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The Germanic Review: Literature, Culture, Theory最新文献

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Man, Woman, Chorus. On Dramatic Figuration in Oskar Kokoschka’s Mörder Hoffnung der Frauen 男人、女人、合唱。论奥斯卡-科科什卡《杀人犯对女人的希望》中的戏剧形象
The Germanic Review: Literature, Culture, Theory Pub Date : 2024-08-26 DOI: 10.1080/00168890.2024.2382433
Saskia Haag
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引用次数: 0
To the Collector Belong the Spoils: Modernism and the Art of Appropriation 战利品属于收藏家：现代主义与挪用艺术
The Germanic Review: Literature, Culture, Theory Pub Date : 2024-08-26 DOI: 10.1080/00168890.2024.2378590
Lorna Martens
{"title":"To the Collector Belong the Spoils: Modernism and the Art of Appropriation","authors":"Lorna Martens","doi":"10.1080/00168890.2024.2378590","DOIUrl":"https://doi.org/10.1080/00168890.2024.2378590","url":null,"abstract":"Published in The Germanic Review: Literature, Culture, Theory (Vol. 99, No. 3, 2024)","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"11 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142203016","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tiger, Advancing: Energéia, Adventure, Emergence in Goethe’s Novella 老虎，前进：歌德长篇小说中的活力、冒险和崛起
The Germanic Review: Literature, Culture, Theory Pub Date : 2024-08-26 DOI: 10.1080/00168890.2024.2372778
Inka Mülder-Bach
{"title":"Tiger, Advancing: Energéia, Adventure, Emergence in Goethe’s Novella","authors":"Inka Mülder-Bach","doi":"10.1080/00168890.2024.2372778","DOIUrl":"https://doi.org/10.1080/00168890.2024.2372778","url":null,"abstract":"In a reading of Goethe’s exemplary Novella, the essay seeks to show that Juliane Vogel’s study of dramatic entrances can be made fruitful for the analysis of narrative Darstellung. In this late wor...","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"10 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142203019","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Who’s there?”: On the Crisis Structure of Entrances in Drama and Theater "谁在那里？论戏剧和剧场入口的危机结构
The Germanic Review: Literature, Culture, Theory Pub Date : 2024-08-26 DOI: 10.1080/00168890.2024.2372777
Juliane Vogel
{"title":"“Who’s there?”: On the Crisis Structure of Entrances in Drama and Theater","authors":"Juliane Vogel","doi":"10.1080/00168890.2024.2372777","DOIUrl":"https://doi.org/10.1080/00168890.2024.2372777","url":null,"abstract":"This article examines the act of making an entrance as a constitutive but long-neglected formal device of drama. Against an Aristotelian view that considers plot the central dramatic device, it dra...","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"21 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142203014","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Forgotten Soldier: Entry of the Nonheroic in Sophocles’s Philoctetes 被遗忘的士兵索福克勒斯《菲洛科泰德斯》中的非英雄人物的进入
The Germanic Review: Literature, Culture, Theory Pub Date : 2024-08-26 DOI: 10.1080/00168890.2024.2369883
Eva Eßlinger
{"title":"A Forgotten Soldier: Entry of the Nonheroic in Sophocles’s Philoctetes","authors":"Eva Eßlinger","doi":"10.1080/00168890.2024.2369883","DOIUrl":"https://doi.org/10.1080/00168890.2024.2369883","url":null,"abstract":"“How does the entrance of a character on the tragic stage affect their visibility and presence? “This question is at the heart of Juliane Vogel’s latest book, Making an Entrance: Appearing on the S...","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"13 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142203011","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Language of Trauma: War and Technology in Hoffmann, Freud, and Kafka 创伤的语言：霍夫曼、弗洛伊德和卡夫卡笔下的战争与技术
The Germanic Review: Literature, Culture, Theory Pub Date : 2024-08-26 DOI: 10.1080/00168890.2024.2378595
Stephen Ross, Claire Bates, James Ziolkoski
