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Luso-Brazilian Review最新文献

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Niyi Afolabi. Ilê Aiyê in Brazil and the Reinvention of Africa. New York: Palgrave Macmillan, 2016. 288 pp. Niyi Afolabi。巴西的Ilê Aiyê和非洲的重塑。纽约:Palgrave Macmillan出版社，2016。288页。
IF 0.1 4区 社会学
Luso-Brazilian Review Pub Date : 2019-12-01 DOI: 10.3368/lbr.56.2.e14
Christopher Dunn
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引用次数: 0
Sarzynski, Sarah. Revolution in the Terra do Sol: The Cold War in Brazil. Stanford: Stanford UP, 2018. 352 pp. 萨拉，萨钦斯基。地球上的革命：巴西的冷战。斯坦福大学：斯坦福大学，2018年。352页。
IF 0.1 4区 社会学
Luso-Brazilian Review Pub Date : 2019-12-01 DOI: 10.3368/lbr.56.2.e4
Theresa Bachmann
{"title":"Sarzynski, Sarah. Revolution in the Terra do Sol: The Cold War in Brazil. Stanford: Stanford UP, 2018. 352 pp.","authors":"Theresa Bachmann","doi":"10.3368/lbr.56.2.e4","DOIUrl":"https://doi.org/10.3368/lbr.56.2.e4","url":null,"abstract":"","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"56 1","pages":"E4 - E5"},"PeriodicalIF":0.1,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43182598","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Notes on Curatorship, Cultural Programming and Coloniality in Portugal 葡萄牙的文化规划与殖民
IF 0.1 4区 社会学
Luso-Brazilian Review Pub Date : 2019-12-01 DOI: 10.3368/lbr.56.2.42
Carlos Garrido Castellano, M. Lança
{"title":"Notes on Curatorship, Cultural Programming and Coloniality in Portugal","authors":"Carlos Garrido Castellano, M. Lança","doi":"10.3368/lbr.56.2.42","DOIUrl":"https://doi.org/10.3368/lbr.56.2.42","url":null,"abstract":"This article examines the impact of contemporary curating and cultural programming in the configuration of critical perspectives on Portugal’s postcolonial identity. It argues that visual creativity is forging a new paradigm in the Portuguese cultural field. In this context, postcolonial discourses are not silenced but, rather, aligned with international agendas in broader cultural initiatives mirroring the transformation of the main Portuguese cities into cosmopolitan, multicultural, and multiethnic enclaves. This situation, however, does not imply that these new visual productions are liberated from the present contradictions deriving from the legacies of colonialism. In addressing this situation, the essay seeks to understand how artistic practices and curatorial conceptions have begun to develop a critical reading of the major questions centered around current debates on coloniality in Portugal.","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"56 1","pages":"42 - 63"},"PeriodicalIF":0.1,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43763565","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Contributors 贡献者
IF 0.1 4区 社会学
Luso-Brazilian Review Pub Date : 2019-12-01 DOI: 10.3368/lbr.56.2.137
{"title":"Contributors","authors":"","doi":"10.3368/lbr.56.2.137","DOIUrl":"https://doi.org/10.3368/lbr.56.2.137","url":null,"abstract":"","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"56 1","pages":"137 - 138"},"PeriodicalIF":0.1,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41578197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Defusing Brazil’s Woman Militant 化解巴西女性武装分子
IF 0.1 4区 社会学
Luso-Brazilian Review Pub Date : 2019-12-01 DOI: 10.3368/lbr.56.2.84
Dana A. Meredith
