数字商品化时代的艺术作品

Sam Gill, Annie Dorsen
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引用次数: 0

摘要

数字化正在占领生活的每一个领域,包括艺术。通过数字商品拜物教的过程,大型科技公司威胁要抹杀那些使创造性表达--尤其是表演艺术--变得独特而有意义的特质。为了抵制甚至质疑这些力量,我们必须挖掘出一种无形的数字政治,它可以取代(并替代)表演艺术的传统权威来源。通过研究 "创造者经济 "的基本机制,我们可以在艺术领域内外发现并对抗这种政治。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Work of Art in the Age of Digital Commodification
Digitization is taking over every sphere of life—including the arts. Through the process of digital commodity fetishism, major technology companies threaten to efface the very qualities that make creative expression—particularly the performing arts—distinct and meaningful. To resist or even question these forces, we must excavate an invisible digital politics that can displace (and replace) traditional sources of authority in the performing arts. By examining the basic mechanisms of the “creator economy,” this politics can be found and confronted—in the arts and beyond.
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