{"title":"欢乐的钩子\"、\"奇怪的反馈回路\"、\"快速打击片段 \"和 \"有用性\"","authors":"Alexandra Harlig, Makeda Easter, Margaret Fuhrer","doi":"10.1017/s1054204323000527","DOIUrl":null,"url":null,"abstract":"While dance has captured attention across platforms and media, remuneration is constrained by copyright issues, a devaluation of dance as a product, and racism. Media coverage of economic, labor, and crediting concerns in popular dance is a critical part of the circuit of creation, discourse, and culture-shifts in online dance. Coverage has an important role in an age of online organizing and the exposure economy, while it simultaneously extracts value from the creators being covered.","PeriodicalId":517571,"journal":{"name":"TDR: The Drama Review","volume":"39 6","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The “Joy Hook,” “Weird Feedback Loops,” “Quick Hit Pieces,” and “Usefulness”\",\"authors\":\"Alexandra Harlig, Makeda Easter, Margaret Fuhrer\",\"doi\":\"10.1017/s1054204323000527\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"While dance has captured attention across platforms and media, remuneration is constrained by copyright issues, a devaluation of dance as a product, and racism. Media coverage of economic, labor, and crediting concerns in popular dance is a critical part of the circuit of creation, discourse, and culture-shifts in online dance. Coverage has an important role in an age of online organizing and the exposure economy, while it simultaneously extracts value from the creators being covered.\",\"PeriodicalId\":517571,\"journal\":{\"name\":\"TDR: The Drama Review\",\"volume\":\"39 6\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TDR: The Drama Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/s1054204323000527\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TDR: The Drama Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s1054204323000527","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The “Joy Hook,” “Weird Feedback Loops,” “Quick Hit Pieces,” and “Usefulness”
While dance has captured attention across platforms and media, remuneration is constrained by copyright issues, a devaluation of dance as a product, and racism. Media coverage of economic, labor, and crediting concerns in popular dance is a critical part of the circuit of creation, discourse, and culture-shifts in online dance. Coverage has an important role in an age of online organizing and the exposure economy, while it simultaneously extracts value from the creators being covered.