{"title":"Defusing Brazil’s Woman Militant","authors":"Dana A. Meredith","doi":"10.3368/lbr.56.2.84","DOIUrl":"https://doi.org/10.3368/lbr.56.2.84","url":null,"abstract":"This article examines two films that portray the experiences of women in armed revolutionary movements in twentieth-century Brazil: Olga (2004), directed by Jayme Monjardim and set in the 1930s during the dictatorship of Getúlio Vargas, and O que é isso, companheiro? (1997), directed by Bruno Barreto and centered on the 1969 kidnapping of Charles Burke Elbrick, the American ambassador to Brazil. An examination of the potential of historical fiction and fictionalized history to expand the historical record and contest the “official” accounts of past-marginalized groups reveals a similar discrepancy in both films: While they establish counternarratives for leftist groups, they reproduce and reinforce heteronormative, binary divisions of gender. Drawing upon Jack Halberstam’s notion of female masculinity, this article argues that the two films seek to “correct” the gender expression of their lead female characters, sliding them from positions of masculine power to ones of feminine weakness and self-sacrifice. Pierre Bourdieu’s notion of the “double bind” and recent Brazilian politics reveal how the films, inadvertently, capture the dilemma of women seeking to wield authority in Brazil: While a woman’s feminine presentation is not respected as strong by the Brazilian public, her masculine expression is not seen as legitimate.","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"56 1","pages":"104 - 84"},"PeriodicalIF":0.1,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42695693","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Green, James N. Exile within Exiles: Herbert Daniel, Gay Brazilian Revolutionary. Durham: Duke UP, 2018. 334 pp. 格林，詹姆斯·N·流放者：赫伯特·丹尼尔，巴西同性恋革命者。达勒姆：杜克大学，2018年。334页。
IF 0.1 4区 社会学
Luso-Brazilian Review Pub Date : 2019-12-01 DOI: 10.3368/lbr.56.2.e6
Kristal Bivona
{"title":"Green, James N. Exile within Exiles: Herbert Daniel, Gay Brazilian Revolutionary. Durham: Duke UP, 2018. 334 pp.","authors":"Kristal Bivona","doi":"10.3368/lbr.56.2.e6","DOIUrl":"https://doi.org/10.3368/lbr.56.2.e6","url":null,"abstract":"","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"56 1","pages":"E6 - E7"},"PeriodicalIF":0.1,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45986392","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Piçarra, Maria do Carmo and Teresa Castro, eds. (Re)imagining African Independence: Film, Visual Arts and the Fall of the Portuguese Empire. Bern: Peter Lang, 2017. xvi + 287 pp. 玛丽亚·多·卡莫和特蕾莎·卡斯特罗主编。(重新)想象非洲独立:电影、视觉艺术和葡萄牙帝国的衰落。伯尔尼:Peter Lang, 2017。Xvi + 287页。
IF 0.1 4区 社会学
Luso-Brazilian Review Pub Date : 2019-12-01 DOI: 10.3368/lbr.56.2.e8
E. Brugioni
{"title":"Piçarra, Maria do Carmo and Teresa Castro, eds. (Re)imagining African Independence: Film, Visual Arts and the Fall of the Portuguese Empire. Bern: Peter Lang, 2017. xvi + 287 pp.","authors":"E. Brugioni","doi":"10.3368/lbr.56.2.e8","DOIUrl":"https://doi.org/10.3368/lbr.56.2.e8","url":null,"abstract":"","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"56 1","pages":"E10 - E8"},"PeriodicalIF":0.1,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47430327","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Limit and Transgression in Hilda Hilst’s Pornographic Trilogy 希尔达·希尔斯特色情三部曲中的限制与越界
IF 0.1 4区 社会学
Luso-Brazilian Review Pub Date : 2019-12-01 DOI: 10.3368/lbr.56.2.64
Derek Beaudry
{"title":"Limit and Transgression in Hilda Hilst’s Pornographic Trilogy","authors":"Derek Beaudry","doi":"10.3368/lbr.56.2.64","DOIUrl":"https://doi.org/10.3368/lbr.56.2.64","url":null,"abstract":"Hilda Hilst’s Pornographic or Obscene Trilogy, composed of the novels O caderno rosa de Lori Lamby (1990), Contos d’escárnio/textos grotescos (1990), and Cartas de um sedutor (1991), were deemed by many to be a scandalous offense for their explicit (and comic) representations of sexuality, particularly for their treatment of sexual taboos. Hilst regarded the novels as part of a larger effort to gain more attention after years of relative obscurity. In this essay, I argue that the trilogy signifies an important change in the philosophical concerns that characterize her