{"title":"“Who’s there?”: On the Crisis Structure of Entrances in Drama and Theater","authors":"Juliane Vogel","doi":"10.1080/00168890.2024.2372777","DOIUrl":null,"url":null,"abstract":"This article examines the act of making an entrance as a constitutive but long-neglected formal device of drama. Against an Aristotelian view that considers plot the central dramatic device, it dra...","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"21 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Germanic Review: Literature, Culture, Theory","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00168890.2024.2372777","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This article examines the act of making an entrance as a constitutive but long-neglected formal device of drama. Against an Aristotelian view that considers plot the central dramatic device, it dra...