{"title":"The Language of Trauma: War and Technology in Hoffmann, Freud, and Kafka","authors":"Stephen Ross, Claire Bates, James Ziolkoski","doi":"10.1080/00168890.2024.2378595","DOIUrl":"https://doi.org/10.1080/00168890.2024.2378595","url":null,"abstract":"Published in The Germanic Review: Literature, Culture, Theory (Vol. 99, No. 3, 2024)","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142203018","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Enter with Courage: Emergence and Ground in Shakespeare, Arendt, and Tillich 勇敢进入：莎士比亚、阿伦特和蒂利希笔下的崛起与根基
The Germanic Review: Literature, Culture, Theory Pub Date : 2024-08-26 DOI: 10.1080/00168890.2024.2378154
Julia Reinhard Lupton
{"title":"Enter with Courage: Emergence and Ground in Shakespeare, Arendt, and Tillich","authors":"Julia Reinhard Lupton","doi":"10.1080/00168890.2024.2378154","DOIUrl":"https://doi.org/10.1080/00168890.2024.2378154","url":null,"abstract":"Responding to the work of Juliane Vogel, this essay draws on Elizabethan stagecraft, Shakespearean dramaturgy, and philosophies of courage in order to analyze the forms of self-disclosure and new b...","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"32 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142203015","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Dies Bildnis ist bezaubernd schön”: On the Morphology of Eighteenth-Century Drama "Dies Bildnis ist bezaubernd schön"：论十八世纪戏剧的形态学
The Germanic Review: Literature, Culture, Theory Pub Date : 2024-08-26 DOI: 10.1080/00168890.2024.2372766
David E. Wellbery
{"title":"“Dies Bildnis ist bezaubernd schön”: On the Morphology of Eighteenth-Century Drama","authors":"David E. Wellbery","doi":"10.1080/00168890.2024.2372766","DOIUrl":"https://doi.org/10.1080/00168890.2024.2372766","url":null,"abstract":"The essay argues that Lessing’s Nathan der Weise, Goethe’s Iphigenie auf Tauris, and Mozart’s and Schikaneder’s Die Zauberflöte—products of a slightly dilated decade (1779–91)—realize a single morp...","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142203017","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Recognition and its Grounds in Sophocles’ Oedipus the King 索福克勒斯《俄狄浦斯王》中的认可及其基础
The Germanic Review: Literature, Culture, Theory Pub Date : 2024-08-26 DOI: 10.1080/00168890.2024.2375540
Ella Wilhelm
{"title":"Recognition and its Grounds in Sophocles’ Oedipus the King","authors":"Ella Wilhelm","doi":"10.1080/00168890.2024.2375540","DOIUrl":"https://doi.org/10.1080/00168890.2024.2375540","url":null,"abstract":"When Oedipus enters the stage for the first time in Sophocles’ Oedipus the King, he carries the invisible burden of a backstory—familiar to spectators but not yet himself—that calls into question h...","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"25 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142203012","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Enter Goffman: On Entrance, Embarrassment, and Role in Erving Goffman’s Dramaturgical Sociology 走进戈夫曼：论埃尔文-戈夫曼戏剧社会学中的入口、尴尬和角色
The Germanic Review: Literature, Culture, Theory Pub Date : 2024-08-26 DOI: 10.1080/00168890.2024.2377657
Jake Fraser
{"title":"Enter Goffman: On Entrance, Embarrassment, and Role in Erving Goffman’s Dramaturgical Sociology","authors":"Jake Fraser","doi":"10.1080/00168890.2024.2377657","DOIUrl":"https://doi.org/10.1080/00168890.2024.2377657","url":null,"abstract":"This paper argues that the work of Erving Goffman can be profitably re-read with the aid of Juliane Vogel’s work on the cultural logic of “the entrance” [der Auftritt]. Although Goffman’s “dramatur...","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"10 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142203007","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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