poetry, theatre, and fiction. If in other works by Hilst, one finds a certainty in the ability of thought and language to represent the real, whose condition of possibility assumes the presence of a divine figure, the Pornographic Trilogy marks the absence or death of God. As a result, the novels trouble notions of a centered individual and collective subject. This shift in the ontological assumptions that underlie Hilst’s work is evoked in varying figures of limit and transgression that inform the novels’ enumeration of sexual taboos, as well as a recurrent tension between three images of writing. I show that the novels consider the death of God as it relates to writing, particularly as it concerns narrative voice, authorship, and genre. Finally, I contend that it is through the decidedly comic mode of the trilogy that the novels signal the attempt to think of self as singular being and community as a sharing of the condition of human finitude.","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"56 1","pages":"64 - 83"},"PeriodicalIF":0.1,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3368/lbr.56.2.64","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49185510","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Braga-Pinto, César. A violência das letras: Amizade e inimizade na literatura brasileira: (1888–1940). Rio de Janeiro: EdUERJ, 2018. 619 pp. 布拉加·平托，塞萨尔。信件的暴力：巴西文学中的友谊与敌意：（1888-1940）。里约热内卢：EdUERJ，2018。619页。
IF 0.1 4区 社会学
Luso-Brazilian Review Pub Date : 2019-12-01 DOI: 10.3368/lbr.56.2.e30
J. Mello
{"title":"Braga-Pinto, César. A violência das letras: Amizade e inimizade na literatura brasileira: (1888–1940). Rio de Janeiro: EdUERJ, 2018. 619 pp.","authors":"J. Mello","doi":"10.3368/lbr.56.2.e30","DOIUrl":"https://doi.org/10.3368/lbr.56.2.e30","url":null,"abstract":"","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"56 1","pages":"E30 - E33"},"PeriodicalIF":0.1,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44782100","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Figurations of the Negra in Gonçalves Crespo and Caetano da Costa Alegre Gonçalves Crespo和Caetano da Costa Alegre的Negra雕像
IF 0.1 4区 社会学
Luso-Brazilian Review Pub Date : 2019-12-01 DOI: 10.3368/lbr.56.2.1
R. Newcomb
{"title":"Figurations of the Negra in Gonçalves Crespo and Caetano da Costa Alegre","authors":"R. Newcomb","doi":"10.3368/lbr.56.2.1","DOIUrl":"https://doi.org/10.3368/lbr.56.2.1","url":null,"abstract":"This paper analyzes two poems, by Gonçalves Crespo and Caetano da Costa Alegre, both entitled “A negra,” and dating from 1882 and 1884. My comparison focuses on the writers’ revindications of the figure of the negra. Drawing on Alfredo Bosi’s understanding of historically-situated, “resistant” literary texts, I argue that the poems show their writers grappling with—and partially subverting—poetic conventions that were hostile to the affirmation of the beauty and dignity of African and Afro-diasporic women, particularly in comparison to the figure of the loira, a commonplace of nineteenth-century Portuguese poetry. The poems pushed the boundaries of what could be said concerning race and beauty in late-nineteenth-century Portuguese verse, while respecting certain conventions so as to be formally and conceptually “legible.” I contend that we should understand these poems in terms of Bosi’s ideology/ counter-ideology dyad, as exercises in ideological and poetic negotiation rather than examples of uncritical conformity, or of a radicalism that, per Bosi, would have been unavailable to these writers.","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"56 1","pages":"1 - 19"},"PeriodicalIF":0.1,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47736680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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