristic mediation between different forms of musical organization. More precisely, I indicate how functional harmonic treatments coexist in the composer's pieces with constructions not confined to the traditional limits of tonalism. Such \"mediations\" between distinct harmonic approaches are traditionally understood by Santos scholars as an \"ambiguous\" —and, in this sense, indefinite — trait of his music. However, in addition to the ambiguities, I seek to demonstrate here how this harmony obeys a proper and well defined organization, guided in general by the horizontal aspect of voice leadings as the main building element.","PeriodicalId":52093,"journal":{"name":"Per Musi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45822413","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Os efeitos de uma proposta didática de Educação Auditiva na performance musical 听力教育教学方案对音乐表演的影响
Per Musi Pub Date : 2018-07-15 DOI: 10.35699/2317-6377.2018.5172
Mário Cardoso, L. Silva, Elsa Maria Gabriel Morgado
{"title":"Os efeitos de uma proposta didática de Educação Auditiva na performance musical","authors":"Mário Cardoso, L. Silva, Elsa Maria Gabriel Morgado","doi":"10.35699/2317-6377.2018.5172","DOIUrl":"https://doi.org/10.35699/2317-6377.2018.5172","url":null,"abstract":"Um dos desafios do contexto musical educativo contemporâneo é a urgência da construção e desenvolvimento de uma visão pluridisciplinar e multidimensional que possa, por um lado, contribuir para a superação de práticas pedagógicas fragmentadas do contexto e sintaxe musical, e por outro, contextualizar e desenvolver um conjunto de capacidades auditivas, cognitivas e expressivas. Este facto é observado nas práticas pedagógicas das unidades curriculares associadas à construção e desenvolvimento da formação musical dos indivíduos, cujos os paradigmas são pautados pelo desenvolvimento técnico-expressivo, isolamento de elementos fundamentais da sintaxe musical e desfasamento entre a produção contemporânea e seus processos de ensino e aprendizagem. Partindo da pertinência e contemporaneidade que estas práticas pedagógicas levantam no contexto atual foi desenvolvida uma abordagem metodológica de carácter experimental, com a finalidade de verificar se a implementação de um modelo pluridisciplinar e multidimensional de educação auditiva, produz efeitos na melhoria do desempenho e compreensão musical. Esta investigação empírica foi desenvolvida em contexto de Ensino Superior, com recurso a uma linha metodológica experimental, com grupo de controlo com pré-teste e pós-teste. Da análise e interpretação dos resultados emergem indicadores de que o processo de ensino e aprendizagem assente no Modelo Multidimensional de Educação Auditiva, contribui para o desenvolvimento da aprendizagem e reconhecimento de elementos (estrutura rítmica e métrica, organização melódica e harmónica, elementos expressivos e diversidade estilística e instrumental) fundamentais na compreensão da sintaxe musical.","PeriodicalId":52093,"journal":{"name":"Per Musi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46775472","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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