{"title":"在我脖子上呼吸","authors":"Lisa Müller-Trede","doi":"10.1017/s1054204323000606","DOIUrl":null,"url":null,"abstract":"In this digital video supplement to the issue, Lisa Müller-Trede restages a 2022 performance in which she hired an actor to deliver her talk and then interrupted “her” talk at a conference on affective computing—an event that bursts open the academic norms that forbid consideration of the violent uses to which AI research, especially when connected to human bodies, can lend itself.","PeriodicalId":517571,"journal":{"name":"TDR: The Drama Review","volume":"79 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Breathing Down My Neck\",\"authors\":\"Lisa Müller-Trede\",\"doi\":\"10.1017/s1054204323000606\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this digital video supplement to the issue, Lisa Müller-Trede restages a 2022 performance in which she hired an actor to deliver her talk and then interrupted “her” talk at a conference on affective computing—an event that bursts open the academic norms that forbid consideration of the violent uses to which AI research, especially when connected to human bodies, can lend itself.\",\"PeriodicalId\":517571,\"journal\":{\"name\":\"TDR: The Drama Review\",\"volume\":\"79 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TDR: The Drama Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/s1054204323000606\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TDR: The Drama Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s1054204323000606","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
In this digital video supplement to the issue, Lisa Müller-Trede restages a 2022 performance in which she hired an actor to deliver her talk and then interrupted “her” talk at a conference on affective computing—an event that bursts open the academic norms that forbid consideration of the violent uses to which AI research, especially when connected to human bodies, can lend itself.