TDR: The Drama Review最新文献

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I Become a Pattern 我成为一种模式
TDR: The Drama Review Pub Date : 2024-03-01 DOI: 10.1017/s105420432300059x
Lisa Talia Moretti
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引用次数: 0
Performing AI 执行人工智能
TDR: The Drama Review Pub Date : 2024-03-01 DOI: 10.1017/s1054204323000588
Marc-André Cossette, Chris Salter
{"title":"Performing AI","authors":"Marc-André Cossette, Chris Salter","doi":"10.1017/s1054204323000588","DOIUrl":"https://doi.org/10.1017/s1054204323000588","url":null,"abstract":"“Performing AI” raises new questions about creative labor. Might the mathematical entities called neural networks that constitute much contemporary AI research be expressive and “perform,” thus leveling the playing field between human beings and nonhuman machines? What human societal models do neural networks enact? What bodily, mental, and affective work is required to integrate neural networks into the profoundly anthropocentric domain of the performing arts?","PeriodicalId":517571,"journal":{"name":"TDR: The Drama Review","volume":"67 11","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140399256","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Art in and for a Democracy 民主艺术
TDR: The Drama Review Pub Date : 2024-03-01 DOI: 10.1017/s1054204323000667
Dudley Cocke
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引用次数: 0
Still Exhausted 仍然疲惫不堪
TDR: The Drama Review Pub Date : 2024-03-01 DOI: 10.1017/s1054204323000631
Catie Cuan, Douglas Eacho, Sydney Skybetter
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引用次数: 0
TDR volume 68 issue 1 Cover and Front matter 贸易和发展报告》第 68 卷第 1 期封面和封二
TDR: The Drama Review Pub Date : 2024-03-01 DOI: 10.1017/s1054204323000369
{"title":"TDR volume 68 issue 1 Cover and Front matter","authors":"","doi":"10.1017/s1054204323000369","DOIUrl":"https://doi.org/10.1017/s1054204323000369","url":null,"abstract":"","PeriodicalId":517571,"journal":{"name":"TDR: The Drama Review","volume":"2 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140286181","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Work of Art in the Age of Digital Commodification 数字商品化时代的艺术作品
TDR: The Drama Review Pub Date : 2024-03-01 DOI: 10.1017/s1054204323000618
Sam Gill, Annie Dorsen
{"title":"The Work of Art in the Age of Digital Commodification","authors":"Sam Gill, Annie Dorsen","doi":"10.1017/s1054204323000618","DOIUrl":"https://doi.org/10.1017/s1054204323000618","url":null,"abstract":"Digitization is taking over every sphere of life—including the arts. Through the process of digital commodity fetishism, major technology companies threaten to efface the very qualities that make creative expression—particularly the performing arts—distinct and meaningful. To resist or even question these forces, we must excavate an invisible digital politics that can displace (and replace) traditional sources of authority in the performing arts. By examining the basic mechanisms of the “creator economy,” this politics can be found and confronted—in the arts and beyond.","PeriodicalId":517571,"journal":{"name":"TDR: The Drama Review","volume":"34 36","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140286304","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The “Joy Hook,” “Weird Feedback Loops,” “Quick Hit Pieces,” and “Usefulness” 欢乐的钩子"、"奇怪的反馈回路"、"快速打击片段 "和 "有用性"
TDR: The Drama Review Pub Date : 2024-03-01 DOI: 10.1017/s1054204323000527
Alexandra Harlig, Makeda Easter, Margaret Fuhrer
{"title":"The “Joy Hook,” “Weird Feedback Loops,” “Quick Hit Pieces,” and “Usefulness”","authors":"Alexandra Harlig, Makeda Easter, Margaret Fuhrer","doi":"10.1017/s1054204323000527","DOIUrl":"https://doi.org/10.1017/s1054204323000527","url":null,"abstract":"While dance has captured attention across platforms and media, remuneration is constrained by copyright issues, a devaluation of dance as a product, and racism. Media coverage of economic, labor, and crediting concerns in popular dance is a critical part of the circuit of creation, discourse, and culture-shifts in online dance. Coverage has an important role in an age of online organizing and the exposure economy, while it simultaneously extracts value from the creators being covered.","PeriodicalId":517571,"journal":{"name":"TDR: The Drama Review","volume":"39 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140401036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
What Other Movement Is There? 还有什么其他运动?
TDR: The Drama Review Pub Date : 2024-03-01 DOI: 10.1017/s1054204323000552
Kate Maguire-Rosier, Naoko Abe, Fiona Andreallo
{"title":"What Other Movement Is There?","authors":"Kate Maguire-Rosier, Naoko Abe, Fiona Andreallo","doi":"10.1017/s1054204323000552","DOIUrl":"https://doi.org/10.1017/s1054204323000552","url":null,"abstract":"The way robots move often evokes horror. Dance—as an embodied, movement-based art form open to possibility—can expand motion-based Human-Robot Interaction (HRI) beyond popular approaches based on anthropomorphism and late-capitalist efficiency. The “super-machinic” robotic system coopts human-centered movement and perpetuates neoliberal capitalist agendas. Dance offers a provocation for HRI and an invitation to reimagine how we move.","PeriodicalId":517571,"journal":{"name":"TDR: The Drama Review","volume":"46 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140286231","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Human Labor of Digital Humanities 数字人文的人类劳动
TDR: The Drama Review Pub Date : 2024-03-01 DOI: 10.1017/s1054204323000540
E.B. Hunter
{"title":"The Human Labor of Digital Humanities","authors":"E.B. Hunter","doi":"10.1017/s1054204323000540","DOIUrl":"https://doi.org/10.1017/s1054204323000540","url":null,"abstract":"At the institutional and individual level, interest is growing in theatre and performance studies digital humanities (DH) projects. Too often, this interest fizzles out in the leap from digital imaginings to production timelines that real people must execute (with real budgets). A thorough understanding of the labor structures that drive such projects is necessary in developing realistic, sustainable models of DH work.","PeriodicalId":517571,"journal":{"name":"TDR: The Drama Review","volume":"348 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140401981","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Breathing Down My Neck 在我脖子上呼吸
TDR: The Drama Review Pub Date : 2024-03-01 DOI: 10.1017/s1054204323000606
Lisa Müller-Trede
{"title":"Breathing Down My Neck","authors":"Lisa Müller-Trede","doi":"10.1017/s1054204323000606","DOIUrl":"https://doi.org/10.1017/s1054204323000606","url":null,"abstract":"In this digital video supplement to the issue, Lisa Müller-Trede restages a 2022 performance in which she hired an actor to deliver her talk and then interrupted “her” talk at a conference on affective computing—an event that bursts open the academic norms that forbid consideration of the violent uses to which AI research, especially when connected to human bodies, can lend itself.","PeriodicalId":517571,"journal":{"name":"TDR: The Drama Review","volume":"79 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140401394","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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