{"title":"Niyi Afolabi. Ilê Aiyê in Brazil and the Reinvention of Africa. New York: Palgrave Macmillan, 2016. 288 pp.","authors":"Christopher Dunn","doi":"10.3368/lbr.56.2.e14","DOIUrl":"https://doi.org/10.3368/lbr.56.2.e14","url":null,"abstract":"","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"56 1","pages":"E14 - E16"},"PeriodicalIF":0.1,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42421334","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sarzynski, Sarah. Revolution in the Terra do Sol: The Cold War in Brazil. Stanford: Stanford UP, 2018. 352 pp.","authors":"Theresa Bachmann","doi":"10.3368/lbr.56.2.e4","DOIUrl":"https://doi.org/10.3368/lbr.56.2.e4","url":null,"abstract":"","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"56 1","pages":"E4 - E5"},"PeriodicalIF":0.1,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43182598","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Notes on Curatorship, Cultural Programming and Coloniality in Portugal","authors":"Carlos Garrido Castellano, M. Lança","doi":"10.3368/lbr.56.2.42","DOIUrl":"https://doi.org/10.3368/lbr.56.2.42","url":null,"abstract":"This article examines the impact of contemporary curating and cultural programming in the configuration of critical perspectives on Portugal’s postcolonial identity. It argues that visual creativity is forging a new paradigm in the Portuguese cultural field. In this context, postcolonial discourses are not silenced but, rather, aligned with international agendas in broader cultural initiatives mirroring the transformation of the main Portuguese cities into cosmopolitan, multicultural, and multiethnic enclaves. This situation, however, does not imply that these new visual productions are liberated from the present contradictions deriving from the legacies of colonialism. In addressing this situation, the essay seeks to understand how artistic practices and curatorial conceptions have begun to develop a critical reading of the major questions centered around current debates on coloniality in Portugal.","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"56 1","pages":"42 - 63"},"PeriodicalIF":0.1,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43763565","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Defusing Brazil’s Woman Militant","authors":"Dana A. Meredith","doi":"10.3368/lbr.56.2.84","DOIUrl":"https://doi.org/10.3368/lbr.56.2.84","url":null,"abstract":"This article examines two films that portray the experiences of women in armed revolutionary movements in twentieth-century Brazil: Olga (2004), directed by Jayme Monjardim and set in the 1930s during the dictatorship of Getúlio Vargas, and O que é isso, companheiro? (1997), directed by Bruno Barreto and centered on the 1969 kidnapping of Charles Burke Elbrick, the American ambassador to Brazil. An examination of the potential of historical fiction and fictionalized history to expand the historical record and contest the “official” accounts of past-marginalized groups reveals a similar discrepancy in both films: While they establish counternarratives for leftist groups, they reproduce and reinforce heteronormative, binary divisions of gender. Drawing upon Jack Halberstam’s notion of female masculinity, this article argues that the two films seek to “correct” the gender expression of their lead female characters, sliding them from positions of masculine power to ones of feminine weakness and self-sacrifice. Pierre Bourdieu’s notion of the “double bind” and recent Brazilian politics reveal how the films, inadvertently, capture the dilemma of women seeking to wield authority in Brazil: While a woman’s feminine presentation is not respected as strong by the Brazilian public, her masculine expression is not seen as legitimate.","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"56 1","pages":"104 - 84"},"PeriodicalIF":0.1,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42695693","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Green, James N. Exile within Exiles: Herbert Daniel, Gay Brazilian Revolutionary. Durham: Duke UP, 2018. 334 pp.","authors":"Kristal Bivona","doi":"10.3368/lbr.56.2.e6","DOIUrl":"https://doi.org/10.3368/lbr.56.2.e6","url":null,"abstract":"","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"56 1","pages":"E6 - E7"},"PeriodicalIF":0.1,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45986392","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Piçarra, Maria do Carmo and Teresa Castro, eds. (Re)imagining African Independence: Film, Visual Arts and the Fall of the Portuguese Empire. Bern: Peter Lang, 2017. xvi + 287 pp.","authors":"E. Brugioni","doi":"10.3368/lbr.56.2.e8","DOIUrl":"https://doi.org/10.3368/lbr.56.2.e8","url":null,"abstract":"","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"56 1","pages":"E10 - E8"},"PeriodicalIF":0.1,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47430327","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Limit and Transgression in Hilda Hilst’s Pornographic Trilogy","authors":"Derek Beaudry","doi":"10.3368/lbr.56.2.64","DOIUrl":"https://doi.org/10.3368/lbr.56.2.64","url":null,"abstract":"Hilda Hilst’s Pornographic or Obscene Trilogy, composed of the novels O caderno rosa de Lori Lamby (1990), Contos d’escárnio/textos grotescos (1990), and Cartas de um sedutor (1991), were deemed by many to be a scandalous offense for their explicit (and comic) representations of sexuality, particularly for their treatment of sexual taboos. Hilst regarded the novels as part of a larger effort to gain more attention after years of relative obscurity. In this essay, I argue that the trilogy signifies an important change in the philosophical concerns that characterize her poetry, theatre, and fiction. If in other works by Hilst, one finds a certainty in the ability of thought and language to represent the real, whose condition of possibility assumes the presence of a divine figure, the Pornographic Trilogy marks the absence or death of God. As a result, the novels trouble notions of a centered individual and collective subject. This shift in the ontological assumptions that underlie Hilst’s work is evoked in varying figures of limit and transgression that inform the novels’ enumeration of sexual taboos, as well as a recurrent tension between three images of writing. I show that the novels consider the death of God as it relates to writing, particularly as it concerns narrative voice, authorship, and genre. Finally, I contend that it is through the decidedly comic mode of the trilogy that the novels signal the attempt to think of self as singular being and community as a sharing of the condition of human finitude.","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"56 1","pages":"64 - 83"},"PeriodicalIF":0.1,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3368/lbr.56.2.64","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49185510","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The “Beauty of Inequality” and the Mythos of the Medieval","authors":"B. Cowan","doi":"10.3368/lbr.56.2.105","DOIUrl":"https://doi.org/10.3368/lbr.56.2.105","url":null,"abstract":"This paper recovers the untold story of the Brazilians whose reactions to perceived modernization and secularization helped create today’s transnational Christian Right. Catholic traditionalism at and after Vatican II has gained intermittent notoriety in the years since the Council—yet this notoriety has almost always focused around North Atlantic reactionaries. I show that prominent members of Brazil’s ecclesial and lay hierarchies worked at the Council to anchor an embryonic, anti-modern Catholic conservatism, rooted in pre-conciliar corporatism and mysticism. They organized the forces of conservatism at Vatican II; generated ideological and logistical groundwork for a global Catholic traditionalist groundswell in the Council’s aftermath; and anticipated the cross-denominational linkages of religious and political issues that would come to comprise late-twentieth century neoliberalism and the New Right.","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"56 1","pages":"105 - 129"},"PeriodicalIF":0.1,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3368/lbr.56.2.105","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69621692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Braga-Pinto, César. A violência das letras: Amizade e inimizade na literatura brasileira: (1888–1940). Rio de Janeiro: EdUERJ, 2018. 619 pp.","authors":"J. Mello","doi":"10.3368/lbr.56.2.e30","DOIUrl":"https://doi.org/10.3368/lbr.56.2.e30","url":null,"abstract":"","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"56 1","pages":"E30 - E33"},"PeriodicalIF":0.1,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44782100","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}